Jazz Focus

Louis Armstrong featured with three legendary pianists in the 1920's (Earl Hines), 50's (Oscar Peterson), and 60's (Duke Ellington)

The mostly forgotten tenor sax of Lucky Thompson was very prominent in the 1940's with Count Basie, Charlie Parker and on his own.  By 1956 he was becoming disillusioned with the music business and was shortly to move to Paris for several years.  Just before that he worked with the Milt Jackson Quintet (on Savoy) and Sextet (on Atlantic) to produce several exceptional recording sessions featuring...

Red Norvo and His Orchestra was one of the most innovative and tasteful groups of the Swing Era - which accounts for its lack of commercial appeal and memory!  These are most of the instrumental recordings done by the group between 1936 and 1942 and feature great arrangements by Eddie Sauter and possibly the leader with Norvo taking the bulk of the solos on xylophone.  Also featured are Hank D'Ami...

Great sides for Atlantic in the middle 1950's featuring the trumpet player/arranger/composer Shorty Rogers leading two groups - one, a quintet featuring Jimmy Giuffre on clarinet, baritone and tenor saxes, Lou Levy or Pete Jolly on piano, Curtis Counce or Ralph Pena on bass and Shelly Manne on drums.  The other is a larger group with the same quintet with added alto (Bud Shank), trombone (Bob Enev...

Charlie Parker was a frequent visitor to Boston in the early 1950's, often playing long engagements at the Hi-Hat club.  Here is a sampling of well-recorded radio broadcasts of his groups featuring Herb Pomeroy, Joe Gordon and Herbie Williams on trumpet, Dean Earls, Rollins Griffith and Dick Twardzick on piano, Charles Mingus, Jimmy Woode and Bernie Griggs on bass, Baggy Grant, Marquis Foster, Geo...

The trumpeter/composer/arranger Shorty Rogers did much work for Woody Herman and Stan Kenton in the 1940's - the 1950's found him working in the studios around Los Angeles, playing with the Lighthouse All-Stars on Hermosa Beach and leading record date.  These feature an eight or nine piece band in the style if not the sound of Miles Davis' Birth of the Cool sessions.   With Rogers, Milt Bernhardt...

The ultra-musical jazz singer Bailey and her husband, xylophonist and bandleader Red Norvo recorded several sessions with the just-organized John Kirby Sextet in 1939 and the musical results were superb . . featuring Bailey and Norvo with Charlie Shavers, Buster Bailey, Russell Procope, Billy Kyle, O'Neil Spencer and Cozy Cole

The versatile reedman (here playing alto, tenor, baritone and bass saxes) featured with A+ rhythm sections including Hank Jones, Dave McKenna, Marty Napoleon (piano), Chubby Jackson (sb) and Jo Jones and Buddy Rich on drums.  Well-arranged and played standards and a few originals!

The late, great Ken Peplowski is here remembered on some of his early recording sessions with an astonishing range of styles and personnel.  Trad with Marty Grosz, Peter Ecklund and Terry Waldo; swing with Howard Alden and Dan Barrett, a funny baseball themed session with Dick Miller's National Pass Time Orchestra and two bonuses - one with Leon Redbone and one with Benny Goodman's last big band. ...

Two tributes to Basie and his repertoire led by Rich in 1956 (with Harry Edison, Frank Rosolino, Bob Enevoldsen, Jimmy Rowles and Buddy Collette) and Rogers in 1954 (with Enevoldsen, Cooper, Zoot Sims, Jimmy Giuffre, Herb Geller, Bud Shank, Marty Paich, Curtis Counce and Shelly Manne).

Recordings made by the great New Orleans soprano saxophonist right before and after his permanent relocation to Paris.  Two sessions for Vogue and one for Blue Star feature Bill Coleman (trumpet), Frank "Big Boy" Goudie (tenor sax), Claude Luter (clarinet), Eddie Bernard and Christian Azzi (piano), Pierre Michelot (bass) and Kenny Clarke and Moustache Galipedes (drums).  Originals and standards an...

Three great sessions (two with Flip Phillips and one with Charlie Ventura) of tenor sax backed by well-arranged band performances!  Featuring arrangements by George Williams and Chico O'Farrell with contributions by Charlie Shavers, Al Porcino, Kai Winding, Lennie Hambro, Dave McKenna, Richard Wyands, Max Roach, Freddie Green, Cecil Payne and others . . .

