Four Play

Before Pulp Fiction made Quentin Tarantino a household name, there was Reservoir Dogs — a film so raw and transgressive it was banned in the UK for years, circulated on pirate VHS tapes, and became the blueprint for an entire generation of filmmaking. A guy who worked in a video store in LA wrote and directed this. Wrap your head around that.   Richard Lewis, MonteCristo, and Thorin kick off Four...

In 1995, a film predicted POV recording technology, VR experiences you can buy on the black market, deepfake manipulation, police brutality caught on camera, and a society addicted to experiencing other people's lives through a screen. It starred Ralph Fiennes, Angela Bassett, and was written by James Cameron. Almost nobody saw it.   Strange Days bombed at the box office, nearly destroyed Kathryn...

Four film lovers revisit The Matrix (1999) for the first time in years.   The action still holds up. The philosophical ideas still land. But the script? That's where things get complicated. We break down the Hong Kong cinema influences Hollywood never credited, the Dark City and Invisibles connections, what Keanu Reeves actually brings to Neo, and whether the Wachowskis wrote a cyberpunk masterpie...

Was The Matrix the first film to ask whether our reality is manufactured? No! There are huge parallels between Dark City and The Matrix, with both films using some of the same themes, visuals, and even sets.   In this episode of Four Play, we dive into Dark City (1998): Alex Proyas’ noir-drenched sci-fi cult classic that arrived one year before The Matrix and explored memory, identity, and control...

Four Play begins a brand-new Cyberpunk Arc with a deep dive into Blade Runner: one of the most influential science-fiction films ever made.   Released in 1982, Blade Runner didn’t just define cyberpunk aesthetics,  it also reshaped how cinema explores identity, consciousness, artificial intelligence, capitalism, and what it means to be human. Decades later, its themes feel more relevant than ever....

David Cronenberg’s Naked Lunch is not an adaptation: it’s a psychological autopsy.   In this episode of Four Play, we dive deep into one of the most challenging films ever released by a major director: Cronenberg’s surreal, disturbing, and deeply personal interpretation of William S. Burroughs’ life and work.   Rather than translating Burroughs’ famously “unfilmable” novel to the screen, Naked Lun...

THINGS TO DO IN DENVER WHEN YOU’RE DEAD (1995) is a time capsule of 1990s crime cinema: strange characters with even stranger nicknames who speak in impossibly slick slang.     Control Body Odor ANYWHERE with Mando and get 20% off + free shipping with promo code FOURPLAY at https://shopmando.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and...

THE GREEN KNIGHT (2021) is often described as abstract, slow, or confusing, but those labels miss what the film is actually doing. Directed by David Lowery, this Arthurian adaptation isn’t a puzzle to be solved, but a moral fable about avoidance and the cost of refusing to grow up.   In this episode of Four Play, Richard Lewis, MonteCristo, and Thorin break down why The Green Knight is less concer...

THE FOUNTAIN (2006) is one of the most ambitious, polarizing, and misunderstood films of the 21st century. Directed by Darren Aronofsky, the film weaves together three timelines: a conquistador’s quest for eternal life, a modern scientist racing against death, and a cosmic traveler drifting toward transcendence, which all bound by love, grief, and humanity’s refusal to accept mortality.     Visit...

THE OLD MAN & THE GUN (2018) feels less like a typical crime movie and more like a gentle farewell  not just to a character, but to an entire Hollywood era. Directed by David Lowery, the film stars Robert Redford as Forrest Tucker, a lifelong bank robber whose crimes are defined not by violence, but by charm, politeness, and an irresistible love of the game.     As the final entry in our Robert Re...

SPY GAME (2001) looks like a slick, early-2000s spy thriller, but beneath Tony Scott’s kinetic style is a surprisingly thoughtful film about loyalty, institutional cynicism, and the quiet mechanics of real espionage. Rather than gadgets or superhuman assassins, SPY GAME is about phone calls, favors, leverage, and knowing the system well enough to bend it without breaking it.     Robert Redford pla...

QUIZ SHOW (1994) shouldn’t work on paper: a quiet film about a 1950s game-show scandal, congressional hearings, and a rigged trivia show with no violence, no twist ending, and no flashy hook. And yet Robert Redford turns it into one of the most compelling American dramas of the decade: a deceptively sharp story about class, ambition, performance, and the birth of mass media.     Raycon audio produ...

Robert Redford and Paul Newman reunite for one of the greatest con-artist films ever made and one of the most purely entertaining movies Hollywood has ever produced. In the first episode of our Robert Redford Arc, Four Play dives into The Sting (1973), a film that blends slick plotting, old-school charm, and razor-sharp chemistry between two of cinema’s most charismatic stars.     Control Body Odo...

