Draft Zero: a screenwriting podcast

Listen if you're writing a scene where your character does something 'out of character' and your readers to buy it. Chas & Stu look at examples of good character motivation. We’ve all watched movies where we don’t believe the motivation of a character or characters. We may have even written scripts where readers don’t buy the character’s choices. And that’s often a real problem because most of...

Listen if you want to make theme your primary driver (for a sequence) Chas and Stu are joined, once again, by the inestimable Stephen Cleary. This episode is a spiritual sequel to our last episode with Stephen, the one on sequence structure. That episode explored how sequences could be broken into plot, character, and plot/character sequences. Well, Stephen’s back to talk about a different type of...

Listen to turn narrative uncertainty itself into the engine that keeps viewers compelled. It’s time. The Epic Deep Dive(TM) into Antagonists has reached its shuddering conclusion. And for this Part V - by choosing films that have no obvious singular antagonist (and in some cases no obvious narrative either) - Stu and Chas realised there was indeed a final category of antagonists: the films themsel...

Listen if you want to use how societal, governmental, or environmental forces as villains. This is Part Four (!!) of our Five Part Epic Exploration into antagonists forces and sources of conflict. In this episode we explore "system/world/society" antagonists. While stereotypically associated with science-fiction, these sources of conflict are found across genres. To that end, we talk MINORITY REPO...

Listen to understand why pressure--not obstacles--is what transforms a protagonist when they face an unstoppable force. In this Part Three of our Five Part Epic Exploration™ into antagonistic forces (and sources of conflict), Chas & Stu explore “nature” antagonists, including some supernatural ones. What became clear in doing the homework (and recording this episode twice ) was that the antago...

Listen if you want to understand how protagonists can serve as their own antagonist and how antagonistic forces shape a character's journey In Part Two of our Five Part Epic Exploration™ into antagonists, Chas & Stu take a look at "vs self" stories. Stories where the protagonist (or main character) serves as their own antagonist as well as the antagonist for those around them. It took us a lon...

Listen if you want to understand how to craft compelling antagonists who oppose your protagonist through direct human conflict Prompted by a listener (and patron of the podcast) question, Stu and Chas dive into antagonistic forces. And because Draft Zero does not do anything by halves, this is Part One of a Five Part Epic Exploration™ into antagonists; namely: vs humans, vs self, vs nature/superna...

Listen to discover how characters can be dramatised through binary choices (and understand the difference between choice and agency). To kick off 2018, Chas and Stu take a deep dive into one of their favourite movies of 2017: Blade Runner 2049. However, they abstained from “Fox News-ing this shit” by being joined by the most accomplished screenwriter they know, C.S. McMullen (Blood List 2017, Blac...

Listen to understand how consequences (not intentions) impact whether an audience roots for or against your protagonist. Following our annual wrap up in 2017, we’ve decided to once again explore what craft issues/lessons we can garner from the latest Stars, namely Episode VIII: The Last Jedi, focusing on how consequences of character actions can do a lot of heavy lifting as to how the audience per...

What questions do you want your audience asking at any given time? Waaaaaaaaaay back in DZ-05, Stu and Chas examined how shifting narrative point of view (i.e. what the audience knows in relation to the characters on screen) heightens emotions in any given scene. We've now taken that micro idea and applied it to the macro: how can deciding what the audience knows and when in relation to the charac...

Listen if you want to understand how narrative point of view can organise your entire story structure Waaaaaaaaaay back in DZ-5, Stu and Chas examined how shifting narrative point of view (i.e. what the audience knows in relation to the characters on screen) heightens emotions in any given scene. We've now taken that micro idea and applied it to the macro: how can deciding what the audience knows...

Listen to discover how a character's worldview becomes the engine of conflict inside a single scene. As part of their ongoing exploration of scene-work, Stu and Chas apply their earlier thinking on theme and character worldview to individual scenes. Can examining a scene from a thematic perspective impact the drama, conflict or stakes of the scene? How does your character’s conscious and subconsci...

