CSO Association

CSO Audio Program Notes

Music EN ↓ 246 episodes

Founded in 1891, the Chicago Symphony Orchestra is consistently hailed as one of the greatest orchestras in the world. In collaboration with the best conductors and guest artists on the international music scene, the CSO performs well over one hundred concerts each year at its downtown home, Symphony Center, and at the Ravinia Festival on Chicago’s North Shore, where it is in residency each summer. Music lovers outside Chicago enjoy the sounds of the Chicago Symphony Orchestra through best-selling recordings and frequent sold-out tour performances in the United States and around the globe. Vis...

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Author

CSO Association

Category

Music

Podcast website

cso.org

Latest episode

Oct 19, 2026

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Episodes

CSO Program Notes: Debussy La mer & Ravel La valse 30.05.2023

David Afkham conducts landmarks of early 20th-century French music, including Debussy’s La mer, a shimmering depiction of the sea and its many moods, and Ravel’s La valse, in which a misty waltz morphs into a delirious portrait of a vanished age. Turning to Russia, Israeli violinist Vadim Gluzman takes on Shostakovich’s alternately biting and poignant First Violin Concerto. Learn more: cso.org/per...

CSO Program Notes: Muti, Herbert & Pines of Rome 19.05.2023

Riccardo Muti conducts two of Respighi’s vibrant orchestral tapestries: his sumptuous homage to Rome’s iconic neighborhoods and pine groves and his masterful evocation of Renaissance lute music. The program includes the vivid First Concerto for Timpani by American composer William Kraft, featuring CSO Principal Timpani David Herbert. Learn more: cso.org/performances/22-23/cso-classical/muti-herber...

CSO Program Notes: Muti, Chen & Mozart Gran Partita 12.05.2023

In his Gran Partita for 13 instruments, Mozart achieves a sublime combination of grandeur, complexity and sunny charm. CSO Concertmaster Robert Chen presents the composer’s stately and rustic Violin Concerto No. 4, a product of his Salzburg years. Riccardo Muti opens the concert with Cimarosa’s overture, which echoes Mozart’s comic vein and abounds in freshness and invention. Learn more: cso.org/p...

CSO Program Notes: Muti, Montgomery & Rachmaninov 2 08.05.2023

Rachmaninov’s Second Symphony marked a personal comeback after a debilitating crisis of confidence. In the spring of 2023, a century and a half after the composer’s birth, Riccardo Muti conducts this sumptuous score, along with the world premiere of Transfigure to Grace by Mead Composer-in-Residence Jessie Montgomery, who writes with “a Technicolor brilliance and harmonic plushness perfect for the...

CSO Program Notes: Vivaldi Gloria 01.05.2023

Experience the uplifting power of Antonio Vivaldi’s joyous Gloria, with its gleaming vocal fireworks and richly embroidered orchestral passages. Early-music specialist Giovanni Antonini conducts this and other Vivaldi treasures, including the Magnificat, in all its variety and invention; the luminous nobility of La Senna festeggiante, and the poignant Kyrie. Learn more: cso.org/performances/22-23/...

CSO Program Notes: Jurowski, Helmchen & Shostakovich 8 19.04.2023

Vladimir Jurowski marks his return to Symphony Center with Shostakovich’s Symphony No. 8. In this immense wartime symphony, Shostakovich searches for hope and renewal beyond the anguish of violence and honors the ordinary people who contributed — and suffered — away from the frontlines. Celebrated pianist Martin Helmchen brings his “powerful yet refined approach” (The New York Times) to Mozart’s P...

CSO Program Notes: Trifonov Plays Rachmaninov Piano Concerto No. 3 11.04.2023

“Peerless today as a Rachmaninov interpreter” (The Guardian) and in possession of “monstrous technique and lustrous tone” (The New Yorker), pianist Daniil Trifonov performs Rachmaninov’s electrifying Third Piano Concerto. Russian folklore animates Stravinsky's magical world of Petrushka and Liadov’s dark and fantastical Kikimora. Learn more: cso.org/performances/22-23/cso-classical/trifonov-plays-...

