Full Cast And Crew

In which my evolving, complicated relationship with the crowd-pleasing John 'Frenzy' MacKenzie's exuberant, vibe-y classic 'The Long Good Friday' is flayed open and nailed to the floor for your auditory enjoyment.

Director Toby Amies and I discuss his excellent and unexpected documentary 'In the Court of the Crimson King: King Crimson at 50'.    

Ridley Scott's brilliant 1979 sci-fi/horror classic 'Alien' burnished his deserved reputation as bold re-interpreter of techno-dystopian futurism and exploder of genres. But it made a lot of money and dollar signs in the eyes of 'Alien' producers Brandywine Productions led them to turn for a sequel to James Cameron, who had already done a similar turn on the Rambo franchise, penning a "rewritten"...

One of the most quotable and iconic of British films, born out of writer/director Bruce Robinson's personal experiences and shepherded to the big screen by George Harrison and his Handmade Films company. 'Withnail & I' is a beloved comedy but in this episode I talk as much about its forlorn, end-of-an-era wistful heart as I do the incredibly quotable lines. Particularly I was interested to learn o...

Billy Friedkin's iconic 1971 game-changing NYC police procedural/car chase classic 'The French Connection' has a fascinating backstory and making-of history, and, hey: that's what I'm here for! To bring you all the best stories behind the scenes on the streets of New York and all the context and color that helps place this movie in the pantheon of the films that came before and after it.   The NY...

Peter Yates was quietly one of the most interesting film directors of his time. His seminal 1967 British train-robbery film 'Robbery' got him noticed for the job directing Steve McQueen in 1968's 'Bullitt'.  In that film, Yates turned in a car chase frequently mentioned as second only to the iconic one filmed by Billy Friedkin in 'The French Connection'. By 1973,  Yates was in Hollywood, working u...

Martin Scorcese's new film 'Killers of the Flower Moon' is in many ways his magnum opus; it's a film carefully wrought with all of his and his production team's highest possible creative efforts, and it also marshals all those resources in the furtherance of a greater collective understanding and reckoning with yet another dark chapter in America's history. Links Marty's interview with Edgar Wrigh...

A particular interest of mine is phone calls in movies. I'm interested in them as plot devices, as examples of good or indifferent screenwriting, as opportunities for actors to show different sides of themselves in scenes where they're not opposite other actors, and on and on. In this episode we'll take a look at a few different genres of Movie Phone Call scenes: scenes where actors are onscreen p...

An appreciation of Phillip Seymour Hoffman and his brilliant portrayal of real-life CIA Most Interesting Man Gust Avrokotos in Mike Nichols' final film 'Charlie Wilson's War'. 

'Lost In America' was Albert Brooks' 3rd film as a writer/director/star and remains probably the most broadly-appealing of his films.  It's one of two of his films to have been given the Criterion stamp of cineaste approval, the other being the often-underrated 'Defending Your Life', and now,  and perhaps even more important, it's the first of his films to be given the Full Cast and Crew treatment...

'Across 110th Street' is a 1972 Harlem crime film that contains many of the tropes of the exploitation films of the era...but it also contains incredible performances from black actors whose skills rise far above the material at hand, people like Paul Benjamin, Yaphet Kotto, Richard Ward, and Marlene Warfield.  And Bobby Womack's title song was used to great effect in 'Jackie Brown', as discussed...

Elmore Leonard's cocky, energetic ATF Agent Ray Nicolet is a key protagonist in his book 'Rum Punch'.  For Quentin Tarantino's film adaptation of 'Rum Punch', 'Jackie Brown', the character, now named "Ray Nicolette" was embodied by the brilliant Michael Keaton with a perfectly cocky, energetic physicality. While cinematic universes are commonplace nowadays, in 1997 it was a surprise to see the cha...

Quentin Tarantino surprised fans with the release of his third film, 'Jackie Brown' coming as it did on the heels of the global phenomenon that was 'Pulp Fiction' in all its unprecedented Tarantino-ness.  Devoid of gory violence, 'Jackie Brown' is a thoughtful, hilarious, insightful and moving crime story that manages to be incredibly faithful to the ethos of the Elmore Leonard novel 'Rum Punch' (...