Mary Shelley’s Frankenstein is one of the most influential works of horror, science fiction, and gothic literature, but does Guillermo del Toro’s long-awaited 2025 adaptation succeed in its representation of the novel? In this episode of Four Play, MonteCristo, Thorin, and Richard Lewis dig into why this debate the merits of the films visuals, story, and faithfulness to the original themes.   Whil...

Before Black Mirror, before Love, Death & Robots, there was The Twilight Zone: television’s original nightmare machine.     For this special Four Play: One Night Stand episode, MonteCristo, Thorin, and Richard Lewis step into another dimension to revisit four of the most terrifying Twilight Zone stories ever made: tales of paranoia, existential dread, and cosmic irony that still haunt audiences mo...

Suspiria is one of the most beautiful and unsettling horror films ever made. Dario Argento’s 1977 masterpiece drenches witchcraft in light and color, turning a simple story about a dance academy into a surreal nightmare of sound, architecture, and occult energy.   In this episode, MonteCristo, Thorin, and Richard Lewis close out Four Play’s Occult Horror Arc by examining how Suspiria reshaped the...

When a wealthy family hires shamans to exhume a cursed grave, they awaken something far older and far more dangerous than they imagined. Exhuma (파묘) blends Korean shamanism, feng shui geomancy, and postwar trauma into one of the most striking horror hits of the decade.   In this episode of Four Play, MonteCristo, Thorin, and Richard Lewis explore how Exhuma became Korea’s highest-grossing film o...

Hereditary marks the rebirth of modern horror with a story where fate, family, and madness collide under the control of unseen forces. Ari Aster’s directorial debut turns grief into tragedy and domestic life into ritual, where every characters fate is inescapable and preordained. With Toni Collette’s raw, unforgettable performance at its center, this film doesn’t ask if evil exists, it simply show...

Roman Polanski’s Rosemary’s Baby (1968) didn’t just invent occult horror: it cursed Hollywood itself. A young couple moves into New York’s Dakota building, only to find their new neighbors are part of an ancient Satanic conspiracy. What begins as domestic paranoia becomes a slow descent into psychological terror and a film that redefined horror forever.   Richard Lewis, MonteCristo, and Thorin ope...

What happens when journalism isn’t about uncovering corruption in boardrooms, but surviving on the front lines of a civil war? Oliver Stone’s Salvador (1986) throws James Woods into the chaos of Central America’s brutal conflict, where photojournalism becomes both a weapon and a death sentence. The hosts dissect how Salvador critiques America’s political interests abroad, captures the moral decay...

Michael Mann’s The Insider (1999) is one of the great modern journalism films: Al Pacino and Russell Crowe bring the true story of CBS, 60 Minutes, and the tobacco whistleblower Jeffrey Wigand to the screen. Thorin, Richard, and MonteCristo break down how the film depicts whistleblowing, corporate malfeasance, and the brutal costs of telling the truth, while also examining Mann’s visual style, Al...

Is NETWORK (1976) the most prophetic film ever made about television and journalism? Directed by Sidney Lumet and written by Paddy Chayefsky, Network follows news anchor Howard Beale (Peter Finch) as he unravels live on air and creates one of cinema’s most famous speeches: “I’m as mad as hell, and I’m not gonna take this anymore!” This satirical black comedy, starring Faye Dunaway, William Holden,...

Watergate, the scandal that toppled Nixon. All the President’s Men (1976) tells the story of Woodward and Bernstein, the two Washington Post journalists who “followed the money” and uncovered corruption at the highest level. But does the film hold up today or has it become a mythologized version of journalism that no longer exists?   Richard, Thorin, and MonteCristo dig into Robert Redford & Dusti...

Nicolas Cage playing twin brothers in the same film should have been a disaster, but in Adaptation (2002), it became one of his greatest performances. Charlie Kaufman’s meta-masterpiece about writer’s block, Hollywood compromise, and the agony of the creative process pushes Cage to deliver both the funniest and most heartbreaking roles of his career.     Richard, Thorin, and Monte break down why A...

Critics called Joel Schumacher’s 8MM (1999) “sleazy, appalling, and exploitative.” With Nicolas Cage as a private investigator dragged into the world of underground snuff films, James Gandolfini at his sleaziest, and a young Joaquin Phoenix in one of his earliest breakout roles, the movie was condemned as too dark and disturbing for the 1990s.   But does 8MM deserve its reputation as sleaze cinema...