CSO Program Notes: Hilary Hahn Plays Carmen Fantasy 11.04.2023

CSO Artist-in-Residence Hilary Hahn returns for Sarasate’s brilliant and sultry arrangement of Bizet’s Carmen and two beguiling serenades by the late Finnish master Einojuhani Rautavaara. Returning conductor Thomas Adès frames the program with Richard Strauss’ Der Rosenkavalier Suite — a loving and graceful tribute to the Viennese waltz — and the profoundly stirring and vivid Night Ride and Sunris...

CSO Program Notes: Adès Conducts Adès with Gerstein 03.04.2023

Come along for an engrossing program of musical storytelling as Thomas Adès conducts Liszt’s swirling treatment of the Faust legend, Janáček’s depiction of a 17th-century Cossack warrior and Sibelius’ incidental music to Shakespeare’s The Tempest. Kirill Gerstein presents Adès’ own Piano Concerto, “an affectionate, joyous, remarkably uncomplicated tribute to tradition” (The New York Times). Learn...

CSO Program Notes: Boccherini, Vivaldi & Mozart 40 23.03.2023

In his 2019 CSO debut, Spanish guitarist Pablo Sáinz-Villegas thrilled with “the profundities of his art,” along with “the sheen of his tone and the nobility of his rhythms,” wrote the Chicago Tribune. Sáinz-Villegas joins the ensemble in two pieces with bright Mediterranean character. Bernard Labadie, making a welcome return to the CSO, conducts the program, which also features dark-hued symphoni...

CSO Program Notes: Coleridge-Taylor, Copland & Dvořák 9 17.03.2023

Thomas Wilkins conducts three works featuring unique musical visions of America, capped with Dvořák’s majestic New World Symphony, which draws on African American and Native American source materials. Coleridge-Taylor’s ballet suite captures the spirit of Longfellow’s epic poem The Song of Hiawatha. CSO Principal Clarinet Stephen Williamson performs Copland’s Clarinet Concerto, premiered by Benny...

CSO Program Notes: Carmina burana 07.03.2023

Carl Orff’s choral celebration of love, lust and youthful excess in medieval times is as iconic as ever — at once gloriously bawdy and touchingly beautiful. Rautavaara’s ethereal “concerto for birds and orchestra” features bird calls recorded in arctic Finland. Banner, by CSO Mead Composer-in-Residence Jessie Montgomery, is a vibrant rhapsody on The Star-Spangled Banner. Learn more: cso.org/perfor...

CSO Program Notes: Blomstedt Conducts Dvořák 8 24.02.2023

Eminent Swedish American conductor Herbert Blomstedt leads two Dvořák landmarks — the restless, bucolic Eighth Symphony and the impassioned Cello Concerto — each imbued with the composer’s hallmark warmth and Bohemian charm. Joining the CSO is the young Romanian Andrei Ioniţă, “one of the most exciting cellists to have emerged for a decade” (The Times of London). Explore the music in the free prec...

CSO Program Notes: Muti, Fischer & Tchaikovsky Manfred 02.02.2023

Tchaikovsky’s turbulent Manfred Symphony takes its inspiration from Lord Byron’s dramatic poem about a world-weary traveler who wanders the Alps and is bewitched by supernatural forces. German violinist Julia Fischer, acclaimed for her “pure and fine-spun tone” (Chicago Tribune), joins Riccardo Muti and the CSO for Schumann’s poetic and autumnal Violin Concerto. Explore the music in the free preco...

CSO Program Notes: Mäkelä Conducts López Bellido & Mahler 5 02.02.2023

In his Fifth Symphony, Mahler embraces all aspects of life. After a tumultuous funeral march, the work’s five movements include folk-inspired dances, a tender love song and a boisterous finale. Noted for his "great affinity with Mahler" (Le Monde), Finnish conductor Klaus Mäkelä pairs the composer’s Fifth Symphony with the U.S. premiere of Aino by Peruvian American composer Jimmy López Bellido. Ex...

CSO Program Notes: Shani Conducts Rachmaninov Symphonic Dances 03.01.2023

In a program celebrating the 150th anniversary of Sergei Rachmaninov’s birth, Lahav Shani conducts the composer’s Symphonic Dances, which marries diabolical, jazzy melodies with plush, old-world grandeur. Italian pianist Beatrice Rana is soloist in Rachmaninov's Paganini Rhapsody, a set of 24 variations that crackle with wit and furious energy. Prokofiev’s delightful Classical Symphony opens the p...

