fxguide: the rc

This week the guys talk film looks, Miro and in the Red Room, DOP Shane Hurlburt ASC.

This week we focus on story, shot design and focus on the Arri Alexa. In this special episode we have two Red Room interviews: Anna Foerster DOP of Anonymous and Gareth Neame about Downton Abbey.

The RC was at both the Canon and Red Events last week and on this our 100th show, Jason and Mike try explore the implications of last week's huge announcements. PLUS in the Red Room Möbius director : Vincent Laforet.

This week we discuss the new Canon 1D-X and in the Red Room we have both the DOP & colorist of Red Dog. Plus below we follow up on last week's question, "what would it take for the new coming Scarlet to be considered a winner? How does Scarlet deliver?", thanks to an informal straw poll conducted amongst fxguide readers.

The guys debate the new Canon camera announcement, try to decide what it would take to make them buy a Scarlet and in the Red Room Ed Moore discusses and test drives remote Follow Focuses, especially the prototype Hocus Focus Pro.

The guys discuss X cameras, Canon mounts and the IBC show with guest John Montgomery. Plus, in the Red Room this week: the Meduza 3D Camera and the Atomos Connect Converters - all from IBC.

The guys are on location discussing mainly Red news: Epic X shipping, new deals and discovering gems in Red Cine X Pro

The guys discuss the weeks news and look at NZ UnderBelly series in the Red Room

The guys cover the new Sony OLED monitors, the Red Room hosts Weisscam's T-cam, and more.

The usual news, gear & ratholes, including new Red schedules plus Resolve in the Red Room.

The usual news, gear & ratholes, FCP's obituary plus Jason Diamond talks Epic.

The focus is on the recent Cinegear event in LA which Mike attended. Jason is back from stage 3 of his global mega shoot and we talk about our approaches to PL mount lenses.

This week, in response to listener questions, the focus is on lenses. We also talk to Motion Theory about their Fiat spot to reintroduce the brand to the USA

We discuss Jason's massive shoot around the world (while he is temporarily in Sydney- between flights), - plus catch up on news, including a preliminary discussion about the new S-log option for the 5D.

We talk NAB, Deliveries, look at some key EPIC third party products and discuss S-Log on the F3 with Tyler Ginter and the team at Next Level Pictures.

We talk to Stu Maschwitz who shot with the EPIC in NZ for a week in the lead up to the new term at fxphd.

We discuss the EPIC camera - as Jason takes it poolside, the new Sony FS-100 camera, and the Alexa on the BBC drama Upstairs, Downstairs .

A very different RC this week as it was recorded on set while shooting with the new RED EPIC Camera.

Jason and Mike talk to some very successful independent SLR film makers and discuss the new Apple MacBooks and their value to film makers.

Jason and Mike discuss the week's news and are joined by Lee Peterson in the Red Room to discuss digital camera sensor calibration and the cameras of the Apollo Moon Landing.

Jason and Mike discuss stereo floating windows, the new Phantom camera and are joined by James Neihouse in the Red Room to discuss stereo NASA IMAX projects.

It's Jason's birthday and we talk to Chad Andrews about the Stereo RED MX workflow of sixteen19, and Fritz Gabriel Bauer AAC introduces the Moviecam EasyFocus. Plus, news on stolen cameras, tigers, Sony NEX-E mounts and more.

Mark L Pederson in the Red Room from Off Hollywood discussing Storm and the delivery of the first Epic - serial number 00006. We also test the Nikon D7000 in Germany.

Digital Cinematography with VFX sup: Angus Bickerton in the Red Room - Plus NASA Camera love

This week talking about Epic-M and Arri Stereo Raw Recording with the Codex plus news and gear.