Duncan and Bo Come Correct Transistor host

  Cinematic opponents Duncan and Bo turn their attention to the groundbreaking HBO series,  True Detective .  The first season was a landmark in episodic television and a legitimate phenomenon.  So how goes season two?  We break down the first episode, do a little comparing and contrasting, engage in bad accents and celebrate the use of brass knuckles.  Come on in! ★ Support this podcast on Patreo...

  Season Two is here! Welcome back to the cinematic theater of conflict that is Duncan and Bo Come Correct!  For the kick-off of Season Two, we come together to discuss two examples of French cinema.  Duncan gets all black-and-white with Luc Besson’s  Angel-a , in which a down-on-his-luck crook meets a beautiful woman with an appetite for life and a fantastic secret. Bo brings the rabbit-raisin’,...

  It’s the Feast versus the ‘Beast in the final episode of season one, and the first round of Duncan and Bo Come Incorrect!  With victory in hand, Duncan shows up to the party with a 5000-year-old Blood Feast.  With the intention of proving that his pick is the worst-yet-wonderful movie, Duncan’s film boasts inept cops, ridiculous books, ’60s-era cheesecake, and the worst sacrifice in film history...

  After eleven hard-fought episodes, it all comes down to this.  With a loss, Bo must admit defeat to Duncan for season one.  With a win, a tie is still possible, which is technically a win for the United States, based on the same logic that America rules and Scotland drools. Duncan comes armed with a post-modernist tale of revenge in the Australian outback, a Guy Pearce-starring film entitled  Th...

  Welcome back to the gladiatorial cinematic experience that is Duncan and Bo Come Correct.  With Bo behind Duncan and the season rapidly drawing to a close, Bo is a clear underdog.  It’s only right that we address sports films.  Neither challenger is willing to admit defeat as Bo brings the heat with the baseball drama,  Moneyball .  Duncan, riding high on his foreign film picks, goes back to the...

  In the auspicious return to cinematic battle, stalwart heroes Duncan and Bo look to the world of documentary filmmaking.  Duncan decides to go dark, unsurprising to anyone who knows anyone from Scotland, and Bo finds old people singing to be a worth opponent to Duncan’s selection.  Will the Dark Side win out in this discussion of real-world storytelling?  Listen to find out the surprising answer...

Just in time for Halloween, your hosts do battle on familiar ground as they present each other with a pair of previously-unseen fright flicks! Bo brings a cinematic adaptation of the graphic novel series  Trailer Park of Terror , complete with undead demolition derbies, rockin’ zombies and a seductive snuff film director. Not to be outdone, Duncan offers up  The Cottage , boasting famed monkey-per...

After seven episodes, our heroes delve into the world of bad children and the parents who may or may not love them.  Duncan goes the deeply serious route with the intense drama We Need To Talk About Kevin .  Bo lightens things up (comparatively speaking) with the Bobcat Goldthwaite film World’s Greatest Dad , featuring the recently-departed Robin Williams.  It’s the battle of the bad kids in the l...

Having established victories in the previous two episodes, Bo swaggers into this episode with the Kenneth Lonergan-directed comedy-drama, You Can Count on Me .  Boasting incredible performances by Mark Ruffalo and Laura Linney, how can he lose? Duncan refuses to be denied, however, returning from two losses with the near-future fantasy Robot & Frank , with the full weight of a Frank Langella m...

After tying the previous week with the roundhouse pick of The Contender , Bo heads back into the ring with a movie that mixes the sweet science with a con.  With James Woods in his corner, how can he lose? On the other side of the ring, Duncan steps up with a taste of magical realism and a heady examination of the meaning of happiness and fulfillment. It’s mind vs. mayhem, brains vs. brawn and Jam...

We have been remiss in getting you, our dear droogs, a new episode.  I, Bo, take full responsibility for that in that it has taken more time to edit this episode.  BUT, this episode is about twice as long as usual, so don’t be so huffy.  In Episode Four, a TIEBREAKER episode, we discuss two very different films from two very different filmmakers, both of whom have produced some of the most interes...