Celebrating Cinema

With 28 Years Later lurching toward the screen, Laura Gommans and Tom Ooms revisit the undead legacy of the zombie in cinema — a genre that, much like its subject, refuses to stay buried. From its racist roots in early 20th-century depictions of Haitian slavery to its reinvention as a metaphor for mass consumption, pandemic anxiety, and societal collapse, the zombie has shuffled through countless...

With Dogme 95 turning 30 this year, hosts Laura Gommans and Elliot Bloom reflect on the radical movement that dared to strip cinema down to its bare bones—and what that legacy means today. Returning to last episode's ranking of Wes Anderson's films, the duo discuss The Phoenician Scheme, the American director's latest film that only seems to reinforce the “all style, no substance” label. Rounding...

Reporting from the Croisette, host Hugo Emmerzael is joined by fellow film critic Savina Petkova who together reflect on two unforgettable selections from the 2025 Cannes Film Festival—films that stood apart amid a blur of screenings and industry spectacle. Joachim Trier’s Sentimental Value , led by a luminous Renate Reinsve, is a quietly devastating meditation on memory, loss, and emotional inher...

To mark LAB111’s full Wes Anderson retrospective, hosts Laura Gommans and Tom Ooms rank every film in his colorful, quirky career. They dive into what makes his work so distinct—asking whether it’s all style and no substance, or if there’s real emotional depth beneath the surface. Along the way, they share which actors they’d love to see in the Wes Anderson universe, and Laura makes the surprising...

In this edition of Review Roundup , host Laura Gommans is joined by Elliot Bloom to dive into the re-release of Persepolis , Marjane Satrapi’s searing, stylish memoir of growing up in Iran through revolution, repression, and rebellion—newly restored by Odyssey Classics. They also take on Steven Soderbergh’s Black Bag , a spy thriller that trades action for dry wit and quiet unease . And with Showg...

Alain Resnais’s Hiroshima Mon Amour (1959) returns to cinemas—a quiet revolution in filmmaking that blends love, loss, and the long shadow of human destruction. In this episode, hosts Kiriko Mechanicus and Elliot Bloom unpack why this haunting classic still matters today. Why did Resnais turn to fiction after his devastating Holocaust documentary Night and Fog ? And what does the film reveal about...

Did audiences jump the gun on Alex Garland’s Warfare? Before it's release, the brutally realist portrait of America’s war in Iraq was deemed just another army recruitment movie, but Hugo Emmerzael and Laura Gommans definitely don't see it that way. Also: Gia Coppola’s The Last Showgirl gives Pamela Anderson a tender, neon-lit comeback, but did it warrant the awards hype it got? Plus, an in...

In a moment when Hollywood is once again embracing the comeback—think Demi Moore’s return in The Substance or Pamela Anderson’s reinvention in The Last Showgirl —we turn our attention to the art of the revival. In this episode, hosts Laura Gommans and Tom Ooms explore the enduring appeal of the Hollywood comeback: why the industry—and its audiences—love to see actors return, transformed and triump...

Dutch Nazi propagandist Jan Teunissen was once one of the most powerful—and now largely forgotten—figures in Dutch cinema. Rising to prominence during World War II, he seized the opportunity to shape ideology through film, aligning himself with the Nazi regime to fulfil his artistic ambitions. In De Propagandist (2025), director Luuk Bouwman unearths Teunissen’s unsettling legacy, tracing his traj...

In collaboration with Go Short, the Netherlands’ premier short film festival (April 1–6 in Nijmegen), we explore the power of short-form cinema. Host Hugo Emmerzael sits down with artistic director Mathieu Jansen to explore why short films aren’t just stepping stones but playgrounds for experimentation, bold storytelling, and pushing cinematic boundaries. From urgent reflections on war and occupat...

Hailed as the Citizen Kane of bad movies, The Room (Tommy Wiseau, 2003) has transcended its origins as an enigmatic vanity project to become a bona fide cult phenomenon. But how did it achieve such status, and what, beneath its layers of unintentional surrealism, is it really about? Hosts Laura Gommans and Tom Ooms unravel the film’s bizarre legacy, offering an essential guide to its chaotic produ...

When Parasite won Best Picture, it put Korean cinema in the global spotlight, but it was the result of decades of bold filmmaking. With Mickey 17 now out, it’s the perfect time to dive into the bloody brilliance of the Korean New Wave. Hosts Laura Gommans and Kiriko Mechanicus explore Korea’s obsession with vengeance, shaped by its turbulent history and uncensored filmmaking. They also examine why...

