Finest Worksongs

No album brought heavy metal into the mainstream quite like Metallica's "... And Justice For All." It didn't hurt that in the golden age of MTV, the anti-war video for "One" was on HEAVY rotation and turned James Hetfield and the rest of the band into household names. But this was still a heavy metal album with all the boxes checked: dark, brooding lyrics; growling vocals; speed-metal guitar riffs...

"We are headed north."   It's all right there in the first verse of the first song of the first major label album by the Avett Brothers. This band of foot-stomping, string-breaking renegades from Concord, NC, were moving on up -- creatively, artistically and, yes, commercially. But "I and Love and You" is not a sell-out album. It's a growth album. All the emotionalism is still there; but the boys...

You couldn’t get away from Radiohead’s radio hit “Creep” when it was released on the world in 1992-93. Not even the band could escape the clutches of such a megahit. So they did what any self-respecting band – a band inspired by the DIY ethos the likes of R.E.M. – would do with their next album, which was released in 1995. “The Bends,” the follow-up to “Pablo Honey,” is a tour de force album that...

If we told you a member of the Jackson family produced an album in the 1980s that produced eight singles and multiple top 5 hits, you would likely assume it was Michael. However, younger sister Janet's "Rhythm Nation 1814" was a behemoth of a hit-maker, with dance-able hits like "Escapade," "Black Cat," "Miss You Much" and "Love Will Never Do (Without You)." The album itself was a concept album me...

When The Beatles returned to Abbey Road to record their sixth album, they were exhausted from constant touring and releasing at a pace of two albums a year. They also had virtually no songs prepared. But when it was completed, their sixth album was Rubber Soul, arguably the first actual album, not just a collection of songs. This was the turning point; it’s the album that bridges the British Invas...

Thirty years after it was released, “Disintegration” by The Cure remains a Goth masterpiece. It was Robert Smith’s answer to critics that his band (and, let’s be clear: it was HIS band) could still do moody, dark epics as well or better than anyone. No one was a bigger critic of Robert Smith than himself. So he brought it. It’s all there in its “Cure-iness.” Simon Gallup’s bass is the omnipresent...

How does a band reach the pinnacle of both commercial and critical success, dominate the airwaves for a handful of years, only to disintegrate into the ether? That’s probably the question that has haunted the members of Līve for two decades now. The band’s second major album, “Throwing Copper,” was omnipresent on both pop and alternative radio. The video for “Lightning Crashes” was an MTV staple....

It would be the album that would break up The Smiths, but not before encapsulating all that was SO ... Smiths about them. “Strangeways, Here We Come” combines the brilliance of Johnny Marr and the poetic, charming violence of Morrissey into a final testament of one of the most influential — if short-lived — bands of all time. Follow us on social media @finestworksongs

Young people all around the world were drawn to the angsty lyrics and lilting voice of Dolores O’Riordan when her band The Cranberries were EVERYWHERE in 1993 and 1994. But whereas their debut album featured beautiful pop hits like “Linger” and “Dreams,” their sophomore effort, “No Need to Argue” built upon the passion of relational anguish while shining a light on the horrors and plight of The Tr...

What does a band do when the record label shelves their album and ignores them? If you're Jimmy Eat World, you strike out on your own, save your money, and release a platinum album. With their ability to blend pop-punk, rock, and emo, Jimmy Eat World produced such ear candy as Sweetness, A Praise Chorus, and the perfect anthem in The Middle. Good luck not singing along, and if you happened to be i...

From the opening notes of “Zoo Station,” one quickly realizes “Achtung Baby” is not your mother’s U2. When the band released the  album almost 30 years ago, they were not only the biggest band in the world, but the most important. But the stress of living up to those monikers almost broke them. The resulting album was a masterpiece built on the strains of love, stardom, and alienation. With classi...

Hailed as "the grandchildren of the Beach Boys" by one reviewer, this soulful Chapel Hill band was also able to do rock, funk, and blues with impeccable harmonies. The band's first full-length album, "Rosemary," brought them incredible acclaim -- if mostly on a regional level. But for a while there, they were the headliners while a lesser-known band from Columbia, S.C., was the opener. (Hint: it w...

