Film Trace

Welcome back Snyder? The last five years have been a rollercoaster for Zach Snyder. Batman vs Superman imploded within days of opening in 2016. The next year Snyder left Justice League due to a family tragedy, and the Frankenstein'd cut of that film almost killed the DCEU when it was released in 2017. Then Snyder went dark. In the meantime, the Snyder fan army rose up to defend his DC abominations...

Shane Black was the wunderkind and whipping boy of screenwriting in the 1980s and 90s. His instant massive influence was only surpassed by his sudden fated fall. The scriptwriting maestro ran for the hills when his fame and wealth became a target-rich environment for snippy critics and jealous peers. His guardian angel, producer Joel Silver, let Shane direct his script Kiss Kiss Bang Bang in 2005,...

The domestic thriller makes a futile and flaccid comeback with this Casey Affleck helmed stalker gawker. In what amounts to a really expensive Lifetime movie, Every Breath You Take is a paint-by-numbers melodrama that forgot how to count. Chris tries to find some faint glimmer of a silver lining in this borefest, and Dan spends most of the episode beating it like a pinata to see what pretentious c...

We take the deep trip with Darren Aronofsky on his grief tour of conquistadors, neuroscience, and bubble spaceships. The Fountain is crazy. What started out as a 100 million Warner Bros production, got downsized to a 35 million love letter to Rachel Weisz after Brad Pitt walked away from the production only weeks before shooting. Aronofsky refused to give up on his time-hopping quest for eternal l...

The Russo Brothers set fire to their MCU millions with a bombastic and experimental drug drama starring Spiderman himself, Tom Holland. Based on a gonzo novel, Cherry is a deep trip to the dystopia of Cleveland, Ohio. Holland gladly grins his way through this strung-out odyssey of suburban malaise and mania. Love leads to heartbreak to Iraq to heroin to bank robbery to prison. The Russo brothers s...

Before Nolan became a film bro deity, he made a little neo-noir film about a guy who can't remember anything. Well, as Nolan would say, it's a lot more complicated than that. Memento is a milestone for many reasons. It kickstarted Nolan's career. It is one of the best noir films made outside the golden age. Memento was also a huge triumph for indie filmmaking. Shot for under 5 million and produced...

Getaway to never never land with two 40-something Middle America chatty uppers called Barb and Star. Their final destination is the sunny and surreal Vista Del Mar somewhere on the gulf coast of Florida. We haven't seen an absurdist comedy like this in many moons with only a faint lineage traced to Hot Rod (2007) and a smidge of Austin Powers (1997). Otherwise, this movie is an exercise and experi...

Mann is born. James Caan cruises through the black mirror of Chicago's rain-soaked streets in Micheal Mann's masterful film debut, Thief. This 1980s neo-noir is a rote one-more-caper film at its root, but its eccentric flourishes grow into bountiful and rich foliage: the ethereal soundtrack from Tangerine Dream, the searing ambition of Caan, and the corrupted spine of Chicago itself. Way behind th...

Take a walk on the trite side with this 1990s LA Boir period-piece new to HBO Max, The Little Things. This bromidic concoction comes from the Hollywood journeyman John Lee Hancock who is responsible for The Blind Side and more recently the Netflix AARP hit The Highwaymen. Denzel Washington plays the haunted lead detective opposite Rami Maleck and walking freakshow Jared Leto plays the heavy in thi...

Plumbing the depths of our virile past, we uncover the distinct and indecipherable artifact of Swingers, a 90s hipster flick that Gen X refuses to disavow. Before Youtube and TikTok, the aimless youth took to indie filmmaking to express their angst, opinion, and sociopathy. Using discarded film and refuse from his own life, Jon Favreau joined forces with Doug Liman and Vince Vaughn to spawn this d...

We start Season 3 with the opening salvo of Promising Young Woman, a genre confection spiked with razors that rides the line between pitch-black comedy, exploitation rape-revenge, and 90s romcom. Carey Mulligan plays a down and out con artist who reaps revenge on date rapists and anyone associated with a life-altering crime that took her best friend. A saccharine sheen is mixed with catastrophic t...

Merry Christmas from Finland! Chris shares this wonderful little gem from the great north and the land of Soviet crushers. Rare Exports is clearly a labor of love, and it became Finland's first breakthrough film export, ironically. It started as two very gonzo film shorts made in the early to mid-2000s and culminated in one of the most bizarre and enjoyable holiday films of the 21st century. Santa...

Have you ever felt like a stranger inside of your own head? Brandon Cronenberg takes you on a dissociative bender in his second feature, Possessor. This cyber noir freak show is just as unsettling as the work of Brandon's father, the body horror king himself, David Cronenberg. A mind-jumping hitwoman is sent by the nebulous company to take out soft targets for big dollars. Both disgusting and rive...

