Gregory Meander

Gregory Meander

Arts EN ↓ 67 episodes

I talk about art, and sometimes I write. gregorymeander.substack.com

Author

Gregory Meander

Category

Arts

Podcast website

gregorymeander.substack.com

Latest episode

Jun 5, 2026

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Episodes

Four elements of air, earth, fire, and water, 2021 02.09.2021

Over this past weekend, I finally made the sojourn to the Crystal Bridges Museum of American Art in Bentonville, Arkansas. The Ozarks are full of river bluffs, rolling hills, and sprawling forests of green. It is a beautiful landscape that I have grown up with in Central and southern Missouri. As you go further south, the hills get steeper the bluffs wider. Set among a beautiful forest, Crystal Br...

Girl Reading a Letter at an Open Window, (around 1657-59), 2021* 25.08.2021

What does a discovery in art history mean in your every day life? Not much. I am unsure of the real impact. Most likely it is an unmeasurable and unquantifiable paradigm shift in your brain. I am not here to convince you that art history matters or maybe I am? I am still unsure why I keep writing these reflections and sharing them publicly. But, I know something about pausing and focusing on one p...

Jaws film poster, 1975 18.08.2021

Hands down, my favorite book is Peter Benchley’s Jaws . I read it before I saw Stephen Spielberg’s 1975 film. The book is fast-paced, mysterious, and complex. Loving the ocean growing up, it was the first story that immersed me in an ocean world through storytelling (other than Jonah and the whale). I have yet to tackle Herman Melville’s Moby Dick . I love Jaws because it introduced me to science...

Moontide, 1961 11.08.2021

On August 11, 1956, Jackson Pollock died in a car accident. Lee Krasner (his wife and lesser known artist) moved into his barn. Still to this day, she has not been correctly placed in the art history canon as a great painter of abstraction. Krasner used this period of pain and grief to produce her Umber series. Umber, making reference to a color, being a natural pigment resembling but darker than...

Young Man & Koi Tattoo, 1972 04.08.2021

I was recently introduced to the work of Go Mishima. He focused on idealized versions of Japanese men in contemporary time. How do we represent ourselves? I gravitate towards male bodies. I am queer and am attracted to the male body, though representations of the nude male body are seen as taboo. I am attracted to this image for a lot of reasons but chose it mainly because I think Asian men genera...

Olympic Swimming pictogram, 1996 28.07.2021

I had an Olympic dream. I started swimming when I was four years old, but didn’t start taking it seriously until I was twelve years old (which is quite late in swimming years), though my career stretched onto a Division 1 collegiate team an achievement in itself, my career ending in injury. To dream to be an Olympian is something you hold inside yourself day in and day out. And this is not somethi...

Ethel Waters, Carson McCullers, and Julie Harris at the Opening Night Party for "The Member of The Wedding," New York City, 1950 21.07.2021

Why do I fall in love with queer artists of the past? I mean, I fall hard. I read obsessively on their lives. I find out when they woke up or how late they stayed up. Were they insomniacs? I wonder if they liked coffee or tea or water with a sprig of mint? When did they make art? What was their process like? Who did they love or who did they sleep with? Who were their friends and did they hang out...

Liberty Leading the People, 1830 14.07.2021

It is Bastille Day - it is the day when they turn on the fountains at Versaille. Ironically, the day celebrates the storming of a state prison and is federal holiday in France. (It is also my mother’s 71st birthday - Happy Birthday Mom!) It makes me wander towards another painting that I have had the privileged of viewing in-person - Eugene Delacroix’s 1830 Liberty Leading the People . I might men...

Statue of Liberty, 1886 30.06.2021

I did a “touristy thing” this past week in New York City. I had pre-purchased ferry tickets, it was a timed entry, and took my friend to Ellis Island and the Statue of Liberty on Bedloe's Island, now known as Liberty Island. I went for book research. To be honest, I wanted to go. Who doesn’t want to brush shoulders with an icon? Once on the ferry dragging my carry-on luggage, I noticed my friend a...

The Lightning Field, 1977 16.06.2021

In describing Walter De Maria’s work, I often get the response: Why? Why did he do that? Why stainless steel? Why is this art?  Contemporary art causes a specific kind of visceral response for some people. I welcome these questions because it helps me clarify my thinking and my own experience of the artists and artworks. Most people have not heard of Walter De Maria, let alone knowingly seen any o...

Narkissos, 1976-1991 09.06.2021

You are too much. Too much. You are too loud. Stop talking. Oh, you are too much. Too much. During my childhood, well into present day, I’ve been told by mainly straight-identifying white people that “I am too much.” I was even reminded this past week through a radio interview with Broadway star Andrew Rannells where he spoke of his memoir titled Too Much is Not Enough. I tend to agree with Andrew...

Double Negative, 1969 02.06.2021

One of the aspects of land art is that it takes a great journey to experience them. There is planning required with your time, clothing, food, and transportation. The effort to see is very much a part of the art. Four wheel drive is required. A mental fortitude and determination, and toleration of heat are helpful. There is an inherent tension that lives with the mere idea of an artist trying to m...

The Boys Behind Barbed-wire, 1944 26.05.2021

“To suffer is one thing; another thing is living with the photographed images of suffering, which does not necessarily strengthen conscience and the ability to be compassionate. It can also corrupt them. Once one has seen such images, one has started down the road of seeing more - and more. Images transfix. Images anesthetize.”  ― Susan Sontag,  On Photography Throughout my study of art history, I...

Sun Tunnels, 1973-1976 19.05.2021

Dawn points, and another day Prepares for heat and silence.—T.S. Eliot, The Waste Land A solstice is always coming.  Numerous landspeed records have been set on the Bonneville Salt Flats near Wendover, UT since 1911.  My first visit to the Sun Tunnels was a morning in early June. There was one man from Bainbridge Island, Washington. He and his wife had been coming to the area annually for a gather...

Untitled in the tower at the de Young Museum, 1950s (installed 2006) 12.05.2021

It is hard to write about people you think you know. I have yet to attempt to write about strangers. The artists and art I write about are friends. We expect the art to say something to us, to hold some sort of meaning for us, so why can’t there be a dialogue? I think there can be a conversation with the artist, no matter if they are living or not. People at an art museum always want the one right...

Sunflowers, 1887 05.05.2021

I have to be honest I am not the biggest fan of sunflowers. I know, they are the quintessential American flower. The bloom and stalk are larger than life and takes up much of the sun like Americans often do. I think there might be a few reasons I don’t like sunflowers. For one thing, they were the heaviest of the flowers we sold at the Ferry Building farmer’s market located at the now defunct Port...

The Goodbye Door, 1980 28.04.2021

Paris and I met in March on the eclipse of my thirty-second year after a torrid long-distance affair since I was a ten-years old. I got off the metro train at the Notre Dame stop and I was not sure what to expect at the top of the staircase. You know that feeling when you trust yourself to get off at the right subway stop, but you aren’t sure which staircase will take you to the proper street corn...

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