I Know Movies and You Don't w/ Kyle Bruehl

In the eleventh episode of Season 5 (Dystopia Myopia) Kyle is joined by editor Kristi Shimek (of Zoey's Extraordinary Playlist) and screenwriter David Gutierrez to discuss the haunting indictment of the false American Dream and the inner dissatisfaction at the heart of its lifestyle promises in John Frankenheimer's Seconds.

In the tenth episode of Season 5 (Dystopia Myopia) Kyle is joined by screenwriter David Gutierrez and streamer Daniel Lopez to discuss the absurdist apocalypse and the futile gesture of society moving forward in Richard Lester's bleak and surreal The Bed Sitting Room.

In the ninth episode of Season 5 (Dystopia Myopia) Kyle is joined by professor Suleiman Hodali (UCLA Comparative Literature) and fellow podcaster Gio Maldonado (of the Nos Tiramos de Pecho podcast) to discuss Jean Luc-Godard's trip down the rabbit hole of cultural nihilism, societal selfishness, and literary homage in the dystopian madness that is Weekend.

In the eighth episode of Season 5 (Dystopia Myopia) Kyle is joined by script supervisor Katy Baldwin and screenwriter David Gutierrez to discuss the questionable survivalist morals of Ray Milland's nuclear fallout hysteria film Panic in Year Zero!

In the seventh episode of Season 5 (Dystopia Myopia) Kyle is joined by writer August Gummere and screenwriter David Gutierrez to discuss the Hawksian blend of romance and journalism that defines the British hidden gem about the personal growth of character, purpose, and responsibility in the face of environmental collapse in Val Guest's warning film The Day the Earth Caught Fire

In the sixth episode of Season 5 (Dystopia Myopia) Kyle is joined by fellow podcasters Ben Thelen (of the Dead Reckoner Podcast) and Zax Protzmann (of the West Coast Popcast) to discuss Francois Truffaut's faulty and yet immensely humorous adaptation of Ray Bradbury's foundational dystopian novel about censorship and thought crime, Fahrenheit 451.

In the fifth episode of Season 5 (Dystopia Myopia) Kyle is joined by novelist Samuel Cullado and actor Danny Hernandez to discuss the pivotal avant garde masterwork of still image, music, and narration from the mind of Chris Marker, the fantasy time travel short film La Jetée.

In the fourth episode of Season 5 (Dystopia Myopia) Kyle is joined by screenwriter David Gutierrez and actor Ben McGinley to discuss the quiet, sombre, and polite film about the formal and societa acceptance of the inevitable in the thoroughly characterized and thoughtful On the Beach.

In the third episode of Season 5 (Dystopia Myopia) Kyle is joined by multi-instrumentalist Ben Childs and filmmaker Tristan Fortier to discuss the experimental avant garde approach of Peter Brook's adaptation of Sir William Golding's incisive look at the underlying flaws of human nature in Lord of the Flies.

In the second episode of Season 5 (Dystopia Myopia) Kyle is joined by script supervisor Katy Baldwin and editor Kristi Shimek to discuss the ambitious collaboration of producer Alexander Korda, writer H.G. Wells, and director/designer William Cameron Menzies to create a sci-fi polemic for the ages in the visionary Things to Come.

In the season premiere of Season 5 (Dystopia Myopia) Kyle is joined by a panel of guests, including novelist Samuel Cullado, editor Kristi Shimek, and screenwriter Kelcie Gruenberg, to discuss the vastly influential German silent era masterpiece from Friz Lang, the moral workers parable known as Metropolis.

In the season finale of Season 4 (The Horror, The Horror) Kyle is joined by a panel of guests, cinematographer Josh Carter, script supervisor Katy Baldwin, and filmmaker Michael Willer (of the Big Fat Gay Podcast), to discuss John Carpenter's exquisite rumination on the true fearful unknowns of trust, identity, and self in the thrilling adaptation of John W. Campbell Jr.'s Who Goes There...

In the forty-ninth episode of Season 4 (The Horror, The Horror) Kyle is joined by screenwriter Steve Bolia and editor Kristi Shimek (of Zoey's Extraordinary Playlist) to discuss the terrifying docu-realist approach to the unknown and the supernatural in the 70s culture of uncertainty in William Friedkin's adaptation of William Peter Blatty's The Exorcist.

