Caro Fowler
In the Foreground: Conversations on Art & Writing
What does it mean to make art history? In the Foreground: Conversations on Art & Writing considers the role of art in society, how knowledge is shared (or obscured), and the way histories are made and unmade—while also considering the personal stakes of scholarship. Each episode offers a lively, in-depth look into the life and mind of a scholar or artist working with art historical or visual material. Discussions touch on guests’ current research projects, career paths, and significant texts, mentors, and experiences that have shaped their thinking. We invite you to join us and listen in on th...
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Episodes
“Between the Personal and the Historical”: Asma Naeem on Listening to Art and Visual Culture 14.12.2021 41:00
In this episode, Caitlin Woolsey (Assistant Director of the Research and Academic Program at the Clark Art Institute) speaks with Asma Naeem, the Eddie C. and C. Sylvia Brown Chief Curator at the Baltimore Museum of Art. Asma shares her circuitous path into the discipline, from her sensitivity to the visual landscape of her childhood within an Indo-Pakistani immigrant family, to the formative chal...
“The Ethics of Seeing”: Kaira M. Cabañas on Creative Care and Art’s Histories 07.12.2021 54:38
In this episode, which continues the miniseries focused on sound, media, and visual art, Caitlin Woolsey (Assistant Director of the Research and Academic Program at the Clark Art Institute) speaks with Kaira M. Cabañas, professor of art history at the University of Florida, where she is also affiliate faculty in the Center for Latin American Studies and Center for Gender, Sexualities and Women’s S...
“Grounded by a Set of Relations”: Nancy Um on "Horizontal" Cultures within Art History 30.11.2021 51:57
In this episode Caro Fowler (Starr Director of the Research and Academic Program at the Clark Art Institute) speaks with Nancy Um, professor of art history at Binghamton University in New York State, whose research explores the Islamic world from the perspective of the coast, with a focus on material, visual, and built culture on the Arabian Peninsula and around the rims of the Red Sea and Indian...
“To Approach the Object from Outside”: Joseph Koerner on History, Trauma, and Wonder 16.11.2021 55:23
In this episode Caro Fowler (Starr Director of the Research and Academic Program at the Clark Art Institute) speaks with Joseph Leo Koerner, professor of art history at Harvard University, who teaches and writes about the history of art from the late Middle Ages to the present day, with an emphasis on Northern Renaissance art. Joseph discusses his early focus on literary studies, psychoanalysis, a...
“To See the Effects of Sound”: Niall Atkinson on Acoustic Topographies of the Early Modern 09.11.2021 45:42
In this episode, Caitlin Woolsey (Assistant Director of the Research and Academic Program at the Clark Art Institute) continues the miniseries on sound and visual art in conversation with Niall Atkinson, an associate professor of art history at the University of Chicago. Niall's research concerns the relationship between sound, space, and architecture and their role in the construction of pre...
“What a Picture Can’t Offer”: Michael Gaudio on the Imaginative Work of Sound in Art History 02.11.2021 45:48
In this episode, Caitlin Woolsey (Assistant Director of the Research and Academic Program at the Clark Art Institute) continues the miniseries on sound and visual art in conversation with Michael Gaudio, professor of art history at the University of Minnesota, who specializes in visual arts in the early modern Atlantic world. Michael describes his early studies in literature and the influence of d...
“How Do We Know What We Know?”: Susan Elizabeth Gagliardi on Fieldwork and Evidence 26.10.2021 51:17
In this episode, Alice Matthews ('21 graduate of the Williams Graduate Program in the History of Art) speaks with Susan Elizabeth Gagliardi, associate professor of the historical and present-day arts of West Africa at Emory University. They discuss the trajectory that ultimately brought Susan to her field, including undergraduate internships with the Baltimore Museum of Art. Susan reflects on...
“Becoming Belonged”: Roberto Tejada on the Political Project of Photography and Poetry 19.10.2021 53:56
In this episode Caro Fowler (Starr Director, Research and Academic Program) speaks with Roberto Tejada, a poet and art historian who in a professor in the creative writing program and the department of art history at the University of Houston, Texas. They discuss the decade he spent immersed in the literary culture of Mexico City, including working with Octavio Paz and the historical layers of the...