Get out your MAGA hat (made in China) and your Bernie 2016 organic cotton t-shirt (made in Vietnam), it's time for everyone's favorite middlebrow polemic, V For Vendetta (2005). Chris decides to punish Dan and himself in the process by revisiting our mid-20s and this sloppy attempt to adapt Alan Moore's pretty awesome graphic novel about a coming dystopia. Spoiler alert: Dystopia is already here,...

Let the Werewolf renaissance begin! Chris and Dan discuss the new "indie" horror film The Wolf of Snow Hollow from the director-writer-star, Jim Cummings. Wolf is a gumbo of tones and a buffet of horror tropes served piping hot. It is a fun movie, especially for horror nerds who enjoy their gore with a wink. More than anything, this film creates a unique and layered cinematic world without wasting...

Ian Mungall of the great CineSiblingsPod joins us to discuss the turn of the century maladapted-male classic, High Fidelity (2000). John Cusack plays a thirty-something music nerd who can't seem to find the right rhythm in his love life. Based on the once-beloved now belittled novel of the same name, High Fidelity is a pristine time capsule of how Gen X men translated their suppressed emotions thr...

Special guest, good friend Molly, joins us for a deep dive into Aaron Sorkin's attempt at storming the bastille, The Trial of the Chicago 7 (or 8 or 10 depending on who you ask). In 2006, Steven Spielberg tapped Sorkin to write this courtroom thriller about a pivotal moment in American history, a 1969 political show trial Nixon concocted to take out the leaders of the anti-war movement. Sorkin fin...

Chris and Dan along with special guest Evan from the great Spoilerpiece Theatre podcast discuss the finer points of 90s elevated schlock, Species. What starts out as a high concept alien invasion film quickly devolves into a dutch angle thriller with a syfy channel finale. Natasha Henstridge gets her infamous start flanked by a motley crew of thespians: Micheal Madsen, Marg Helgenberger, and Fores...

The Sandlerverse births another low-brow Netflix comedy that plays for background noise rather than laughs. Adam Sandler may be the most powerful person in comedy filmmaking, but he uses his clout to make this soft-serve swill that appeals to the indolent and ignorant alike. Hubie features an amazing array of SNL cutouts, bored and possibly broke celebrities, and newcomers who have wandered into S...

Guests Mark and Brigitte from the Screen Time: A Quarantine Podcast join us for the second episode of season two where we dive into reclusive genius Micheal Cimino's bizarro attempt at a house invasion remake, Desperate Hours (1990). A year before Mickey Rourke temporarily dropped out of acting to become a pro boxer, he played the charismatic gang leader Micheal Bosworth in this genre film gone ha...

Season 2 is here! Dan and Chris along with special guest Molly dissect the latest Oscar-bait offering from Netflix, The Devil All the Time.  With a cast stacked like flapjacks and a plot overflowing the brim, this Antonio Campos film is satiating and gluttonous. The story follows non-American actors playing poor Americans who lead desperate lives in the American South or Midwest or maybe Appa...

Dan Gilroy's anti-capitalist polemic is one of the most beautiful and horrific films of the 2010s. Jake Gyllenhaal masterfully plays Lou, a lone wolf who stalks human tragedy in the headlight glow of LA nights. His relentless drive for action, money, and success leaves us both nauseous and enthralled. Mostly ignored by the masses upon release, Nightcrawler has had many second lives being spread th...

David Ayer returns to his old haunts in this 30 million dollar low-rent crime film about the LA gangland. The violence is constant and grotesque. The emotional melody is either mute or cacophonous. Shia LaBeouf, tightrope walking a role as a gringo hitman called Creeper, tattooed his entire chest for a 2-minute grainy scene where he is relentlessly tortured. This film is a prime example of how the...

Robert Pattinson broods his way through Pre-9/11 New York City in this yappy genre gumbo: One part Nicholas Sparks, Two Parts 2005's Stay, Three Parts masturbatory memoir. It is less a movie and more a ride. The story arc is built by fiddlestix as young love blooms in the shadow of the twin towers. The ending makes it one of the worst movies of the 2010s. We trace the life of Remember Me from conc...

Dave Franco attempts to escape his brother's shadow by commissioning a mumblecore horror flick called The Rental. Teaming with the mumbleking himself, Joe Swanberg, the two try to walk the impossible tight rope between arthouse and consumer swill. It is a horror genre piece that shreds conventions without putting them back together. It is a passion project where artistic desire mingles with old Ho...