GRAFFTV

In today's clip, GAS MTA talks about some of the dangers he avoided while our writing during his career, he also speaks on practice and where to go to get better, lastly he talks about his motivation to keep writing and take it to another level. 

Fish Interview (Full Episode). The Graffiti legend discusses his early childhood in Los Angeles, making a mark for himself in Los Angeles Graffiti Culture and what the future holds for him. 

In today's clip, GAS MTA remembers getting into trouble with his first spray can. He also tells how SHEIK and BASER OTR LOD first introduce him to graffiti. 

In today's clip, GAS MTA talks about his birthplace and moving around at a young age. He then goes on to detail one of his early artistic memories 

In today's clip, FISHE mentions his thoughts on the current graff scene. He also lists who's on his mount Rushmore of Los Angeles graffiti and what the future holds for him. 

In today's clip, FISHE talks about his artwork being added to the LACMA permanent collection and his parents reaction to the news. 

In today's clip, FISHE talks about what keep him bombing and he also touches on psychedelics and Maria Sabina "La Maestra"

In today's clip, FISHE gives his opinion on what All-City means and names a few in this elite club. He also talks about entering art school and his graffiti work ethic giving him an advantage. 

In today's clip, FISHE shares his opinion on fundamentals new writers should learn and how graffiti gave him an advantage in art school.

In today's clip, FISHE recalls some of the countries hes visited for graffiti and how Mexican and European police treat graffiti crimes. 

In today's clip, FISHE talks abut his friend KUB KOG and describes the type of person he was. He also makes mention of when he felt he had made his mark on graffiti culture. 

In today's clip, FISHE covers his run in's with the law and details injuries sustained while out painting. He also talks about celebrating with KUB KOG after completing a successful night of bombing Los Angeles.

In today's clip, FISHE discusses stealing paint and he mentions a few writers he was excited to meet during his career. 

In today's clip, FISHE talks about what motivated him to keep pushing forward in graffiti. 

In today's clip, FISHE remembers receiving the call AYER had passed away, and his emotions following the news. He also recognizes AYERS contribution to Los Angeles graffiti history. 

In today's clip, FISHE talk about the influences that helped him explore different styles, he also thinks back to when AYER joined KOG.

In today's clip, FISHE recalls joining L.T.S. and names some of their original members. He also mentions how KOG was ended, and the crews ferocious comeback.

In today's clip, FISHE reveals his original name which he took to prominence first. He then details reinventing his style and finding a new name which begins the FISHE era. 

In today's clip, FISHE mentions his first recruits once he takes control of the 29C. He also recalls RETNA arriving in high school and shares some KOG History.

In today's clip, FISHE talks about moving on to high school and joining the 29C, he also details taking over their leadership. 

In today's clip, FISHE remembers meeting a young AYER UCLA and describes his personality. He also takes a look back at the tag banging era in graffiti. 

In today's clip, FISHE recalls when the U.C.L.A. crew was created and tells stories of stealing his parents car to attend the first meetings. 

In today's clip, FISHE talks about when he first picked up a marker, he also reveals the first name he ever wrote. We then get into what graffiti was like in the mid 90's. 

In today's clip, FISHE goes on to talk about what attracted him to graffiti. He also mentions his early success as a DJ and rave producer. Eventually a time comes when he has to pick one, over the other. 

In today's clip, FISHE mentions the first writers he saw catching tags in the street, he also talks about hanging out at Hex's shop on Melrose, and goes on to reminisce about a big influence in his early life, Pat Taylor.