Film Stories with Simon Brew

At the end of a busy year for movies, this episode of Film Stories is saluting some of the films that might just have passed a few people by. Simon, unusually, isn't by himself for this episode either, as the Film Stories magazine and website team each come along with their picks too. Chaos, as you might expect, is soon the order of the day. Although hopefully you might find a movie or two in all...

Ah, It's A Wonderful Life. A Christmas classic, that managed to basically bankrupt the production company of its director, and also lose money at the box office. In fact, were it not for an admin error, there's a good chance it wouldn't be regarded as arguably the best Christmas movie of all time. One that was targeted for original release in January. Lots to chat about here. A fair amount to talk...

In a special episode of the Film Stories podcast, Paul King (director/co-writer) and Simon Farnaby (co-writer) join Simon to talk about their latest movie: Wonka. The conversation covers the writing process, how they felt after The Bunny & The Bull struggled to find and audience, a bit of Paddington 2, and a tiny dab of The Phantom Of The Open. But also: the challenges of making a Willy Wonka preq...

Writer/director George Miller steps into the spotlight for this episode of Film Stories, as we dig into a pair of his sequels. The hugely-acclaimed Mad Max: Fury Road arrived in 2015, but it had a heck of a journey to get that far. An abandoned attempt to get the film made in 2003, and then the whole production having to be put on ice for a year after weather conditions meant a change of location....

In a special episode of Film Stories, writer, director, producer and a whole lot more Reginald Hudlin joins Simon. They're talking as Hudlin's new film, Candy Cane Lane, arrives on Prime Video. And Christmas is very much part of the discussion. But they also cover a bit of Marshall, why Hudlin put together his own website with quite so much detail, the curiosity of film critics and a whole lot mor...

A pair of late 1990s movies in this episode, both of which are remembered three decades later for differing reasons. In the case of 1999's Election, the Alexander Payne-directed movie remains one of the most scathing and cleverly dark high school movies of its era. Perhaps that's why Paramount Pictures at the time had problems with it, not least how on Earth do you market the film? 'Not well' was...

In a very special episode, Simon is joined by the Chief Creative Officer of Walt Disney Animation Studios, Jennifer Lee. Jennifer Lee has also co-written and executive produces Disney's centenary animated feature, Wish, so there's some chat about that. But also, about Lee's journey from being the person brought into the Wreck-It Ralph writing team on an eight week contract, through to writing and...

In the latest episode of Film Stories, a deeper dig into 1992's Batman Returns, and how 1991's firefighter drama Backdraft suddenly hotted up. With Batman Returns, director Tim Burton had no original intention of coming back, after the problems he'd been through on 1989's Batman. But promised a freer hand, he signed on the dotted line - and it'd be fair to say didn't quite give Warner Bros the fil...

It's a special episode of the Film Stories podcast, and joining Simon for a chat about her career is writer, director and production designer Catherine Hardwicke. The pair chat first and foremost about her latest film, the indie comedy Mafia Mamma! that's now available in the UK. They talk logistics, the challenges, and the joy that is Toni Collette. The conversation also covers Hardwicke's breakt...

The impact of Pulp Fiction's success in the mid-1990s meant that ensemble films based on scripts from relatively inexperienced writer/directors were on the radar of Hollywood. Step forward James Mangold's Cop Land, which was a quick beneficiary. After an attempt to get John Travolta to star in the film failed, and incredible cast - led by Sylvester Stallone - started to come together. But had Pulp...

It's a pair of summer movies in this episode of Film Stories, both of which were affected by the pandemic, one of which would fare a lot better than the other. The journey to 2022's Top Gun: Maverick was over a decade long, a sequel that stopped and started more than once. Tom Cruise eventually agreed to make the film though, with filming underway in 2018: yet circumstances would mean it'd be many...

In this episode of Film Stories, a little bit of a Marvel misfire, and a film that was pitched by the owner of the company that made it. When Marvel first for into making films, it secured over $500m via a major loan to fund its plans. It was felt that a Hulk movie, The Incredible Hulk, was needed quickly to help pay things off. That and Iron Man thus went into production at the same time - and on...