Great live dates from the Savoy Ballroom in 1939 and 1940, featuring the band of the recently deceased Chick Webb, now fronted by Ella Fitzgerald. These are terrific recordings - both musically and in sound quality - and feature great solos by Taft Jordan and Bobby Stark on trumpet, Sandy Williams and George Matthews on trombone, Garvin Bushell and Eddie Barefield on clarinet, Hilton Jefferson on...

Two great record sessions and one live concert featuring the great expat American trumpet and tenor sax player . . with George Daly (vib), Michel de Villers (alto sax), Bernard Peiffer (piano), Jean Bouchety (bass) and Roger Paraboschi (drums)

The great Basie trumpeter Buck Clayton took a band to Europe in the fall of 1949 for about nine months  - those recordings are elsewhere on this station!  These are appearances by Clayton with two other groups led by pianists - Willie "The Lion" Smith and his Quartet (with Claude Luter and Wallace Bishop) and Earl Hines (with Barney Bigard, Arvell Shaw and Bishop).  Four tracks by Hines with just...

Two sessions featuring the singer heading into her twilight years but still possessing great artistry and backed by great bands.  The first has her own group with Harry Edison on trumpet, Willie Smith on alto sax and Bobby Tucker on piano.  The second is the Tony Scott Orchestra with Scott on clarinet, Budd Johnson on tenor sax, Charlie Shavers on trumpet, Carl Drinkard on piano and Billy Bauer on...

Companion to the other program featuring groups with Webster as the only horn, this one has larger groups, but with the spotlight still on the tenor!  Webster's group nominally led by Bill De Arrango recording for Haven with Leonard Hawkins (Idrees Sulieman) on trumpet, Tony Scott on clarinet, Argonne Thornton (Sadik Hakim) on piano, De Arrango on guitar, John Simmons on bass and Sid Catlett on dr...

Great West Coast/Swing/Mainstream sessions led by guitarist Kessel (who also arranged and composed some of the tunes) for Contemporary Records.  The To Swing or Not To Swing album from 1956 featured Harry Edison on trumpet and either Bill Perkins or Georgie Auld on tenor sax with Shelly Manne on drums and Jimmy Rowles on piano.  The 1959 Some Like It Hot album has Joe Gordon on trumpet, Art Pepper...

Sides demonstrating the connection between trombonist Harris and tenor saxophonist Phillips recording for Clef/Mercury.  The first session also features Harry Edison, Hank Jones and Buddy Rich, the second Lou Levy, Gene Ramey and Jo Jones and the third is by the Nick Esposito Sextet with Oscar Peterson, Ray Brown JC Heard and Bennie Green replacing Harris on four tunes.

British drummer Tony Kinsey had a long career as a player, composer and arranger.  His mid-1950's groups played pretty uncompromising jazz but were commercially successful - a rarity!  This version of his group's records on Esquire and Decca features Jamaican alto sax player Joe Harriott, pianist/vibist Bill Le Sage (who composed half the tunes) and a variety of bass players.  Tenor player Don Ren...

More great bass clarinet performances by Don Byron, Eric Dolphy, Harry Carney, Joe Temperley, Hal McKusick, Gene Allen and Buddy De Franco!

Great period in the Calloway discography . . from June through December 1932 the band had a very stable personnel featuring Doc Cheatham, Ed Swayzee and Lammar Wright (tpt), DePriest Wheeler and Harry "Fatha" White (tbn), Eddie Barefield, Arville Harris, Andrew Brown and Walter Thomas (reeds), Benny Payne (p), Morris White (g), Al Morgan (sb) and Leroy Maxey (d) backing the leader's athletic vocal...

Great recordings for the French Vogue label featuring both Hines and Smith playing solo and a date (largely of his own originals) with Smith joined by Wallace Bishop . . stride and post-stride at its best!

Almost forgotten tenor sax player of the late swing and early bop periods in England, Tommy Whittle played with Ted Heath, Harry Hayes and other mainstream groups from his early teens.  By the late 1940's he was clearly influenced by bebop and these recordings demonstrate this.  With the Jack Parnell Quartet and Quintet (from Heath's band), Tony Kinsey's group (with Dill Jones on piano) and two se...

Kessel and his Charlie Christian-derived guitar playing was the focus of all these quintet sessions for Contemporary in the middle 1950's, but he gives good innings to Buddy Collette, Bud Shank and Bob Cooper on saxophones and flute, Claude Williamson, Arnold Ross and Hampton Hawes on piano, Red Mitchell on bass, Shelley Manne on drums and several others . . standards as well as original compositi...