“What Sort of Problems Does an Artwork Pose?”: Joan Kee on Art History as an Infinite Game 12.10.2021 57:02
In this episode, Caro Fowler (Starr Director of the Research and Academic Program at the Clark Art Institute) speaks with Joan Kee, professor of art history at the University of Michigan in Ann Arbor. Joan describes the influence of growing up in Seoul, Korea, but shares her uneasiness with centering a sense of self within art historical writing. She reflects on modes of description and their poli...
“Always About to Take Place”: Glenn Peers on the Byzantine Fresco Chapel 08.06.2021 14:14
The Research and Academic Program at the Clark Art Institute presents In the Foreground: Object Studies: short meditations that introduce you to a single work of art seen through the eyes of an art historian. Originally adorning a small Greek Orthodox chapel in Cyprus, from 1997 to 2012 these Byzantine frescoes were installed in a specially built space, an “infinity box” that feels akin to being...
“The Status of the Human”: Amy Freund on the First French Hunting Portrait 08.06.2021 13:33
The Research and Academic Program at the Clark Art Institute presents In the Foreground: Object Studies: short meditations that introduce you to a single work of art seen through the eyes of an art historian. Amy Freund (Southern Methodist University) reveals the newly discovered Portrait of a Seated Hunter with His Dogs (1661), which dates to nearly forty years before the genre was previously b...
“The Erosion of History”: Samantha Page on Hung Liu’s “Migrant Mother” 08.06.2021 11:24
The Research and Academic Program at the Clark Art Institute presents In the Foreground: Object Studies: short meditations that introduce you to a single work of art seen through the eyes of an art historian. Samantha Page (Clark Art Institute) explores how Hung Liu’s painting Migrant Mother (2015) reimagines Dorothea Lange’s iconic Depression-era photograph; here the materiality of paint draws...
“A Rebuke to Polite Masculinity”: Charles Keiffer on Thomas Patch’s “British Gentlemen at Sir Horace Mann’s Home in Florence” 08.06.2021 9:11
The Research and Academic Program at the Clark Art Institute presents In the Foreground: Object Studies: short meditations that introduce you to a single work of art seen through the eyes of an art historian. Charles Keiffer (Williams College) recounts the heightened atmosphere of intoxicated conviviality on display in Thomas Patch’s oil painting British Gentlemen at Sir Horace Mann’s Home in Fl...
“The Color of Emergency”: Joan Kee on Chao-Chen Yang’s “Apprehension” 08.06.2021 13:24
The Research and Academic Program at the Clark Art Institute presents In the Foreground: Object Studies: short meditations that introduce you to a single work of art seen through the eyes of an art historian. Joan Kee (University of Michigan) delves into how Chao-Chen Yang’s color photograph Apprehension (c. 1942) captures the feeling of surveillance, silencing, and precarity, particularly as ex...
“It Looks like How Jazz Sounds”: Jordan Horton on Romare Bearden's “The Dove” 08.06.2021 10:35
The Research and Academic Program at the Clark Art Institute presents In the Foreground: Object Studies: short meditations that introduce you to a single work of art seen through the eyes of an art historian. Jordan Horton (Williams College) explores how Romare Bearden’s collage The Dove (1964) plays with fragmented forms to visually evoke the “broken time” of jazz while also embodying how Black...
“‘Others’ of Various Kinds”: J. Vanessa Lyon on Intersectionality as an Early Modern Scholar 04.05.2021 40:07
In this episode Caroline Fowler (Starr Director of the Research and Academic Program at the Clark Art Institute) speaks with J. Vanessa Lyon, who is on the faculty at Bennington College, where she teaches the histories of art with an emphasis on gender, race, and post/colonial relationships in Spanish, Flemish, and Transatlantic visual representation. Vanessa speaks about the influence of her grad...
