Classic Rock And Prog Almanac

This week, Shaun and Tim ranked their Top Ten side-long rock epics. Topics covered include: what constitutes a side-long track, how many different ways there are of structuring such a track, what differentiates normal art from working-class art, how many apotheoses you need in a side-long piece, and why all British side-longs seem to concern industrial development. Also, what’s the connection betw...

This week Tim ranked the Rush studio albums, from 19 to 1. Topics covered include: Tim’s Rush autobiography, Rush’s exceptional arrangement skills, the quality of Rush’s lyrics, whether Rush work better in minor or major keys, and why Rush sound like a string quartet. Also, was Lady Gaga influenced by Rush? What’s the difference between synchrony and diachrony in the social sciences? Did Rush inve...

This week, Peter and Tim discussed their favourite songs about animals. Which produce the best material, vertebrates or invertebrates? Which period produces the best animal songs? What do animals mean in art? What did Kant think of animals? Who really runs the planet, humans or insects? And can you get double points if both the song and the band name make reference to animals? Find out all this an...

This week Tim discussed the connection or otherwise between prog and punk, with particular reference to Peter Hammill’s album Nadir’s Big Chance and Devo’s album Q. Are We Not Men? A. We Are Devo! Topics for discussion this week include: the connection between Van der Graaf Generator and Nadir’s Big Chance, Devo’s connection with the musical scene in Germany, whether punk music sounds more Europea...

This week, Shaun and Tim discussed the sixth studio album by Renaissance, Scheherazade And Other Stories. Topics discussed include: whether the album could be made today; whether Renaissance can be considered prog rock or symphonic rock; how many musical references to Rimsky-Korsakov the band include in this album (and others); whether or not the band were considered cool at the time; and how many...

In this week’s episode, Shaun discusses Steve Hackett’s debut solo album Voyage Of The Acolyte. Topics covered include: the extent to which Genesis was the genesis of this material, the Christian echoes on the album, whether the final title of the LP was the optimal choice, Steve Hackett’s use of dynamics and how the cover matches up to other Kim Poor material. Also, should Steve Hackett be consid...

This week, Tim did a monologue about H to He Who Am The Only One, by Van der Graaf Generator. Topics covered include: whether VdGG are really heavy metal without guitars, whether H to He can be considered a pop album, the extent to which the album precipitates the band’s later work, and how the dialectic between voice and sax works in the band. Also, how did VdGG influence Iron Maiden? Do the wind...

This week Tim, Peter and Shaun discussed their favourite albums from “the summer of love”, 1967. Topics covered include: whether ’67 was the beginning of the postmodern period, what relation the period had to subsequent developments in music, what influence folk, blues and jazz had on the period, and whether the period was predominantly optimistic or pessimistic. Also, couldn’t “the highest paid a...

In this week’s episode, Shaun and Tim discussed their top ten favourite Genesis outtakes. Topics covered include: the difference between outtakes from the classic and contemporary periods of the band, why Genesis didn’t write psychedelic pieces, how the Banks-Rutherford dialectic affected the sound of the band, and the influence of Phil Collins’ love life on the lyrics. Also, why did Steve Hackett...

This week Tim did a monologue about the sixth studio album by Gentle Giant, The Power And The Glory. Topics covered include: whether the band had read Graham Greene, George Orwell or Thomas Hobbes; the extent to which the lyrics are reflected in the music and vice versa; the unique style and sound of Gentle Giant; and whether the album should be considered political or anti-political. Also, should...

This week, Tim and Shaun had a chat about the tenth studio album by Yes, Drama. Topics covered included: the relative success of this rock-new wave mash-up; what the nature of the Yes-Horn/Downes collaboration was; whether the cover of the album was based on the songs; and whether this line-up should have made another album. Also, would the album have been better if Chris Squire had sung it? What...

This week Tim did a monologue on the first album by Planxty. Topics covered include: whether Planxty are really the greatest Irish band of all time, whether prog fans would like this album, the mythological nature of the group’s songs, the carefully programmed nature of the album, and the connection between Planxty and the band Kneecap. Also, how did the band Elbow get their name? How do you make...

