Dig Me Out: 90s & 00s Rock

Jon Crosby, the singer, songwriter, and multi-instrumentalist at the helm of VAST , was a well-regarded guitarist as a teen who signed a record deal with Elektra at just seventeen years old. On the debut, Crosby takes 90s industrial rock in the vein of Nine Inch Nails or Stabbing Westward and layers unexpected sounds, like Benedictine monks and Bulgarian women's choirs, to create haunting soundsca...

Known for his talents on various stringed instruments, Ben Harper solidified his backing band as The Innocent Criminals on his fourth record, 1999's Burn To Shine. With that band arrangement, Harper delves into a variety of sounds, channeling the blues and folk that made up his early solo releases but continuing the louder sounds from his previous outing, The Will To Live. Through the twists and t...

Though Fu Manchu often comes up when discussing the stoner rock of Sleep, Kyuss, Queens of the Stone Age, Monster Magnet, and, the Orange County band has made the prime focus skate boarding, California vibes, and science fiction, all stuffed in a smoke-filled custom 70s van. As proponents of fuzzed-out guitar riffing, tight arrangements, catchy hooks, and finding the balance between bombast and re...

Montreal's Doughboys, like so many bands who tipped their toes in the power-pop sound, were mostly ignored by US listeners. Unless led by a ballad like the Goo Goo Dolls or pushing a punkier sound, artists with layered harmonies and a keen sense of melodic hooks were often overlooked for pure pop. On their 1993 album Crush, the band never compromise on the guitars, combining hardrock riffs with ca...

Bruce Kulick, a member of KISS from 1984 to 1996, and John Corabi, a member of Motley Crue from 1992 to 1997, joined forces to form Union with capable players Jamie Hunting on bass and Brent Fitz on drums. The songwriting style Corabi brought to Crue is evident from the first track "Old Man Wise," which combines classic hard rock riffs with melodies and vocals that fit well into 90s alternative an...

While G. Love is currently doing the press circuit to discuss his latest album, Philadelphia Mississippi, the affable blues artist is more than happy to talk about his experiences in the ‘90s. Born in Philadelphia and raised on the finest music that city had to offer in the ‘70s and ‘80s, namely soul and blues, G. Love moved to Boston to continue his busking career with hopes of landing a record d...

In the 1990s Dinosaur Jr. was primarily the J Mascis show, with both Lou Barlow and Murph out of the band. Their 2000s reformation has resulted in a steady release of some of the band's best material, but the origins trace back to the early 80s and the high school hardcore band Deep Wound where J and Lou began. Then known only as Dinosaur, the band toned down the hardcore elements for more jangle,...

Though known for a variety of harder post-hardcore bands like Helmet, Quicksand, Biohazard, and many more in the early 90s, the New York City indie music also include a number of outliers who had their major label moments. Like Soul Coughing or Firewater, Skeleton Key sought to do something slightly different. Sure, there are guitar-driven alternative rock tunes like "Wide Open" or "The Worlds Mos...

One-hit wonders are not unique to the 1990s, and revisiting sophomore albums is always a hit-or-miss experience. Double down on what made the band or artist successful, evolve the sound into something unexpected, or somewhere in between? After scoring a hit with "Counting Blue Cars" on their 1995 debut Pet Your Friends, Dishwalla returned in 1998 with And You Think You Know What Life's About. From...

The late mid-to-late 90s were overwhelming based on the number of new album releases each week. Unfortunately, that meant bands like Little John either had a breakout single and video or were quickly relegated to the cut-out bin. In the case of their 1996 album Derailer, full of pop-rock that veers between Dinosaur Jr. guitar riffs and the quirky lyrics and melodies of They Might Be Giants, the ba...

There isn’t a Dig Me Out listener who isn’t familiar with Everclear, a staple of ‘90s alternative rock radio and MTV. With a string of hits like “Santa Monica,” “I Will Buy You a New Life,” and “Father of Mine,” Everclear spent the better part of the decade relentlessly touring, playing to sold-out crowds around the globe. But, had it not been for the relative success of the band’s 1993 debut, Wor...

Face To Face had established themselves over their first three albums as a skate punk band with elements of Bad Religion and Hüsker Dü. But for 1999's Ignorance Is Bliss, they purposely showed the tempos and expanded the pallet to a much more alternative rock sound. That left some fans confused, others angry, but also welcomed new listeners into the fold. Depending on whether you're a punk purist...

