Critical Readings

The panel reads two Pope's 'An Essay on Man' and Wordsworth's 'Tintern Abbey' in conversation with one another--looking at the similarities of their conclusions and the difference in their approaches--as they address the roles of Man, Nature, and God. Continue reading

The panel reads a selection of three poems by Conrad Aiken--"The Room", "Exile", and "Goya"--and discusses their dreamlike imagery, and the impact of personal tragedy, English Romanticism, and Freudian and Jungian theories, upon Aiken's poetry. Continue reading

Following on the theme of love and death, the panel reads Milton's pastoral elegy, "Lycidas", dedicated to the memory of Edward King, with special attention to Milton's theology and his critique of both the contemporary English clergy and community. Continue reading

For St. Valentine's Day, the panel reads what is likely to have been Shakespeare's first officially published work: his genre-defying Tragi-Comi-Ovidian poem "Venus and Adonis", dedicated to his patron, Henry Wriothesley, third Earl of Southampton. Continue reading

The panel concludes "Sir Gawain and the Green Knight" with an examination of the poem's liminal spaces, an evaluation of Gawain's moral virtue, a discussion on the nature of courage, and questions about the role of community in the act of contrition. Continue reading

The panel reads the third part of "Sir Gawain and the Green Knight", with particular attention to the juxtaposition of the forest hunting, killing, and skinning/gutting scenes with those of courtly love in the luxurious bedchamber of Sir Gawain. Continue reading

The panel reads the second part of "Sir Gawain and the Green Knight", and examines the theological significance of the seasons, the detailed military fortifications of Castle Hautdesert, and the appearance of the beautiful Lady Hautdesert. Continue reading

The panel reads the first part of Sir Gawain and the Green Knight, providing an overview of the formal aspects of the poem, the history of the manuscript (Cotton Nero A.x), theories about authorship, and analysis of the poem's titular, veridian symbolism. Continue reading

The panels searches for a smile / And dwells with Ogden Nash a while. / Some lines are light and some are scary / But the formal aspects rather vary. / Most of them rhyme in a manner relaxin', / But the metrics range from good to absen'. Continue reading

In the first podcast of 2022, the panel reads five poems spanning the entire poetic arc of Langston Hughes, from the famous lines of "I, Too" to the scenes of the "Lincoln Theatre", before ending with the Christmas message of "Shepherd's Song". Continue reading

In a special, Christmas episode, the panel reads selections from W. S. Gilbert's libretto to H.M.S. Pinafore, and discusses how they are representative of Gilbert's penchant for comic 'topsy-turvy' plots which include keen-eyed social commentary. Continue reading

The panel reads "The Red Wheelbarrow", "This Is Just to Say", and "Gulls" by William Carlos Williams and discusses both their connexion to the Imagist and Modernist movements of the early twentieth century, and their complexity in relation to Minimalism. Continue reading

The panel reads three of Jonathan Swift's poems which satirise responses to the inescapable facts of human biology, and focuses on their depictions of privacy and separation, essential human dignity, and cultural attitudes towards sexuality. Continue reading

The panel reads extended selections from each canto of Sir Walter Scott's narrative poem, "The Lady of the Lake", highlighting Scott's interest in reviving the medieval, the importance of history to his work, and his use of varying poetic forms. Continue reading

The panel reads a selection of poems by Ted Hughes compassing the scope of his poetic oeuvre, from the early and animalistic imagery of "The Jaguar" to the modernist scenes of "Here Is the Cathedral", before concluding with the confessional "Last Letter". Continue reading

The panel reads four poems by Richard Wilbur, "Love Calls Us to the Things of This World", "A Baroque Wall-Fountain in the Villa Sciarra", "Mind", and "Year's End", particularly examining the intricacy of their details and their formal attributes. Continue reading

The panel traces themes of wanderlust, resignation, wistfulness, lonliness, and fatalism in six poems excerpted from Stevenson's Songs of Travel, including "The Vagabond", "Bright Is the Ring of Words," "Whither Must I Wander", and "The Woodman". Continue reading

The panel reads four poems by the Tudor poet and courtier Thomas Wyatt, whose misfortunes in the Henrician court (not least of all two imprisonments) are traced in sonnets and other verse including "Whoso List to Hunt" and "Innocentia Veritas Viat Fides". Continue reading

The panel reads three poems by Sylvia Plath, "Tulips", "Lady Lazarus", and "Daddy", tracing in them themes of self-annihilation, and analysing references to her depression and to the conflicted relationships she had with her father and husband. Continue reading

The panel reads a selection of sonnets by William Shakespeare, and considers their Symposium-like comparisons and contrasts of the different kinds and representations of love, in terms ranging from eloquent to earthy, and from concrete to abstract. Continue reading

The panel reads Christopher Marlowe's most famous poem, Hero and Leander, discussing its rich and provocative imagery, classical allusions, and levels of metaphor, and addressing the scholarly opinion of the apparently unfinished state of the work. Continue reading

The panel reads a single, long poem--"The Defence of Guenevere"--by the Victorian artisan, translator, novelist, and poet William Morris, giving special attention how Guenevere uses and mis-uses evidence and emotion in order to support her case. Continue reading

The panel reads four poems by Elizabeth Barrett Browning, including three sonnets, and discusses the excellence of her formal expertise and poetic style, particularly in contrast to less favourable mid-20th century critical responses to her body of work. Continue reading

The panel reads three poems of the greatly esteemed Victorian poet, Robert Browning, including "The Bishop Orders His Tomb at St. Praxed's", "Andrea del Sarto", and "Love among the Ruins", giving especial attention to the dramatic features of his works. Continue reading

The panel reads three poems by mid-twentieth century American poet, Frank O'Hara, and examines his connexions to other forms of artistic modernism and post-modernism, including not only prose poetry, but abstract expressionism, cubism, and Dadaism. Continue reading