Episodes

06 My Chart 26.07.2024 22:03

Benjamin Boretz: ("...my chart shines high where the blue milks upset...") Keith Eisenbrey, piano recorded live at The Chapel Performance Space, Good Shepherd Center, Seattle, July 20, 2024

05 Invention 26.07.2024 0:37

05 Invention by Keith Eisenbrey

04 Lament For Sarah 26.07.2024 8:10

Benjamin Boretz: Lament for Sarah Keith Eisenbrey, piano recorded live at The Chapel Performance Space, Good Shepherd Center, Seattle, July 20, 2024

03 Liebeslied 26.07.2024 15:52

Benjamin Boretz: Liebeslied for a pianist alone Keith Eisenbrey, piano recorded live at The Chapel Performance Space, Good Shepherd Center, Seattle, July 20, 2024

02 O 26.07.2024 8:31

Benjamin Boretz: O Keith Eisenbrey, piano recorded live at The Chapel Performance Space, Good Shepherd Center, Seattle, July 20, 2024

01 What I Could Hear 26.07.2024 7:03

Benjamin Boretz: ("...what I could hear, trying to crawl out from between the lines of your last ferocious Sonata...") Keith Eisenbrey, piano recorded live at The Chapel Performance Space, Good Shepherd Center, Seattle, July 20, 2024

Banned Rehearsal 1103 240715 20.07.2024 32:06

Hayley, Karen Eisenbrey, Keith Eisenbrey, Anna K, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, July 15, 2024

54 Uxbridge 240714 [240714] 20.07.2024 0:34

this week's arrangement of a melody found in an 1846 shape-note song-book.

Banned Rehearsal 325 930319 20.07.2024 47:30

John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, March 19, 1993.

53 Creation 240707 [240707] 13.07.2024 1:32

this week's arrangement of tune found in an 1846 shape-note song-book

Banned Rehearsal 479 980110 13.07.2024 47:25

Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, January 10, 1998.

Banned Rehearsal 130 880101 13.07.2024 47:21

Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, January 1, 1988.

Banned Rehearsal 1102 240630 - 0701 06.07.2024 30:46

Jennifer Chung, Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at Pinehurst on June 30, (Jennifer) and at The Tintinabulary, Seattle, on July 1, 2024

52 Harmony Grove 240630 [240630] 06.07.2024 0:35

my recent arrangement of a melody found in an 1843 shape-note song-book

Banned Rehearsal 324 930312 06.07.2024 47:31

Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, March 12, 1993

51 Hamburg 240623 [240623] 29.06.2024 0:43

arrangement of a tune found in an 1846 shape-note song book

Banned Rehearsal 950 180115 29.06.2024 32:43

Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer, improvising at The Tintinabulary, Seattle, January 15, 2018

Banned Rehearsal 478 980103 29.06.2024 47:36

Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, January 3, 1998

I Can Shout All I Want 29.06.2024 5:13

Banned Rehearsal in a version of Aaron Keyt's sudden song, with Neal Kosály-Meyer, vocal

Banned Rehearsal 1101 240617 22.06.2024 30:40

Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt, improvising at The Tintinabulary, Seattle, June 17, 2024

50 Quito 240616 [240616] 22.06.2024 0:43

my arrangement of a melody found in an 1846 shape-note song-book

Luke 6:20-26 (170625) 22.06.2024 4:37

my 2013 setting of the Beatitudes from Luke, Zach Buker and Karen Eisenbrey voices, Keith Eisenbrey, piano - recorded live at University Temple United Methodist Church, Seattle, June 25, 2017

Eisenbrey 5 Duets For Solo Piano 030621 22.06.2024 9:25

my 2003 composition recorded live at University Temple United Methodist Church, Seattle, June 21, 2003

Banned Rehearsal 323 930305 22.06.2024 47:31

John E, Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Tintinabulary, Seattle, March 5, 1993

Invocation 240119 [240611] (clavichord) 15.06.2024 6:48

my recent composition, written for alto-horn, but played here on clavichord