Breaking Walls

Support Breaking Walls at https://www.patreon.com/thewallbreakers On the October 29th, 1944 episode of The Jack Benny Program, an Allen's Alley spoof rekindles Benny's love/hate relationship with Fred Allen. This episode had a rating of 19.8. Roughly sixteen million people tuned in.

Support Breaking Walls at https://www.patreon.com/thewallbreakers Well, we’re back where we started, but we’re not the same. I mentioned at the beginning of this episode that when you run on the treadmill to oblivion, you don’t always go where you want, but you get in shape doing it. When I began Breaking Walls ten years ago I envisioned it as a sit-down interview show. Over time it slowly morphed...

Support Breaking Walls at https://www.patreon.com/thewallbreakers On Christmas night, 1944, Fred Allen was one of the guests on Information Please when the show aired on NBC at 9:30PM. The Christmas broadcast came from the St. Albans Naval Hospital in Queens. The hospital was commissioned in 1943 on the site of a golf course. At its peak it housed more than forty-five hundred patients. After the w...

Support Breaking Walls at https://www.patreon.com/thewallbreakers What you’re about to hear is the Sunday, December 24th, 1944 at 3PM WMCA broadcast of New World A’ Coming. It’s a Christmas musical show. For more info on New World A’ Coming, please tune into the previous act on this series within this episode of Breaking Walls.

Support Breaking Walls at https://www.patreon.com/thewallbreakers Edgar Bergen came to the attention of American audiences on Rudy Vallée’s NBC Royal Gelatin Hour on December 17th, 1936. How could ventriloquism work on radio? Perhaps Rudy Vallée himself put it best the night Bergen debuted. Five months later NBC gave Bergen his own show Sundays at 8PM. He was an instant smash hit. Don Ameche worke...

Support Breaking Walls at https://www.patreon.com/thewallbreakers Jubilee first took to the air on October 9th, 1942 transcribed by the Special Services Division of the War Department, then by the Armed Forces Radio Service. It featured Jazz and Swing bands and filled an important gap in the musical history of radio, gearing itself towards African American men stationed overseas. Jubilee luminarie...

Support Breaking Walls at https://www.patreon.com/thewallbreakers In October 1944, in conjunction with the Jewish Theological Seminary, NBC began one of the longest-running religious programs in radio history. It was called The Eternal Light. The dramatized stories from ancient Judaea, along with contemporary works like The Diary of Anne Frank. It was produced by Milton Krents. Many top New York r...

Support Breaking Walls at https://www.patreon.com/thewallbreakers The woman you just heard is Gene Tierney. She was born on November 19th, 1920 in Brooklyn, New York. Raised in Connecticut, she excelled in poetry, took up student acting, and eventually spent two years attending school in Switzerland, where she learned to speak French. On a family trip to the West Coast, she visited Warner Bros. st...

Support Breaking Walls at https://www.patreon.com/thewallbreakers John Herbert “Jackie” Gleason was born on February 26th, 1916, on Chauncey Street in Bedford–Stuyvesant, Brooklyn. The younger of two children, his brother Clement died from meningitis at fourteen in 1919. Six years later his father left the family. Gleason’s mother Mae got a job as a subway attendant for the Brooklyn–Manhattan Tran...

Support Breaking Walls at https://www.patreon.com/thewallbreakers Broadcast over WMCA in New York, New World A’ Coming was based on the work of journalist Roi Ottley. Ottley was a journalist for The Amsterdam News from 1931 to 1937 before joining The New York City Writers' Project as an editor. In 1943 Ottley published New World A-Coming: Inside Black America, which described life for African Amer...

Support Breaking Walls at https://www.patreon.com/thewallbreakers The man you just heard is Norman Corwin. The piece of his, which Orson Welles is narrating, that you’ve heard thus far throughout this episode of Breaking Walls, is “New York: A Tapestry For Radio.” The first broadcast of this piece originally aired on May 16th, 1944 as part of a City Trilogy within CBS’ Columbia Presents Corwin. Th...

Support Breaking Walls at https://www.patreon.com/thewallbreakers It’s February 1944 and we’re in the U.S. Fleet Post Office at 80 Varick Street. 80 Varick Street is in the Hudson Square area of Manhattan just north of Canal Street and southeast of the Holland Tunnel to New Jersey. The street itself is named for Richard Varick, an early New York lawmaker, landowner, and mayor from 1789 to 1801. Th...