Billy Friedkin, maybe the weirdest (in a good way) major American director of his generation, almost doesn't make sense on paper; wait...the same guy directed 'The French Connection' and 'The Excorcist'?  But the ups and downs of Friedkin's storied and somewhat haphazard career are what makes him one of the most interesting directors to consider. And 'To Live and Die in LA' is some kind of crazy m...

A deep-dive into the semiotics of 'Barbie' and its post-feminist critique of corporate capitalism and American mores. Just kidding, I went and saw 'Barbie' with five 12-year-olds. Six, if you count me. But seriously, this episode unpacks some of the things I found interesting about the film, its very existence, its brilliant marketing and repositioning.  Also: supporting cast wins and losses, why...

I'm joined by legendary ad-man-turned brand-identity guru, author, screenwriter, and producer Ernest Lupinacci to talk all things 'The Godfather' and 'The Godfather, Part II' (with a sideways glance at 'The Godfather, Part III'), including our preferences, what II gained and lost in terms of casting and production, returning Mario Puzo to center stage credit for creating this universe of indelible...

An episode about 40 years of fandom and learning to actively listen to music while being of an age that can appreciate the collective experience of Dead & Company's Final Tour for the singular happening it represents.

I went and saw the new Indiana Jones movie at the Drive-In.  

An email from a listener got me thinking about film scores that I actually listen to and love, so this episode shares a handful of classic and contemporary scores I think are worthy of special consideration. Scores referenced in this episode: Get Carter The Taking of Pelham 123 Dirty Harry Out Of Sight Ocean's 11 Ocean's 12 Ocean's 13 Taxi Driver Koyaanisqatsi American Beauty The Social Network Bl...

This week's companion episode to my previous episode about Sidney Lumet's 'The Verdict' is for the craft purists, the Newman obsessives, and the acting completists out there. Much like I did with the amazing Sean Penn Spicoli scenes in my follow-up to the  'Fast Times at Ridgemont High' episode, here I'm going deep on Paul Newman's brilliant, career-best performance as Frank Galvin and discussing...

One of my very favorite films and featuring one of Paul Newman's favorite performances, Sidney Lumet's 'The Verdict' has grown in stature and appreciation since its premiere in 1982.   With a brilliantly adapted screenplay by multi-hyphenate David Mamet, a tortured development process encompassing stars like Redford and other directors named Sidney (Pollack), and a first-rate cast, 'The Verdict' i...

Bennett Miller was the 3rd director attached to the adaptation of Michael Lewis' classic baseball non-fiction book 'Moneyball', after Steven Soderbergh was replaced by Sony, who got nervous over his plan for interspersing interviews with real-life characters from the book like Lenny Dykstra and Darryl Strawberry throughout the film. His rewrite of Steve Zaillian's script made the studio nervous wh...

I'm joined by frequent FCAC Guest Star Richard Brown as we explore the many possible reactions to Robert Altman and Joan Tewksbury's 'Nashville'...a film that polarized pretty much everyone when it came out but that has settled into a comfortable middle-age of generally accepted masterpiece status.  But...is it?   In this episode Rick and I explore the fruits of Altman's decision to have entirely...

The 2003 episode that David Letterman devoted entirely to a single guest, Warren Zevon, stands out as one of Dave's signature episodes and the frank and revealing conversation they had about Zevon's terminal lung cancer diagnosis is but one of many fascinating layers to that appearance that this episode of the podcast explores. Issues of ambition, ego, addiction, self-medication and recovery were...

Sean Penn's committed, beyond-his-years performance as Jeff Spicoli is one of the great and most-storied American film acting performances, full stop.  After last week's episode about 'Fast Times at Ridgemont High' opened my eyes anew to how astoundingly complete Sean Penn made Spicoli, I simply had to do something I've never done on the pod before: devote an entire episode to appreciating and dec...