Countermelody

This episode celebrates the artistic accomplishments of two of the finest twentieth century singers to come from the environs of Dresden, Peter Schreier and Olaf Bär. Both were former child choristers in the Dresdner Kreuzchor (albeit from two different generations). Both went on as adults to rise to the top of the musical firmament, particularly in their performance of German art song.  Each of t...

Okay, I confess that the title of this week’s episode is intentionally misleading, but if I told you what it actually was outright, you might not listen, and that would be a great loss! On Monday I celebrated Larry Kert for World AIDS Day, and today, I have made a selection of musical settings of the Marian Antiphon Salve Regina , which translated means, “Hail, Queen,” so there you have the inspir...

Today is World AIDS Day, if anyone needed to be reminded. Though I considered doing a compendium episode of broad scope commemorating a handful of the thousands upon thousands of musicians that succumbed to AIDS, I decided instead to focus on one, Broadway icon Larry Kert, who created the role of Tony in West Side Story and was subsequently an early Robert in Sondheim’s Company , for which he was...

As I sat yesterday pondering all my friends, family, and compatriots celebrating Thanksgiving, my thoughts turned to the turkey, the traditional sacrificial creature for this event. And whatever the avian counterpart of a rabbit hole is, that’s where my thoughts turned as I realized that a tribute to our feathered friends in general would make a nice, lightweight, potpourri episode as we once agai...

Every hundred or so episodes, I feel compelled to pay a return visit to beloved Hungarian diva Sylvia Sass, for there’s always something new and delicious to discover! I’ve cleaned up another former bonus episode and expanded it with a half-dozen extra tracks, from Verdi to Mozart, from her definitive Bluebeard’s Castle to arie antiche topped with a bracing blast of verismo. Then I link up with th...

This past September 19th, we observed the anniversary of the death in 1992 of the great Welsh bass-baritone Geraint Evans at the age of 70. A vivid actor and a skilled singer, he both began and ended his career at the Royal Opera House Covent Garden, but was a treasured guest at opera houses all over the globe. In 1966, London/Decca records released a recording designed to give full display to his...

Today some real meat and potatoes Italian opera. Oh, wait, perhaps we should call it spaghetti alla bolognese rather than meat and potatoes. So often on the podcast I bring singers to the fore that are not as well known as some of the biggest stars in opera. But today I bring you both Luciano Pavarotti and Mirella Freni, two of the most popular and celebrated Italian opera stars in the history of...

An old LP of Tōru Takemitsu’s Coral Island and a conversation with a new friend about American Exceptionalism inspired today’s episode, the “International Edition” of my ongoing series on Orchestral Song. Coral Island is still here, although I ended up using a later (and better) recording than the one in my collection. I also feature the work of composers Karol Szymanowski, Augustyn Bloch, Aminoll...

If we have to live in a world of extremes, I want it to be a world in which Magda Olivero reigns supreme. Her artistry combined both integrity (personal, vocal, and artistic), alongside originality and fearless risk-taking. She was never afraid to go out on a limb and it was this quality (alongside her extraordinary longevity) that endeared her to so many opera lovers. Today I have culled my Olive...

Today’s potpourri episode is a special one for anyone who has ever studied voice in a college, university or conservatory. One of the primary sources of repertoire for instructors of singing has been a book first published by G. Schirmer in 1894 entitled Twenty-Four Italian Songs and Arias , consisting primarily of arie antiche , i.e. songs from the Italian baroque (Caldara, Monteverdi, Scarlatti,...

The great French soprano Rachel Yakar died on 24 June 2023 at the age of 87. As she frequently performed opposite our last subject, Swiss tenor Eric Tappy, this episode makes a suitable pendant to that one. Celebrated for her transcendent performances of Baroque music, (Monteverdi and the French Baroque in particular), Yakar was (like previous podcast subjects Eugene Holmes, Oralia Domínguez, Hana...

Swiss tenor Eric Tappy (19 May 1931 – 11 June 2024) excelled in so many different musical styles, eras, and genres, that when one considers his artistic achievement systematically, as a whole, one is positively stunned at all that he achieved, and that within a relatively short international career that extended barely 20 years. In addition, at the beginning of his career, his voice was that of a...