In the forty-eighth episode of Season 4 (The Horror, The Horror) Kyle is joined by a panel of guests, including filmmaker Devin Parker, multi-instrumentalist Ben Childs, and actor Danny Hernandez, to discuss the incisive surgical and psychoanalysis of the particular American root of serial killer trauma in Jonathan Demme's calculated and probing procedural The Silence of the Lambs.

In the forty-seventh episode of Season 4 (The Horror, The Horror) Kyle is joined by actor Danny Hernandez and cinematographer Josh Carter to discuss the riveting yet demented serial killer inversion of the cat and mouse vengeance thriller that is Kim Jee-Woon's I Saw the Devil.

In the forty-sixth episode of Season 4 (The Horror, The Horror) Kyle is joined by actor Danny Hernandez and multi-instrumentalist Ben Childs to discuss one of the most disturbing deconstructions of America and their serial killer emergence in John McNaughton's unflinching and raw portrait of alienation and madness that is Henry: Portrait of a Serial Killer.

In the forty-fifth episode of Season 4 (The Horror, The Horror) Kyle is joined by a panel of guests, script supervisor Katy Baldwin, editor Kristi Shimek, and filmmaker Michael Willer, to discuss the pop cultural zeitgeist behind the found footage mockumentary horror sensation from filmmakers Eduardo Sánchez and Daniel Myrick, The Blair Witch Project.

In the forty-fourth episode of Season 4 (The Horror, The Horror) Kyle is joined by fellow podcaster Robert Lowe (of the 30-Year-Old Boomer Cast) and multi-instrumentalist Ben Childs to discuss the immersion into puritanical realities and fears in Robert Egger's highly detailed and fully realized period piece The Witch.

In the forty-third episode of Season 4 (The Horror, The Horror) Kyle is joined by novelist Samuel Cullado and actor Benjamin McGinley to discuss the late 80s David Cronenberg masterpiece, the deeply disturbing and ultimately tragic portrait of twin gynecologists and their struggle of identity, the shadow self, and co-dependent annihilation in Dead Ringers.

In the forty-second episode of Season 4 (The Horror, The Horror) Kyle is joined by novelist Alex Buda, actor Benjamin McGinley, and multi-instrumentalist Ben Childs for a lively discussion about the labyrinthine questions and lack of answers to Stanley Kubrick's maze of domestic discontent and creative stasis in the loose adaptation of Stephen King's The Shining.

In the forty-first episode of Season 4 (The Horror, The Horror) Kyle is joined by script supervisor Katy Baldwin and editor Kristi Shimek (of Zoey's Extraordinary Playlist) to discuss the psychological and devastating puzzle of a Gothic ghost story, Kim Jee-Woon's South Korean folktale of familial discontent in A Tale of Two Sisters.

In the fortieth episode of Season 4 (The Horror, The Horror) Kyle is joined by fellow cinephile Jordan Berry and multi-instrumentalist Ben Childs to discuss the deeply personal and emotionally tragic gothic ghost story from the mind of Guillermo Del Toro, the historically presient murder mystery melodrama The Devil's Backbone.

In the thirty-ninth episode of Season 4 (The Horror, The Horror) Kyle is joined by actor Dan Bauer and novelist Alex Buda to discuss Edgar Wright's immaculate parody and embodiment of George A. Romero style zombie flicks that reflects on the stasis of life and the balance needed for fulfillment in the existential and hilarious Shaun of the Dead.

In the thirty-eighth episode of Season 4 (The Horror, The Horror) Kyle is joined by script supervisor Katy Baldwin and cinematographer Josh Carter to discuss the ever present commentary on virus, rage, and societal collapse from the inside and beyond in Alex Garland and Danny Boyle's revitalization of the zombie genre 28 Days Later.

In the thirty-seventh episode of Season 4 (The Horror, The Horror) Kyle is joined by novelist Alex Buda and writer/performer Reagan Osborne to discuss one of the last true great meta-textual horror ruminations in Drew Goddard's hilarious and insightful take down of horror fan dogmatism in The Cabin in the Woods.