This week, Tim and Peter did an album-off, between Tommy and Quadrophenia by The Who. Topics covered include: whether both albums deserve to be doubles, in what sense Quadrophenia is a response to Tommy, how important Kit Lambert’s influence was, how each album deals with the question of sexual identity, and whether Underture is too long or not. Also, what would Freud have thought of the band? Whi...

This week, Shaun and Tim ranked their top ten favourite progressive rock albums. Which of your favourite bands will be in there? And how will they be represented? Find out in this bumper episode!

This week Peter did a monologue about the second album by The Incredible String Band, The 5000 Spirits Or The Layers Of The Onion. Topics covered include: the String Band’s unusual harmonic sense, the Eastern influence on their music, their importance to the 60s music scene in the U.K., why the band weren’t better known and the uniqueness of the Edinburgh folk scene. Also, who was the best sitar p...

This week Tim did a monologue on Five Bridges by The Nice. Topics covered include: whether Five Bridges is the first stage in the development of the progressive rock "paradigm"; where the album stands in the band’s catalogue; how The Nice compares to ELP; and whether the dialectic between band and orchestra is successful. Also, why don’t bands get Arts Council grants any more? What does the band h...

This week Shaun, Peter and Tim rank their top five favourite live prog rock albums. Who will be number one?

In this episode - potentially one of an occasional series - Shaun reviews sections of Caravan's fifth studio album: Girls That Grow Plump In The Night, whilst sculpting a bust of Richard Sinclair and arguing with the postman and a charity worker.

This week Tim discussed the classic sixth album by Thin Lizzy, Jailbreak. Topics covered are: whether Lizzy is the greatest Irish group of all time, whether they are Iron Maiden avant la lettre, what the essential ingredients of their sound are, and the role that the Irish literary and poetic tradition play in the mix. Also, how many references to brothers are there on the album, and who exactly a...

This week Shaun and Tim discussed the third album by Peter Gabriel: 3 (Melt). Themes covered include: whether this is a psychological or a political album (or both), whether it’s a concept album about apartheid, the status of the album within Gabriel’s discography, the psychological resonances of the cover and the influence of world music on the album. Also, are some of the lyrics based on Freud’s...

This week Tim discussed side one of Mike Rutherford’s first solo album, Smallcreep’s Day. Topics covered include: the playing on the album, the programmatic implications of the Smallcreep’s Day Suite, the differences between Smallcreep’s Day and Supper’s Ready by Genesis, and the decisive use of suspended chords on the album. Also, why is the cover better than the source material? Is Rutherford a...

This week, Peter and Tim discussed the fourth album by Simon and Garfunkel, Bookends. Topics considered include: whether the album was an attack on hippy ideals and culture, whether it was a New York broadside against California, what connects Simon and Garfunkel and The Kinks, the nature of Paul Simon’s writing process and whether the album would be considered “meta” today. Also: what does “Ameri...

This week Shaun and Tim discussed the ninth studio album by Genesis, And Then There Were Three. Themes discussed include: whether this was Genesis’ least experimental album, what Steve Hackett’s absence meant to the band, whether the unexpected is a necessary but insufficient condition for artistic creation and whether the album should have been called “Selling America By The Pound”. Also, was the...

This week, Tim discussed Frank Zappa’s 1979 album Sheik Yerbouti. Issues discussed are the artistic status of the rock double album, the role of humour in music, what to make of the accusation of racism, whether Frank Zappa had read Freud, the musical eclecticism one finds on the album and the role of aleatory music in Zappa’s oeuvre. Also: how are the musique concrète pieces like a Japanese resta...

This week Tim and Shaun ranked the first eight (or is it seven?!) Yes solo debut albums. Issues which emerge are: what the thinking was in putting these albums together; who has the best musicianship on their album; how the sound of these albums relates to the Yes sound; and how the onstage dynamic might affect the group dynamic as a whole. Also, what would King Crimson have sounded like with Phil...