“Where the Impossible is Possible”: Saundra Weddle and Lisa Pon on Collaboration and Renaissance Studies 27.04.2021 40:45
In this episode Caroline Fowler (Starr Director of the Research and Academic Program at the Clark Art Institute) speaks with two scholars of Renaissance art and architecture: Saundra Weddle, professor of architecture at Drury University and a Clark Fellow in fall 2020, and Lisa Pon, professor of art history at the University of Southern California. They discuss how they met one another by chance i...
"One's Own Bifurcations": Lorraine O'Grady on Both/And Thinking in Art 20.04.2021 40:45
In this episode, Caro Fowler (Starr Director of the Research and Academic Program at the Clark Art Institute) speaks with Lorraine O’Grady, an artist and cultural critic whose work on Black female subjectivity and modernism has made significant contributions to numerous disciplines. Lorraine discusses her early research on the relationship between Charles Baudelaire and Jeanne Duval and grapples w...
“Moving Across the Threshold“: Alisa LaGamma on Curating the Arts of Africa 13.04.2021 38:38
In this episode Caroline Fowler (Starr Director of the Research and Academic Program at the Clark Art Institute) speaks with Alisa LaGamma, a specialist of African art and Ceil and Michael E. Pulitzer Curator in Charge for the Arts of Africa, Oceania, and the Americas at the Metropolitan Museum of Art in New York, where she has been a curator for twenty-five years. Alisa discusses the formative in...
“Sound is a Dimension of Reality”: Robin James on Theorizing Sound, Race, and Gender 30.03.2021 41:41
In this episode in the mini-series focused on sound, art, and media, Caitlin Woolsey (Manton Postdoctoral Fellow in the Research and Academic Program at the Clark Art Institute) speaks with Robin James, an associate professor of philosophy at the University of North Carolina in Charlotte. Robin explores the intersections of pop music, sound studies, feminism, race, and contemporary continental phi...
“Perception is a Form of Sampling": Christoph Cox on Materialities of Sound 23.03.2021 42:30
In this episode from the mini-series focused on sound and art, Caitlin Woolsey (Manton Postdoctoral Fellow in the Research and Academic Program at the Clark Art Institute) speaks with Christoph Cox, professor of philosophy and dean of the faculty at Hampshire College. Christoph writes on aesthetics, theories of sound, and cultural theory. In this conversation he describes his transdisciplinary aca...
“The Sound Can Touch You Directly”: Christina Kubisch on Electronic Sound Art 16.03.2021 42:07
In this episode from the mini-series focused on sound, media, and art, Caitlin Woolsey (Manton Postdoctoral Fellow in the Research and Academic Program at the Clark Art Institute) speaks with Christina Kubisch, a pioneer of sound art. Trained as a composer and flautist, since the 1970s Christina has worked with techniques like electromagnetic induction to realize her experiential installations. In...
“When is This?”: Brian Michael Murphy on Media Archaeology and Preservation 09.03.2021 50:17
This is the first of a series of four episodes focused on sound, media, and art, in which Caitlin Woolsey (Manton Postdoctoral Fellow in the Research and Academic Program at the Clark Art Institute) speaks with Brian Michael Murphy, a writer and media archaeologist who is a faculty member in media studies at Bennington College. Brian explores intersections between race and the materiality of media...
“A Database is an Argument”: Anne Helmreich on Digital Humanities and Art History 02.03.2021 46:05
In this episode Caroline Fowler (Starr Director of the Research and Academic Program at the Clark Art Institute) speaks with Anne Helmreich, an art historian and digital humanist. Formerly the Associate Director of Digital Initiatives at the Getty Research Institute in Los Angeles, since April 2020 Anne has been the Associate Director of the Getty Foundation. A specialist of nineteenth-century art...
“A Gesture of Reciprocity”: Souleymane Bachir Diagne on Translation and Restitution 23.02.2021 44:14
In this episode Caroline Fowler (Starr Director of the Research and Academic Program at the Clark Art Institute) speaks with Souleymane Bachir Diagne, professor in the departments of French and philosophy and director of the Institute of African Studies at Columbia University. Bachir reflects on his early studies in Senegal as well as formative experiences studying with Louis Althusser and Jacques...
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