For our inaugural Valentine's Day epipod, we take a listen to an album full of passion and want, an album full of self-reflection and obsession. With just one album (and really just 2.5 band members), The Postal Service gave us "Give Up" back in 2003 -- an album that meant so much to so many people, and one that exemplifies the extremes of love and lost. Ben Gibbard and Jimmy Tamborello's masterpi...

At the end of the day, Hootie and the Blowfish may have just been four good dudes from South Carolina who hit lightning in a bottle (of probably Bud Light) and offered a pop-heavy, feel-good answer to grunge. But give Darius Rucker & Co. their due: “Cracked Rear View” is one of the best debut albums of all time and it gave us memorable, catchy hits — many of which are way deeper than you may h...

They were like nothing we had seen or heard before. From the opening growls of "Welcome to the Jungle" to the pop sensibilities of "Sweet Child O' Mine" and the anthemic "Paradise City," Guns N' Roses was the next generation's answer to Led Zeppelin. And "Appetite for Destruction" pulled back the curtain on the debauchery and insanity that was L.A. and the Sunset Strip in the mid-1980s. Sure, they...

In our inaugural “Listener’s Choice” episode and final epipod of Season 1, we tackle the third album from Run the Jewels. RTJ combines the best attributes of rap and hip hop: fierce and insightful lyrics that make you think from a different point of view, and insane beats and production that transport you to dystopian, apocalyptic streets. Wrapped up within the fierce fire of RTJ’s lyrics are humo...

The Beach Boys and Kacey Musgraves both produced quintessential Christmas albums – they just happened to be generations and decades apart. The similarities are striking: both albums are a mix of well-known holiday standards plus original compositions – and all are true to the artists’ unique sounds. Both albums make you excited for all of the “Ribbons and Bows” of the season and the coming of “Lit...

It’s frankly one of the great mysteries in music: Why isn’t the English band Elbow more popular in the United States? After all, this band of longtime friends has produced some of the most captivating sounds and albums for more than two decades. Their 2008 album, “The Seldom Seen Kid,” even won the Mercury Prize for best album in the UK – topping giants such as Radiohead, Adele, and Robert Plant &...

It’s the quintessential breakup album, full of heartache and remorse, remembrance and longing. “Blood on the Tracks” is quintessential Bob Dylan at his most poetic — and beautiful. Follow us on social media @finestworksongs

Green Day's "Dookie" brought punk rock to the masses in the mid-90s -- yet resulted in the band being ostracized from the punk community due to its mainstream success. It transcends punk rock, and 25 years later this album is still full of fist-pumping hits like "When I Come Around," "Longview," "Welcome to Paradise" and more. Follow us on social media @finestworksongs

Geographic name-dropping, songs about Saabs and golf courses, and of course questions of love and faith. Vampire Weekend’s third album, “Modern Vampires of the City” showcased the band’s songwriting and song content growth – and was considered by many as the best album of 2013. But don’t fret: there’s still plenty of catchy hooks, popped collars and high-fallutin’ themes – the things we all tend t...

It was an album that record execs and studio heads initially rejected. But “Kick” by INXS would go on to produce a slew of top 10 hits worldwide, turning the band - led by charismatic frontman Michael Hutchence - from Australian heroes to the people’s choice in rock and roll, putting them on par with U2 and R.E.M. Follow us on social media @finestworksongs

For some, “The Boxer” is The National’s greatest album. However, in this epipod of Finest Worksongs, we take a look at what be their most quintessential album, “Alligator." It’s an album of both confidence and introspection, of colorful characters and average Joes. All sung with a sound unique to The National. Follow us on social media @finestworksongs

At the time it was released, this album was overshadowed by Amy Winehouse, Lady Gaga, and even some monsters from Sesame Street. But a dozen years later, “The Reminder” by Feist holds up as an accomplishment of an artist with a clear vision, a bevy of talented friends, and a voice like none other. Follow us on social media @finestworksongs

It’s a tale as old as time: Man reads Ann Frank’s “The Diary is a Young Girl.” Man weeps for three days straight. Man dreams of building a time machine to go back and save her. Man writes arguably one of the greatest Indy rock albums of all time. Can you say “cliche?” Follow us on social media @finestworksongs