History of Japan

After a long hiatus, the diary of Kawai Koume picks back up in 1853, a year of absolutely no world-shaking importance in Japanese history whatsoever-wait, I'm hearing from our producers that, in point of fact, some pretty crazy things are about to go down. And Kawai Koume, like many others, is frantically going to be trying to follow the latest news about it all while living her own life as best s...

This week, we'll look at the first chunk of Kawai Koume's diary, which deals with life in the 1830s--or as she knew it, the Tenpo Era. What can we learn about the lives of samurai and commoners in Wakayama during the final decades before the great crises that would end feudalism in Japan? Show notes here .

This week, we're starting a new miniseries focused on the life of Kawai Koume, a samurai woman living in Wakayama in the early 1800s. Today is going to be all about framing her life--what do we know about her upbringing, and about the city she grew up in during the twilight years of Japanese feudalism? Show notes here .

This week, we wrap up our series on Hiroshige with a few lingering questions about his career. How much does his "artistic borrowing" really matter? What's his relationship to Hiroshiges II and III? What about his second marriage and daughter? And ultimately, what makes him so damn famous--and what can we learn from that? Show notes here . 

This week, we're covering Hiroshige's emergence as an artist, which took 20 years after he finished his apprenticeship in the Utagawa school. Why the long gap? And what changed to finally allow him to break out artistically? Show notes here .

This week, we're starting a new miniseries on the life of one of the most famous artists in Japanese history: Utagawa Hiroshige. We'll start off this week with a general discussion of the world of ukiyo-e during the late 1700s before moving into Hiroshige's early life and his entry into the world of woodblock printing.  Show notes here . 

This week on the podcast, something completely different! I'm getting some help talking about poetry from Mike Freiling, whose new translation of  Hyakunin Isshu,  entitled  One Hundred Poems of Old Japan , will be out just a little over a week from now. We'll talk tanka vs. haiku, how translation works, and share a few favorites from one of Japan's most classic poetic compilations. Show notes her...

Our final episode in this miniseries brings conspiracism in Japan to the present day, as we discuss a wave of antisemitic conspiracy theorists from the 80s and 90s and the impact of the internet on conspiracism in Japan and around the world. Finally, we'll look at how things stand today, and go over some final thoughts on conspiracism in general. Show notes here . 

This week, we're covering the postwar "Red Scare" in Japan, which has roots going back to the early 20th century but which was boosted during the postwar era by right-wing politicians and even members of the American occupation government. That conspiracy would, in turn, help shape both prewar and postwar politics on a profound level. Show notes here . 

This week, conspiracism takes a new twist in Japan, from paranoid worries about Christianity to paranoid beliefs in "Western encirclement". How did this new form of conspiracism help drive Japan's descent into fascism, empire, and eventually the self-destructive decisions of the Second World War? Show notes here . 

This week, we explore the "Christian conspiracies" of Edo Period Japan. Working backwards from the Osaka Incident of 1827, when a group of supposed Christian spirit mediums were uncovered as a part of a fraud investigation, we'll look at how Christianity was transformed from an actual religion into an evil spiritual threat to the foundations of Japan itself. Show notes here . 

Japan's "Christian Century" is the source of many fascinating aspects of Japanese history, from modern firearms to tenpura. But there's one more way that the century from 1543-1639 shaped Japan--as the source of its first conspiracist moment! Show notes here . 

This week, something a bit different: the start of a history of conspiracy theories in Japan. This first episode is mostly framing: what is conspiracism as a mindset, and how is it different from actual conspiracies?  Show notes here .  

This week: we take a look at the genre of the yakuza movie, or ninkyo eiga, which started off as a branch of the samurai film genre before becoming very much its own thing--and, for a decade  or so in the 1960s and 1970s, dominating the Japanese box office. Show notes here . 

This week: we take a look at postwar samurai film/jidaigeki in order to understand better the trajectory of the most influential genre in the history of Japanese film. Why did jidaigeki, a staple of pre-1945 film, storm back with a vengeance to the big screen after the end of World War II? What makes post-1945 samurai films distinctive or unique? And what about their relationship to another archet...

This week, we're starting a history of the most famous genre in the history of Japanese film: the jidaigeki, and its related genre of the ninkyo eiga. This week: what do we know about early jidaigeki, and how do they fit into the wider history of early Japanese film? Show notes here . 

This week: we wrap up the miniseries with the end of Akebono's career, as the first gaijin yokozuna takes his post-dohyo trajectory in a very different direction from the other yokozuna before him (or at least, from most of the other yokozuna before him). Plus some final thoughts on sumo today. Show notes here .  

This week: Akebono becomes a yokozuna, and finds himself burdened with new expectations on and off the dohyo. Plus, a brief foray into pay and compensation for rikishi, and a final section on one of the most infamous moments of the 64th yokozuna's career. Show notes here . 

This week: in the span of just a few years, Akebono goes from a rookie in sumo to one of its most prominent names, and alongside Konishiki one of the Americans dominating in the top division. But unlike Konishiki, he has the potential to go one step further. So, how does a guy from Waimanalo become the first non-Japanese citizen ever to claim the title of yokozuna? Show notes here . 

This week: Chad Rowan, who will be the first non-Japanese yokozuna in history, is the subject for the rest of our episodes. How did he come to sumo? What was his early career like? And how did he come to be known by the name Akebono-the rising sun? Show notes here . 

This week: after Taiho, the floodgates open as more non-Japanese rikishi begin to enter the sport. One of them, Takamiyama, has a good but not great career. But two of the rikishi he recruits to train under him after retirement--Konishiki Yasokichi and Akebono Taro--will change sumo forever. Show notes here . 

This week: Taiho begins his grand sumo career, and quickly proves to be one of the best ever to do it. We'll use his career to discuss: what does greatness look like in a sport like sumo? What were the highlights of one of the greatest careers in sumo history? And what were the small number of cases where Taiho  didn't  prove able to come out on top? Show notes here . 

This week, we're beginning a new miniseries on the legends of Japan's most ancient sport: sumo. What can we learn about Japan and Japanese identity by looking at the lives of some of the most famous competitors in the national sport? We'll begin investigating that question with a look at the life of one of the greatest ever to enter the ring: Taiho Koki. Show notes here . 

For our final episode of this miniseries: Miyazaki Manabu faces down with the National Police Agency as he finds himself the prime suspect in Japan's highest profile criminal case of the 1980s. After he comes out on top, where does he go next? Why, the natural place for any high profile criminal suspect: into media, and then politics! Show notes here .

In our penultimate episode for this miniseries: Miyazaki Manabu narrowly escapes doing prison time, only to end up back in the underworld first of Osaka, and then Tokyo. And from there, he ends up square in the crosshairs of the police once again--this time as a suspect in one of the most infamous criminal cases in postwar history. Show notes here .