Listen if your first act exposition feels clunky--the MCU has a schema for burying backstory inside character introductions. First Acts are hard. They have to set so much in motion, especially setting up characters. To help them understand how to write effective first acts better, Stu and Chas turn their analytical gaze to a franchise that has been refining and reiterating its first act "schema" f...

Listen to understand how dramatic questions shape audience engagement and pacing through sequences. Chas and Stu are joined for the fourth time by the inestimable Stephen Cleary - this time to take a deep dive into sequences. A real deep dive. A 3+ hour deep dive. Stephen postulates that sequences can compel the audience in different ways via the type of dramatic questions being posed. Are they pl...

Listen when you're writing a twist and need to earn it through point-of-view rather than surprise alone. In our first (and perhaps last) one-shot, we take a close look at the M. Night Shyamalan's SPLIT. Rather than having one topic with many examples, we use the one example to look at many topics. Well, okay, a few topics. Firstly, we take the opportunity to revisit theme. SPLIT offers a very clea...

Listen if theme feels abstract - we talk how how to make it visible through what characters believe. In this episode, Stu and Chas tackle one of the more esoteric topics in screenwriting (and writing in general): theme! To help us tackle this topic, we decided to look at television pilots, because we felt that television requires the theme to be more explicit. Our zig-zagging (and long) discussion...

Listen to learn how a character's tactics reveal who they are under pressure--and how their changing tactics reveals their growth. In this episode, Stu and Chas turn their gaze to the "tactics" that characters use in scenes to get what they want. Tactics are how the characters try to achieve their goals and (we reckon) can be revealing of the essence of their character. The shifting and thwarting...

Listen if you're about to network at a festival and have no idea what writers actually do with their time there. In another backmatter-only episode, Stu & Chas zig-zag through a range of topics. We talk about Chas' experience(s) hitting both Los Angeles and the Austin Film Festival, effective networking, career capital, the art of receiving feedback, and Stu's harsh Three Strikes Rule. We look...

Listen to learn how to use exposition as dramatic revelation rather than mere information delivery. In the second part of Draft Zero's two-part episode on "Exposition", Stu & Chas take an even deeper look at this notoriously challenging part of screenwriting. For many stories there are pre-existing facts (or given circumstances) that need to be communicated to an audience, and often we rely on...

Listen if your exposition scenes feel like information dumps disguised as dialogue. In Draft Zero's first two part episode, Stu & Chas take an in-depth look at one of screenwriting's most common challenges: EXPOSITION. For many stories there are pre-existing facts that need to be communicated to the audience — whether those facts be about the rules of the world, the nature of a location, chara...

Listen if you're juggling multiple projects and can't figure out which one deserves your attention right now. In this "special", backmatter-only episode, Stu & Chas take inspiration from Terry Rossio's excellent article on TIME RISK and ice skate over a range of topics. We talk about time investment in projects, Stuart's project Restoration, doing you down work first, managing feedback, thinki...

Listen if you're writing a character study and unsure how to build momentum without external conflict. Continuing their focus on "character", Stuart and Chas take a close look at films that may be considered character-driven... or rather character studies... or just plot-lite films? Whatever you call them, these films — CHEF, HAPPY-GO-LUCKY, and AMOUR — let their plots take a back seat to a closer...

After a spectacular end to Season 6 of GAME OF THRONES, Chas and Stu were struck by the very different portrayals of Sansa in Episode 9 - Battle of the Bastards and Cersei in Episode 10 - The Winds of Winter . Despite both characters having an enormous impact on the narrative, the audience's experience of those characters is very different -- largely because Sansa is absent from 98% of Battle of t...

Listen to see how splitting character functions across your cast sharpens what your story actually means. We are often told that our 'protagonist' needs to be a active. That they need to be compelling. That they need to change. And - old faithful - that they need to be likeable. But after looking at MAD MAX: FURY ROAD, STAR TREK (2009), THE FIGHTER, and SICARIO, Chas and Stu learn that your primar...

Listen if you want to evoke fear and tension using only the written word (without relying on camera, lighting, music, or sound). Chas & Stu take a close look at sequences of high-tension - the ones that make you lean forward in fear, or jump backwards in terror. Without camera angles, lighting, music or sound, how can screenwriters can evoke those emotions in readers using only the page? These...