Independent Film Podcast Interviews

The What, How & Why of Independent Filmmakiing

Category

Uncategorized

Podcast website

directorsnotes.com

Latest episode

Sep 1, 2025

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Episodes

A Roundup of the London Film Festival 2024 27.10.2024

The Directors Notes Podcast returns! And this episode sees Sarah (joined by DN guests old and new) looking back at being thrown into the deep end of LFF 2024.

DN372: The Passion of Desire Spans Decades in Lucio Castro’s Queer Romance Feature ‘End of the Century’ 23.12.2019

Lucio Castro joins DN with decade spanning film 'End of the Century' which reunites 2 men for a one night stand whose seeds were sown two decades earlier.

DN371: Maura Delpero Embarks on an Enthralling Exploration of the Meaning of Motherhood in Dramatic Debut ‘Maternal’ 20.12.2019

Maura Delpero reveals how she built cohesion between the professional, non-professional and child performances needed for her drama debut 'Maternal'.

DN370: Eryk Rocha Captures the Financial and Emotional Struggles of a Nocturnal Rio Cab Driver in ‘Burning Night’ 08.12.2019

Eryk Rocha tells DN how the themes of isolation & economic struggle in his story of a Rio cab driver, 'Burning Night' mirror the current crisis in Brazil.

DN369: Henry Blake Exposes the Cruel Exploitation of Britain’s Youth by Drugs Gangs in Shocking Debut ‘County Lines’ 30.11.2019

Director Henry Blake reveals the many ways his proof-of-concept short paved the way for the creation of his powerful debut feature 'County Lines'.

DN368: A Defiant Teen Discovers the Destructive Power of Lies in Svetla Tsotsorkova’s Bulgarian Drama ‘Sister’ 16.11.2019

Svetla Tsotsorkova joins DN to discuss her drama feature 'Sister' the story of a compulsive liar whose fanciful stories threaten to tear her family apart.

DN367: A Deep Dive into ‘Burning Cane’, Phillip Youmans’ Debut Feature Which Made Tribeca History 06.11.2019

Phillip Youmans joins DN to discuss the experience of taking on multiple production roles for his Tribeca winning debut feature 'Burning Cane'.

DN366: Hari Sama Returns to the Hedonistic Days of Mexico City’s Post-Punk Scene in ‘This Is Not Berlin’ 02.11.2019

Hari Sama talks to DN about heading back to the post-punk days of sexual liberty, outsider art and drugs which helped shape him in 'This Is Not Berlin'.

DN365: Isabella Eklöf Exposes the Rot Beneath the Glitzy Veneer of Power & Money in Unflinching Debut ‘Holiday’ 30.11.2018

Isabella Eklöf discusses 'Holiday', her unflinching depiction of the control and sexual violence lurking beneath the glitzy veneer of power and money.

DN364: Philippe Faucon Contemplates the Loneliness of Economic Migration in French Drama ‘Amin’ 23.11.2018

Philippe Faucon discusses the integral role non-actors played in bringing authenticity to his story of economic separation and loneliness, 'Amin'.

DN363: Sara Colangelo Tracks a Destructive Spiral of Obsession in Feature Thriller ‘The Kindergarten Teacher’ 15.11.2018

Sara Colangelo joins us to discuss her process for working with actors, the advantages of a Netflix release and why directing shouldn't be a dictatorship.

DN362: A Troubled Imposter Tries to Find Her Way Home in Christina Choe’s Psychodrama ‘Nancy’ 08.11.2018

DN speaks to Christina Choe about her debut psychodrama 'Nancy' and the difficulties of bringing stories led by complex female protagonists to screen.

DN361: Erik Poppe Forces Us to Experience Norway’s Terror Attack First Hand in One-Shot Feature ‘Utøya – July 22’ 02.11.2018

DN speaks to director Erik Poppe about the moral and cinematic considerations which led him to recreate Norway's Utøya tragedy in a gruelling single shot.

DN360: London Film Festival 2018 – Female Filmmaker Panel 25.10.2018

LFF Female Filmmaker panellists discuss the gender barriers they overcame to make their films and strategies to level the filmmaking playing field for all.

DN359: Matthew Jones Charts the Rise, Fall & Redemption of James Lavelle in ‘The Man from Mo’Wax’ 30.08.2018

Matthew Jones takes DN through the hurdles he surmounted to bring the story of seminal record label Mo'Wax and its driven owner James Lavelle to screen.

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