Describing rock bands can be tricky, as there is usually a need for comparison to set expectations. In the cast of Headstones , it's not that simple. The band is heavy, but not metal. They rock in a way that fits into the 90s, but they're not grunge or alternative. Smart lyrics, big guitar riffs, and short catchy songs that have hints of Australian bands like AC/DC or The Angels, with a touch of G...

Composed of Jean-Luc De Meyer of Front 242, Mark Heal of Cubanate, and Ged Denton of Crisis n. T.i., along with special appearances by members of Front Line Assembly and Haujobb, C-Tec is something of a 1990s industrial supergroup. What that allows is the members to experiment on their debut Darker with a broader range of sounds away from their regular bands, like including breakbeats on "Being No...

The EP, that strange format in-between singles and albums. What makes up an EP? It can be anything - all new material, demos, live tracks, remixes, or anything else an artist (or record label) can think of. While around since 1919, the EP format never had a more successful decade on the charts than in the 1990s. "Jar of Flies" by Alice In Chains became the first artist to have an EP reach number o...

Melbourne, Australia's Sandpit only managed one full-length, 1998's On Second Thought, along with a few earlier EPs before disappearing. Mellow and sparse one minute, abrasive and noisy the next, the band finds a sweet spot between the two thanks to inventive vocal melodies that play with phrasing and cadence to keep the listener's ears engaged. Like American counterparts in Slint, Seam, or Polvo,...

Known as the more melodic half of the New Zealand alternative "Dunedin Sound" rock band Straightjacket Fits for their first two albums, Andrew Brough left in the early 90s to forge his own path. By the mid-90s Bike had formed and in 1997 would deliver their one and only album, Take In The Sun. The name is appropriate, as the album is full of shimmering, psychedelic sounds, and melodies that cry ou...

On their 1993 debut Bring It Down, Madder Rose 's Mary Lorson brings melodic sharpness and emotional depth to her vocals that helps make the band special. Billy Coté's guitar matches Lorson, weaving intricately disjointed solos and leads, while also bringing in shoegaze-styled textures and noise. This gives the band a unique niche in 90s rock, somewhere between the East Coast alternative rock of B...

Though Steelheart was considered a new band when its self-titled release came out in 1990, the nucleus of the band had been together for nearly a decade. As Red Alert, the band spent most of the ‘80s honing songwriting skills and recording demos in Connecticut while playing occasional shows in a state that didn’t offer a lot of opportunities for a hard rock band. With a plane ticket and 4-song dem...

While bedroom recordings are nothing new to the music world, especially after the availability of cassette four-track recorders in the 1980s, going from crude demos to fully fleshed-out compositions is something else entirely. Many artists have taken advantage of computer-based recording programs in the 2000s, but musicians like F.M. Cornog, under the name East River Pipe , figured out to take an...

The Manchester music scene gained notoriety long before Ian Brown and Shaun Ryder thanks to 1960s artists like The Hollies, The Bee Gees, and Herman's Hermits. Following the rise of punk, Manchester provided their own twist with bands like Joy Division and New Order, The Smiths, and The Fall breaking out at home and abroad. But our focus is on the unique combination of guitar-driven rock and under...

Terms like post-punk, post-rock, emo, indie, etc. get tossed around when talking about 90s rock bands that strayed from the mainstream to embrace a different take on the soft/loud dynamic. Boston four-piece Karate takes the angular twin-guitar and vocal attack of Fugazi and shave off some of the rougher edges while incorporating Slint-like slowcore, dialing down the tempos and volumes ready to bur...

Though Chad Fischer ’s musical resume begins with School of Fish, the drummer didn’t play on either of the band’s two full-length albums. Just before the recording of 1993’s Human Cannonball, Fischer was fired by producer Matt Wallace who brought in session drummer Josh Freese to play on the album. When Freese was unable to tour with School of Fish due to other commitments, Fischer rejoined as the...

New Radicals, the band that wrote the ubiquitous single "You Get What You Give" which will never the airwaves, was the brainchild of Gregg Alexander and former child actor Danielle Brisebois, the former who had previously failed to breakthrough in the late 80s/early 90s solo artist. Donning the iconic bucket hat and calling-out (then) current celebrities like Courtney Love and Beck gave critics so...

Alternative in the late 80s included several artists who successfully mixed funk and hip-hop with hard rock and metal, such as Faith No More, Living Colour, and the Red Hot Chili Peppers. In Melbourne, Australia, Defryme would form in 1989 with a similar sound, but it would take them five years to release their debut Purekiller. By that time, the fusion of hip-hop, funk, and metal was a far less o...