In our latest review round-up, Bong Joon-ho’s Mickey 17 has Laura and Hugo at odds, Mike Leigh’s Hard Truths steals their hearts, and Brazilian awards darling I’m Still Here sparks a heated debate between our two hosts—is it Oscar bait or a worthy contender? Tune in and have your say on this month’s biggest releases! Book tickets to Mickey 17 @ LAB111 Book tickets to Hard Truths @ LAB111 Book tick...

In this review roundup, hosts Laura Gommans and Hugo Emmerzael dive into three films that have caught their attention. Oz Perkins’ latest offbeat horror, The Monkey , leaves them both questioning if the American director knows how to land an ending. Hugo shares insights from his Cannes conversation with Jia Zhang-ke about his latest work, Caught by the Tides . But while Hugo sees something transce...

With a new wave of nostalgia-driven musical biopics— A Complete Unknown , Better Man , Maria —flooding theaters, hosts Laura Gommans and Hugo Emmerzael ask: what does it take to make a great musical biopic these days? A genre weighed down by formulaic storytelling and its own well-worn bingo card of narrative beats, the musical biopic too often settles for a greatest-hits retelling rather than emb...

In our first edition of the Review Roundup, a new biweekly cinematic dispatch, Laura Gommans and Elliot Bloom get into the latest films everyone's talking about. From the swirling controversies surrounding Brady Corbet’s Academy-nominated The Brutalist to the unexpected Marvel-like crossover in Pablo Larraín’s Maria , Laura and Elliot share their reactions. Also in focus: the enduring allure o...

Legendary filmmaker Ernest Dickerson joins host Elliot Bloom for a compelling journey through his remarkable career. From his early love of sci-fi and fascination with the practical elements of filmmaking to meeting long-time collaborator Spike Lee on his first day of film school, Dickerson reflects on the defining moments that have influenced his work. With an encyclopaedic knowledge of cinema, h...

Fresh off winning the Dutch Film Critics’ Choice Award at the Netherlands Film Festival, LAB111 resident filmmaker Jeroen Houben joins host Kiriko Mechanicus to discuss his bittersweet, offbeat drama Torch Song. The film tells the story of an eccentric former pop singer who reconnects with her estranged half-brother in the Netherlands, only to unravel his life when she discovers a muse in his girl...

A fearless voice against systemic injustice, Raoul Peck has crafted a body of work that interrogates the legacies of colonialism, racism, and power with unflinching clarity. In this episode, Peck joins our producer Elliot to discuss his latest film, Ernest Cole: Lost and Found, an intimate exploration of South Africa’s first apartheid-era photographer. Reflecting on Cole’s haunting images, Peck dr...

This year, vampires emerge from the shadows once more with Robert Eggers’ haunting reimagining of Nosferatu. But why does the vampire continue to linger in our cultural imagination? In this episode, hosts Laura Gommans and Tom Ooms embark on a cinematic journey through the dark, blood-soaked history of vampires and night stalkers. From terrifying symbols of society’s deepest fears to complex, oddl...

In a village under constant threat of displacement, where homes and schools are torn down and the land is slowly seized, how does one resist? For Basel, the camera is a weapon in the fight to preserve his community of Masafer Yatta. No Other Land is an unflinching documentary of settler violence, created by two Palestinians and two Israeli filmmakers. What they capture is undeniable. On this episo...

To mark the release of Francis Ford Coppola’s Megalopolis , a 40-year passion project with a staggering $120 million price tag, we turn our attention to cinema’s most audacious, eccentric, and underappreciated visions — the “ugly ducklings” that, against all odds, have found their place in the cultural canon. This episode explores the daring, often misunderstood passion projects of filmmakers who,...

When 26 royal treasures from the Kingdom of Dahomey (modern-day Republic of Benin) would finally be returned from France, filmmaker Mati Diop was granted rare access to document this historic moment. Dahomey , Mati's deeply moving and thought-provoking documentary, is the result of that access—a cinematic meditation that not only chronicles the repatriation of these artefacts but also imagines the...

Trigger warning: Please be advised that this episode includes discussions about sexual violence. In this powerful episode, host Elliot sits down with Shiori Ito to discuss her film debut,  Black Box Diaries . The documentary is a firsthand account of Shiori’s harrowing experience of sexual violence by media mogul Noriyuki Yamaguchi, a man with ties to Japan’s political elite, including former Prim...

In  Kneecap , Rich Peppiatt delivers a raw and politically charged origin story about JJ, a Belfast teacher, and two self-proclaimed "low-life scum," Naoise and Liam, who form the first Irish-speaking hip-hop group. The film is a powerful act of cultural resistance, celebrating the revitalization of the Irish language through music. Peppiatt discusses with our host Elliot the film’s roots in Belfa...