Book Spider

The house is grief. There it is. 

In this episode, the Spiders tackle a philosophical question? When we talk about art, are we just sharing opinions? Or can any of what we say be true? Can a work be "objectively" good or bad? To facilitate this topic, the Spiders discuss the film LFO, a Swedish horror comedy.

In which the Spiders take on Paul Auster's The Book of Illusions, weaving it into a web of textual filmism with prior picks Flicker and Zeroville, while debating and ultimately settling the question of its internal reality.

In which we discuss the magical cinematic language of David Lynch, focusing on three of his most challenging movies, and lovingly (I hope) dig at him for his largely blah memoir. 

In which we discuss the seductive pointlessness of Jungian psycho-mysticism, whether consciousness emerges mechanistically or mysteriously, and our real fears about technology. 

In this episode, the devious, uncanny Spiders examine Mother Night, a solid and thought-provoking novel from the oft-overrated Kurt Vonnegut.

In this episode, the Spiders discuss the novels Watchers and Abduction, by Dean Koontz and Robin Cook respectively, to see what bad writing is all about.

In a departure from the general format, the Spiders take on the broader question of the relationship between AI, writing, literature, and other forms of creative arts (especially film). A snapshot of a moment in history, posing questions which will soon be answered or made irrelevant, but pretty interesting in spite of that. Works Cited: Max Read: “Drowning in Slop” (published in New York magazine...

In this episode we discuss the lesser known works of Melville, what they say about his style outside of Moby Dick, and how we define greatness. 

In this episode, the Book Spider hosts discuss Flicker, a huge novel that delves into the golden age of films and a strange conspiracy involving a Medieval Catholic sect.

In which the Spiders tackle Omensetter's Luck, a set of prose poem loosely organized by the subjectivity of a mad preacher, which somehow briefly acquired a reputation as one of the most significant novels of the mid 20th century, and is now mostly lost to history.

We revisit one of the earlier podcast subjects and come away a little bit underwhelmed. That said, this is still a magical and strange piece to be nearly a hundred years old, and there are incredible parts. 

In this episode, the Spider hosts discuss the shortcomings of Sayaka Murata's Earthlings.

The Spiders encounter Mary Shelley's The Last Man, in which grief is transfigured into a radically inventive and astonishingly bleak post-apocalyptic sci-fi novel whose impact and legacy are undone by a complete lack of editing.

In this episode, the Spiders discuss the heady and intriguing His Master's Voice, a first-contact novel that turns the trope upside down, to good effect.

In this episode, the hosts of Book Spider, along with special guest Eddie Kim, discuss the recently released horror novel Gusano, written by founding spider himself, Patrick Barney.

In which the Spiders consider Acceptance, the third book in Jeff Vandermeer's Southern Reach trilogy, and a step down from the focused mood and mystery of the first two installments -- though not without its virtues.

A discussion of Jeff Vandermeer's Authority, the second book in the Southern Reach Trilogy. The spiders find that it strikes an uncommonly good balance between that which is understood readily and that which can't be understood at all.

A discussion of Jeff Vandermeer's novel Annihilation, in which the Spiders can't help comparing it to Alex Garner's film adaptation, in particular the ways in which one character's arc turns her outward while the other's turns her inward.

In which we finish the Underworld Triptych. 

In this episode, we navigate the challenging and beautiful middle sections of DeLillo's Underworld. Before that, though, we listen to an excerpt from cohost Patrick Barney's new novel, Gusano. 

The first in a three-parter in which we tackle DeLillo's meganovel, Underworld. In this episode we discuss just about the first third of the novel. And: We crack ourselves up imagining a Werner Herzog baseball documentary.  

In this episode, the Spiders try to analyze Elias Khoury's Gate of the Sun, a harrowing novel of the decades-long occupation of Palestine by Israel. However, the challenge is overwhelming, as it appears that violence may not be interpretable.

The spiders consider the novella Pafko at the Wall , the first fifty pages of Don DeLillo's  Underworld.  Does its careful examination of its period kitsch reveal a deeper thematic weight? I mean, probably.