The last of my festive potpourri episodes for this, my birthday month, this episode focuses on a favorite vocal range of this opera queen: the soprano voice, in all its variety and glory. Included are such pristine lyric voices as Erika Köth, Benita Valente (who just departed us last weekend, shortly after celebrating her 91st birthday), Judith Raskin, Judith Blegen, Mattiwilda Dobbs, and Edith Ma...

Today’s episode is the latest installment in my series entitled “Rescue Mission,” which reintroduces great singers who have already been featured on the podcast. This is the Belated Birthday edition of that series, which reintroduces us to a wide range of Countermelody favorites, including jazz singer Ethel Ennis; baritones Robert Massard, Gérard Souzay, and Andrzej Hiolski; sopranos Sylvia Sass (...

A brand-new episode today inaugurating a series of episodes belatedly celebrating my birthday that will see us through to the end of the month. I have so many singers, composers, and topics in which I am interested and hope to devote full episodes to in the near future. This is the first of two episodes focusing on baritones (and a few bass-baritones) who have not yet received full Countermelody t...

This is an episode I never dreamed I would have to produce. But alas, the great Roberta Alexander has unexpectedly departed this earth this past Tuesday evening, on the three-week anniversary of my beloved mother’s death. Listeners to Countermelody know how much I revered her artistry, and how much I valued our special friendship. In fact, just last week as David and I escaped for a few days to th...

The extraordinary Ina Souez (1903 – 1992), was one of the few Native American singers to achieve worldwide fame on the operatic stage. Though her career was truncated by the collapse of her European career because of the impending World War, Souez’s place in the history of recorded sound is assured by virtue of her participation in the series of Mozart operas as produced by HMV in the mid-1930s as...

On October 24, we observe the 104th birthday of the nonpareil Croatian soprano Sena Jurinac. Like Hildegard Behrens, whose prowess as a purveyor of art song we explored a few weeks ago, Jurinac was best known as an opera singer, specializing (in her case) in Mozart and Strauss heroines, though she was also beautifully suited to the Lieder repertoire. Jurinac was a singer of enormous warmth, poise,...

German-British soprano Ilse Wolf (07 June 1921 – 06 September 1999) was another fine lyric soprano active primarily in Britain from the 1950s through the early 1980s. One of the reasons she is remembered today is because she recommended a very young Janet Baker to her own teacher, Helene Isepp, which began a long association between the two which lasted until Isepp’s death in 1968. But Wolf was a...

Today, the day that we lay my beloved mother, Jane Elizabeth Herbst Gundlach, to rest, I offer another tribute to her memory by way of another favorite singer of hers, Eileen Farrell. My mother grew up hearing her on the radio, and when I was young we would often see her featured on the variety shows that were the typical fare of mid-1960s television. But even more than that, she was the soprano s...

I tried at the end of last week to do a memorial episode honoring my mother who died just a week ago. At the time I couldn’t quite manage it, but I am back again using a different approach: I tell vignettes of mine and my mother’s lives as they intertwined with the voice and presence of a singer we both enormously admired and enjoyed: Miss Leontyne Price. In between the personal stories, which ext...

As many of you know, my beloved mother died this past week. I’ve been trying for two days now to put together a memorial episode that would do justice to the many divergent aspects of the woman that she was. Alas, I have not yet been able to rise to the challenge, so instead, I offer a recently published bonus episode devoted to the exceptional English contralto Anna Reynolds (05 June 1930 – 24 Fe...

Today’s episode celebrates a prime example of that rara avis , the Broadway contralto, the fascinating and little-remembered Shannon Bolin (01 January 1917 – 25 March 2016). Her career covered the gamut from opera to Broadway covering all points along that continuum. In the year 1955, she and her husband, pianist, composer, and conductor Milton Kaye made two albums covering a range of material. Th...

Today we celebrate the recorded legacy of Hildegard Behrens, but from an unexpected angle. Like George London and Cesare Valletti, the last two artists heard on the podcast, she is best remembered today for her operatic portrayals. But like both London and Valletti, she was also a recitalist, although this was not, admittedly, a prominent part of her repertoire. Nevertheless, as a recitalist, as i...

More than two years and nearly two hundred episodes ago, I published an episode on the great Italian tenore di grazia Cesare Valletti. Today I revisit his recorded legacy, focusing on his prowess in the French repertoire, both in opera and, rather uncharacteristically for an Italian tenor of the era, mélodie . Not only do I present the complete 1965 LP entitled Cesare Valletti Sings French Art Son...