Support Breaking Walls at https://www.patreon.com/thewallbreakers Our first stop is January, 1944. We’re at Central Park. By 1944 Central Park, nearly one-hundred years old, was in the midst of renewal. Parks Commissioner Robert Moses had spent the past decade developing playgrounds, ballfields, handball courts, and other working class elements. In 1943 the restoration of the Harlem Meer was compl...

https://www.patreon.com/thewallbreakers I’ve mentioned a few times before within Breaking Walls episodes that I try to be as unbiased as possible. I want Breaking Walls to be a true documentary, so I leave the op-eds for everyone else. But this is my tenth anniversary as a podcaster so I’ll share. I spent the first ten years of my life living in a house where the people there were born between 191...

Support Breaking Walls at https://www.patreon.com/thewallbreakers That brings our look at the early years of Suspense to a close. Suspense would remain a hollywood production until the waning days of radio drama in 1959 when Bill Robson was directing it and this happened. Ordinarily here’s where you’d get a sneak peek at next month’s episode of Breaking Walls. Next month’s episode, however, is sig...

Support Breaking Walls at https://www.patreon.com/thewallbreakers Back on December 2nd, 1943 when Suspense first became sponsored by Roma Wines, the script chosen for the first Roma episode was “The Black Curtain” starring Cary Grant. Of the performance Grant said, “If I ever do any more radio work, I want to do it on Suspense, where I get a good chance to act.” The just-heard Lurene Tuttle felt t...

Support Breaking Walls at https://www.patreon.com/thewallbreakers By November of 1944 Suspense was pulling a rating of 10.4. There were now more than eight million people tuning in. Roma wines was satisfied as Suspense was providing stiff competition to The Frank Morgan Show running opposite on NBC Thursday nights at 8PM eastern time. On November 9th Lena Horne guest-starred in a Robert L. Richard...

Support Breaking Walls at https://www.patreon.com/thewallbreakers Speaking of actors playing roles on Suspense that went against their usual type, on September 28th, 1944 Gene Kelly guest-starred in an episode called “The Man Who Couldn't Lose.” Kelly, already known as a singer and actor, became famous in For Me and My Gal, Du Barry Was a Lady, and Thousands Cheer. However, it was his dramatic deb...

Support Breaking Walls at https://www.patreon.com/thewallbreakers Bill Spier recovered from his second heart attack in the fall, just in time for cooling weather, Friday night football games, and autumn dances. While Suspense aired all-year-round, it was perfect for brisk evenings. With Spier’s musical aptitude, a swelling orchestra had become a Suspense staple. Lud Gluskin and Lucien Morawek work...

Support Breaking Walls at https://www.patreon.com/thewallbreakers The man you just heard is famed actor Vincent Price. While Price was a film star, he had a unique contract which allowed him to act in as much radio as he wanted. By early June 1944 Price was thirty-three years old and had starred on Broadway and appeared in more than ten films. On Thursday June 1st and then again on Monday June 5th...

Support Breaking Walls at https://www.patreon.com/thewallbreakers In May of 1944 Orson Welles appeared on Suspense three times. The first of which was on May 4th in “The Dark Tower,” a play originally written by George S. Kaufman and Alexander Woollcott. Adapted for Suspense by Peter Barry, Woollcott had died in January of 1943. In many ways, the play is a satire of Welles’ friend, John Barrymore,...

Support Breaking Walls at https://www.patreon.com/thewallbreakers The man you just heard is Joseph Cotten. In 1944 he was guest-starring on various shows while also hosting Ceiling Unlimited. On March 23rd, 1944 Cotten starred in “Sneak Preview” written by Robert L. Richards. It’s a story about a film director who becomes a temporary detective as he tracks down a double agent. Richards is perhaps...

Support Breaking Walls at https://www.patreon.com/thewallbreakers The man you just heard is Hans Conried. In late 1943 he was thirty-six years old and all over radio. When Suspense moved to Hollywood, Conried quickly became part of William Spier’s trusted circle of character actors, often playing more than one part. Conried honed his craft in the 1930s. To Bill Spier’s credit, he did his best to a...

Support Breaking Walls at https://www.patreon.com/thewallbreakers Bill Spier’s Hollywood Suspense episodes got good reviews. He returned to New York for seven more shows while he got the green light to move Suspense to the West Coast. The first permanent Hollywood show was “Fear Paints a Picture” on April 13th, 1943. John Dickson Carr continued as writer until June, but Spier began to look for oth...

Support Breaking Walls at https://www.patreon.com/thewallbreakers Willam Spier was born on 10/16/1906 in New York City. He began his career as an editor at Musical America Magazine, eventually becoming its chief critic. His radio career began in 1929, when he produced and directed The Atwater-Kent Hour, a Met Opera presentation. He soon became a valuable member of BBD&O’s growing staff of radio wr...