Critical Readings

The panel reads the second part of The Lay of the Children of Hurin, which relates the tale of Beleg Strongbow, and the doom of Turin Turambar, giving special attention to how the text connects to other mythological and Anglo-Saxon poems and narratives. Continue reading

The panel begins a three-week reading and analysis of the first version of J. R. R. Tolkien's "The Lay of the Children of Hurin", a poetic account of Turin Turambar, written between 1918 and 1925, and first published in The Lays of Beleriand (1985). Continue reading

The panel examines three poems by Delmore Schwartz, with a particular focus on his language and themes, including a poetic biography of Lincoln, a metaphysical examination of Narcissus, and a portrayal of time as a frightening, existential inferno. Continue reading

In Critical Reading's first episode dedicated to a work of prose, the panel reads Nathaniel Hawthorne's short story, Young Goodman Brown, and examines its allegorical structure, considering what it might suggest about both human nature and the modern era. Continue reading

The panel concludes its series on American Civil War poetry with Whitman's Drum Taps and Sequel to Drum-Taps, focusing in particular upon the structure, symbolism, and historical details of Whitman's three poems on the death of President Lincoln. Continue reading

The panel reads a selection of the poems added to the 1860-61 edition of Walt Whitman's Leaves of Grass, focusing on what the poetry suggests about human nature, political life, and the people of the United States on the eve of the Civil War. Continue reading

The panel reads two poems from Longfellow's Tales of a Wayside Inn (1863): 'Torquemada' and 'The Birds of Killingworth', examining the role of zeal, dogma, and radical conduct in the poems, and what it may suggest about the war between the states. Continue reading

In the first of a two-part reading of selections from Longfellow's Tales of a Wayside Inn, the panel reads the beginning of the Prelude and then examines "Paul Revere's Ride" in detail, with attention to the structure of the text and its formal aspects. Continue reading

The panel concludes a two-part survey of Melville's reading of the Civil War as viewed through his Battle-Pieces and Aspects of the War (1866) by discussing poems on Stonewall Jackson, the Surrender at Appomattox, and post-war America. Continue reading

In this first episode of a two-part examination of Melville's poetic response to the Civil War, the panel reads two poems from his first poetry collection, Battle-Pieces and Aspects of the War (1866): 'The Conflict of Convictions' and 'Gettysburg'. Continue reading

The panel performs a thorough close readings of two well-anthologised poems by E.E. Cummings--'i sing of Olaf glad and big' and 'the Cambridge ladies who live in furnished souls'--examining how their structure and formal aspects reflect their content. Continue reading

In celebration of King Charles III, the panel reads two poems written to celebrate the reigns of his predecessors, King Charles I and King Charles II, including a New Year's Gift by Thomas Carew and a coronation panegyric by John Dryden, respectively. Continue reading

The panel reads poetry celebrating the life and reign of Queen Elizabeth II, including Philip Larkin and Ted Hughes for the Silver Jubilee, Hughes for the 40th anniversary, Simon Armitage for the Platinum Jubilee, and his newly-written Floral Tribute. Continue reading

The panel reads three stirring poems by the American diplomat, activist, author, poet, and professor James Weldon Johnson, examining the theological symbolism and social commentary in "The Creation", "Listen, Lord", and "Lift Every Voice and Sing". Continue reading

The panel reads the first book of William Wordsworth's "The Prelude", discussing the intention of the overall work, with special attention to the presentation of childhood freedom, the intellectual work of writing poetry, and existential dread. Continue reading

The panel attempts to read Canto LXXIV from The Cantos of Ezra Pound, but finds even this one poem too dense to complete in a single episode, with its use of a vast array of literary and personal references fused into a challenging composite work. Continue reading

The panel concludes the series on Idylls of the King with a full reading of "The Passing of Arthur" and the epilogue "To the Queen", considering Gawain's warning, the last battle, Bedivere's treachery, and Arthur's departure with the three queens. Continue reading

The panel reads the penultimate idyll, "Guinevere", last of the original 1859 collection, and focuses on the redemptive arc of the queen, passing from recognition of her sin and fear of shame into pursuit of the pure and the good for its own sake. Continue reading

The panel reads the second part of the story of Sir Pelleas, "The Last Tournament", with its contrast between white innocence and red blood, its manifold inversions of the Arthurian court, and its connexion to the real-life Eglinton Tournament of 1839. Continue reading

The panel reads "Pelleas and Ettare" and questions whether Arthur overprotects Sir Pelleas, considering the implications for the court, whilst also examining Tennyson's psychologising of Ettare, and the potential dangers of a too-idealistic worldview. Continue reading

The panel discusses the dispersal of the Round Table in "The Holy Grail", the conflict between the Common Good of the realm and the individual knights' quests for the Absolute Good, and the experiences of Gawain, Bors, Lancelot, Perceval, and Galahad. Continue reading

Moving into the second half of the Idylls, the panel reads "Lancelot and Elaine", one of the most beloved poems in the cycle, contrasting Guinevere with Elaine and Lancelot with Gawain, and reading Arthur as a messianic, interpretive mirror of the court. Continue reading

The panel reads the poem that serves as the hinge in the cycle of the Idylls, "Merlin and Vivien", looking at how Vivien uses manipulation, dissemblance, and falsehood to achieve her ends, and considering the natural ends of the law and the state. Continue reading

The panel reads the last-composed of the Idylls, "Balin and Balan", with attention to the tale's depiction of the conflict between the Old Order and the New Order, the origin and proliferation of rumour and scandal, and the use of shadow as metaphor. Continue reading

The panel reads "Enid and Geraint", the second part of the Enid tale and the fourth of the Idylls, with attention to the opposite perils of decadence and bestiality, the significance of personal redemption, and the firm strength of Tennyson's women. Continue reading