CSO Program Notes: Alsop Conducts Wolfe: Her Story 13.12.2022

Conductor Marin Alsop leads the Chicago Symphony Orchestra in three pivotal works by 21st-century women composers. This Midnight Hour, a single-movement orchestral composition by former Mead Composer-in-Residence Anna Clyne, evokes a visual journey for the listener. Mead Composer-in-Residence Jessie Montgomery’s Rounds, commissioned for and performed by pianist Awadagin Pratt, is inspired by the c...

CSO Program Notes: The Sorcerer’s Apprentice & Saint-Saëns Organ Symphony 07.12.2022

Iconoclastic organist Cameron Carpenter, “one of the rare musicians who changes the game of his instrument” (Los Angeles Times), takes on Poulenc’s sparkling, Baroque-infused concerto, followed by the elegance and floor-shaking grandeur of Saint-Saëns’ Organ Symphony. Ticket holders are invited to a free preconcert conversation featuring Carl Grapentine in Orchestra Hall 75 minutes before the perf...

CSO Program Notes: Hilary Hahn, Tchaikovsky & Bartók 18.11.2022

Dalia Stasevska leads the CSO in Bartók’s glittering late masterpiece — which shows off every section of the orchestra — and the scampering, playful sounds of Tarrodi’s Birds of Paradise II. CSO Artist-in-Residence Hilary Hahn joins the Orchestra for Tchaikovsky’s thrilling and tender Violin Concerto. Ticket holders are invited to a free preconcert conversation featuring Carl Grapentine in Orchest...

CSO Program Notes: Stravinsky, Beethoven & Sibelius 2 18.11.2022

Sibelius’ intense love of nature is mirrored in his Second Symphony, which inhabits a world of rugged, windswept beauty. In his kaleidoscopic choral masterpiece, Stravinsky creates an otherworldly aura. Beethoven’s ebullient concerto features pianist Francesco Piemontesi in his CSO debut. “Piemontesi made a wonderful impression… [He] drew out the reflective undercurrents even while playing with gr...

CSO Program Notes: Honeck, Capuçon & Shostakovich 5 07.11.2022

A journey from brooding despair to rousing triumph, Shostakovich’s Fifth Symphony rescued him from the grips of official Soviet disfavor. But to many listeners, it’s a more subversive critique of life under Stalin. This program, led by Manfred Honeck, also showcases the U.S. premiere of Lera Auerbach’s Diary of a Madman, composed for and performed by Gautier Capuçon. Ticket holders are invited to...

CSO Program Notes: CSO & The Joffrey Ballet 02.11.2022

Dancers from Chicago’s world-renowned Joffrey Ballet invigorate the Symphony Center stage with two newly commissioned choreographies set to Siegfried Idyll, Wagner’s glowing birthday gift to his wife, and Rameau’s vivid ballet, composed for a royal wedding at the Palace of Versailles. Ravel evokes Baroque dance in Le tombeau de Couperin, with each movement becoming a touching tribute to friends wh...

CSO Program Notes: Wagner, Bartók and Vaughan Williams 12.10.2022

As Great Britain endured the Blitz in 1943, the 71-year-old Vaughan Williams produced his Fifth Symphony. To celebrate 150 years since the composer's birth, Edward Gardner conducts this work of warmth and gentle contemplation. Christian Tetzlaff, “a meticulous and refined virtuoso” (The New York Times), presents Bartók’s rhapsodic Second Violin Concerto. Wagner’s serene and somber prelude to Act 3...

CSO Program Notes: Grieg Piano Concerto and Prokofiev 6 12.10.2022

Prokofiev’s Sixth Symphony was a risky undertaking in post-World War II Russia: a personal meditation on suffering and loss that he described as agitated, lyrical and austere. Pianist Simon Trpčeski animates the romantic flourishes of Grieg’s Piano Concerto while Nokuthula Ngwenyama’s Primal Message is a fantasia inspired by the 1974 Aricebo interstellar radio transmission. Ticket holders are invi...

CSO Program Notes: Thielemann Conducts Bruckner 8 28.09.2022

Bruckner’s last completed symphony is a majestic statement in which every theme feels like a sacred offering. Bruckner signed the score "Hallelujah,” and eagerly declared, “The finale is the most important movement of my life.” Christian Thielemann, “the most admired of today’s German conductors” (Los Angeles Times), leads the CSO on this sweeping journey. Classic Encounter October 20: Preconcert...

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