IndieWire's Filmmaker Toolkit

The oscar winning director goes behind the scenes of recreating the moon landing and telling the story of Neil Armstrong. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kazan and Dano talk about collaborating on Paul’s directorial debut. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lowery on subverting the cops & robbers genre to detour into the looseness of a ‘70s film, finding out "Old Man" would be Redford's last movie, wanting to make the definitive "Peter Pan," the small indie he'll make first and how his wife Augustine Frizzell's career is blowing up. Photo: David Fisher/REX/Shutterstock Learn more about your ad choices. Visit megaphone.fm/adchoices

Christopher McQuarrie talks about directing action scenes with emotional clarity, the danger of practical stunts and wanting to return to being an indie filmmaker. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lena talks about creating the interweaving narrative of “The Chi,” a showtime series about her hometown (Southside of Chicago) and the vital role casting (and a good casting director) plays in allowing a writer to do something different. She also shares her advice to actors and a funny story about her “Masters of None” audition. Learn more about your ad choices. Visit megaphone.fm/adchoices

How Two Young Creators Blew Up Their ‘Mad Men of Tech’ Premise to Discover Something Special. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bill Hader moved To L.A. to be a filmmaker, 15 years later and an unexpected comedy detour (SNL) he found his way back in dark comedy that he created with “Silicon Valley,” “Seinfeld,” & “Curb Your Enthusiasm” vet Alec Berg. Photo Credit: Michael Buckner/Deadline/REX/Shutterstock Learn more about your ad choices. Visit megaphone.fm/adchoices

Simien breaks down the unique "presentation" style of his Netflix series, what Kubrick taught him about music and share new details about his horror-race satire movie ("Bad Hair")that he'll be shooting this summer. Learn more about your ad choices. Visit megaphone.fm/adchoices

Michael Schur (The Office, Parks & Rec), master of the work place comedy, talks about the challenges of tackling the big concept and twisty plot of “The Good Place.” In this conversation Schur outlines the one vital key to success in all serialized tv, working with philosophy professors as consultants, modeling heaven after The Grove and avoiding the M. Night Shyamalan trap of training an audience...

Inside the process of creating a historical horror story of a lost Arctic expedition on a sound stage and how Kajganich pitched the show as anthology, but won't be coming back for another season. Learn more about your ad choices. Visit megaphone.fm/adchoices

Atlanta's Lakeith Stanfield Didn’t Even Know Donald Glover Was Playing Teddy Perkins. Learn more about your ad choices. Visit megaphone.fm/adchoices

The screenwriter behind "Taxi Driver" and "Raging Bull" talks about the intersection of faith and cinema, and how arthouse cinema has radically changed since he first wrote "Transcendental Style in Film" in 1971. Learn more about your ad choices. Visit megaphone.fm/adchoices

The director behind one of the best films of 2018 talks about how a woman born in Beijing and schooled at NYU ended up telling real-life stories of people living on a South Dakota reservation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Oscar nomination director Yance Ford talks about his 8-year journey to completing a film about his brother's violent death in 1992. Learn more about your ad choices. Visit megaphone.fm/adchoices

There were a ton of bad drafts of "The Big Sick" before it became one of the best comedy scripts in years. Kumail & Emily talk about the 4 year process of adapting their real life story. Learn more about your ad choices. Visit megaphone.fm/adchoices

Gerwig talks about what her artistic dreams were when she, like Lady Bird, was 18 and came to New York. Learn more about your ad choices. Visit megaphone.fm/adchoices

Aronofsky on why you have to make the audience laugh, cry or scare the shit out of the them. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jordan Peele talks about his biggest fear in making "Get Out." Learn more about your ad choices. Visit megaphone.fm/adchoices

What Patty Jenkins learned from walking away from Marvel's "Thor" that shaped "Wonder Woman." Learn more about your ad choices. Visit megaphone.fm/adchoices

How Guillermo del Toro was inspired by musicals, Punch Drunk Love and Stan Laurel in making his beautiful fable. Learn more about your ad choices. Visit megaphone.fm/adchoices

Guadagnino talks about his approach to filmmaking and his upcoming remake of Suspiria. Learn more about your ad choices. Visit megaphone.fm/adchoices

Writer/director Dee Rees talks about how she weaved together her complex narrative about race and what drew her to tackle the ERA, Joan Didion and a "Get Out" like horror film in her upcoming projects. Learn more about your ad choices. Visit megaphone.fm/adchoices

The indie filmmaker behind "Tangerine" talks honestly about his struggle working with union crews for the first time and his nervousness about bringing a star like Willem Dafoe into his world of first-time performers. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Sundance breakout talks about creating his ambitious New Jersey hip-hop musical debut featuring Australian actress Danielle MacDonald. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Safdie Brothers talk about how the knew Robert Pattinson would be able to give himself over to their unique approach to filmmaking and how they built a story around aspects of the "Twilight" star that haven't been seen publicly. Learn more about your ad choices. Visit megaphone.fm/adchoices