In a special episode of the Film Stories podcast, Simon is chatting to director Joe Stephenson, and actor/producer Scott Chambers. It turns into quite a chat, only temporarily interrupted by a cup of coffee. Stephenson is the director of Doctor Jekyll, in which Chambers co-stars with Eddie Izzard. He talks about trying to get a sub-£1m film moving in the UK, and how it ended up getting a posh Lond...

This time in the Film Stories podcast, the fast turnaround of the first Knives Out movie, and a Hugh Grant-headlined comedy drama, where Four Weddings Hugh Grant was absolutely not required. Writer/director Rian Johnson has admitted in the past that he's not a fast writer. However, when an opportunity arose to bring a murder mystery whodunnit to the screen - long a passion project of Johnson's - h...

It's a Kevin Costner double bill in the latest episode of Film Stories - and whilst the films are very different, there is a link between them. 1987's No Way Out is actually a remake, something its director - Roger Donaldson - wasn't actually aware of. One of the very best thrillers of the 1980s - especially if you don't know its twists and turns - its release actually ended up being held back to...

Ah-ha! Two of the most acclaimed British directors of the 2010s take centre stage in this episode, albeit with very, very different films. Christopher Nolan originally envisaged his dreamy heist movie Inception as a low budget feature. But just after he'd made Insomnia, he got 80 pages into what he felt the film should be and hit a stumbling block. Two Batman movies and The Prestige later and he f...

In a special episode of the Film Stories podcast, director Oliver Parker joins Simon for a long chat about his latest film, and his career. The new film is The Great Escaper, starring Michael Caine and the late Glenda Jackson. They natter about how the film came to be, and the challenges involved in making the film. They also recall when Parker managed to get Othello down to just over two hours, a...

After an unscheduled week break (sorry!), the Film Stories podcast returns with the stories of two superb modern fantasy films. Guillermo del Toro's Oscar-winning The Shape Of Water owes a debt to a 1950s horror, and an original idea that came to someone in their teenage years. When it came time to make the film? The budget was always going to be tight, but del Toro faced two different funding opt...

R-rated movies from major studios. R-rated comic book movies from major studios. R-rated comic book movies that don't even mention the name of the umbrella franchise in the title. These were not the norm when Hugh Jackman and writer/director James Mangold somehow talked 20th Century Fox into what became Logan. Yet ironically, as the mainline X-Men franchise stumbled, it was the R-rated entries tha...

It's been over a decade since the debate first ignited: is Tom Cruise the right person to play the character of Jack Reacher? The answer came originally in the form of a 2012 movie, although the first big screen outing for Lee Child's famous character had been in development for well over a decade by that point. In the end, Werner Herzog was recruited too. But it was the choice of director that wo...

For the latest episode of the Film Stories podcast, a war movie, a boxing movie, and a few problems in the making of both. 1963's The Great Escape was a film that director John Sturges couldn't initially get off the ground, and he needed his success with The Magnificent Seven to make it happen. When it did? It wasn't the easiest of productions, with a lot of chopped down trees, and a star who wasn...

The podcast is fully back up and running again, and this time, we turn our attention to the return of Hannibal Lecter. 2001's Hannibal was the long-awaited return of Anthony Hopkins as Hannibal Lecter to the big screen, following 1991's The Silence Of The Lambs. But the original director didn't return. The original screenwriter didn't return. One of the two Oscar-winning stars didn't return. And a...

After a longer than originally planned gap (due to a dodgy voice!), the Film Stories podcast returns from its summer snooze. And what better way to start than with not one T2, but a pair of them. First up? Terminator 2: Judgment Day, a film that cost its makers $15m just for the rights to. That, and enormous cheques to writer/director James Cameron, and leading man Arnold Schwarzenegger. All well...

In this episode of Film Stories with Simon Brew, two films that were - in the end - turned around to very tight deadlines. One slightly more expensive than the other! The challenge with 2015's Spectre was to follow up the most successful James Bond film of all time. Skyfall had grossed over $1bn: but its director, Sam Mendes, wasn't keen originally to return for Spectre. And when the film did get...

In this episode of Film Stories with Simon Brew, a hugely risky studio movie, and a bit of a breakthrough role for Daniel Craig. The Insider, from Michael Mann, was telling a story about a piece of modern history just years old when the movie was made. As such, there was a huge risk of litigation, and whichever studio took the movie on was opening itself to huge risks, with no obvious box office u...