Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry

Today’s guest, Moroccan writer and filmmaker Abdellah Taïa discusses his most recent novel A Country For Dying  translated by Emma Ramadan and winner of the 2021 PEN Translation Award. We talk about voice in relation to self, story in relation to truth, writing in one’s second language, particularly a language imposed by colonization, about making that tongue bend to one’s reality, about being bot...

Today’s episode of Between the Covers is with writer Elissa Washuta about White Magic, her new memoir in essays just out from Tin House. Elissa Washuta’s body of work, and White Magic is no exception, is deeply engaged with form, particularly in relationship to the telling of our own true stories. How do we find the right form to tell our stories? How much can we shape what we lived (into story, i...

Writer, poet, and painter Rikki Ducornet returns to Between the Covers to discuss her latest novel Trafik which is her first foray into science fiction. Ducornet’s body of work—surrealist, alchemical, gnostic, metamorphic—is sparked by the wonder and mystery of dreams, as well as by the shared company of the non-human other, the eels and butterflies and orcas and jaguars we share the earth with. W...

Today’s guest is poet Jorie Graham. We speak about her fifteenth book of poetry, Runaway . This latest book, along with the three that precede it— Sea Change , Place, and Fast —confronts our accelerating trajectory toward climate disaster. But as Lidija Haas says for Harper’s Magazine , Graham “in her poems remakes a world you can inhabit, one in which you can sense what it is you’re letting go of...

Today’s Between the Covers conversation with Brandon Hobson is about his novel The Removed , his first book since his National Book Award finalist, Where the Dead Sit Talking . The Removed  places us with the Echota family fifteen years after the death of their son Ray-Ray at the hands of the police, and in the long shadow of the forced removal of the Cherokee from their ancestral lands to modern-...

Today’s guest, Viet Thanh Nguyen, returns to Between the Covers after six years to discuss The Committed , his much-anticipated follow-up to the Pulitzer Prize–winning novel The Sympathizer. The second book in this trilogy finds our protagonist in the French Vietnamese community of Paris in the 1980s. We talk about the differences between France and the United States with regards to race and racis...

Today’s Between the Covers conversation is with the poet Ross Gay about Be Holding , his book-length poem that emerges from a sustained meditation on a mere few seconds of the basketball career of Julius Erving (aka Dr. J). Be Holding is a finalist for this year’s PEN/Jean Stein Book Award, given to a work “which has broken new ground by reshaping the boundaries of its form and signaling strong po...

Today’s guest is writer, photographer, critic, and curator Teju Cole. In this extended conversation, we use Cole’s latest photo book Fernweh  as a lens through which to look at his entire career, from his novels to his essay collection, from his collaborative work of image-text to the curation of his Spotify playlists. “ Who is a stranger?   Who is kin?   What do we owe each other?   What, in the...

Today’s episode is with one of today’s great writers of science fiction and fantasy, Nnedi Okorafor. Using her new novella Remote Control (Tor Books) as a lens and a frame, we discuss the difference between Afrofuturism and Africanfuturism, questions of hybrid identity and home within her stories, her use of Nigerian, Namibian, and Ghanian cosmologies to build worlds, how she harnesses anger as a...

Vanessa Veselka returns to Between the Covers, eight years after her first appearance, to discuss her new novel The Great Offshore Grounds. Longlisted for this year’s National Book Award in Fiction, Roxane Gay calls The Great Offshore Grounds epic, original, and “utterly engrossing.” Lidia Yuknavitch adds: “ This novel is thrilling in its content, daring in heart, and makes a helix between a novel...

This Tin House Live conversation between Leni Zumas and Janice Lee, “Publishing, Power Structures, and Creative Practice,” was recorded at the summer 2020 Tin House Writers Workshop. Leni Zumas is the author most recently of the novel Red Clocks , a New York Times Book Review Editors’ Choice and winner of the Oregon Book Award for Fiction. She is also the author of Farewell Navigator: Stories (Ope...

Today’s episode of Between the Covers is a first for the show, a return to and extension of a recent episode with Natalie Diaz.  Today’s ‘part two’ does not entirely depend upon part one, but it does refer back to it with frequency.  So if you would like to get the fullest experience begin here . In both episodes we take each of the three individual words in Natalie’s most recent National Book Awa...

Today’s episode of Between the Covers  is a conversation with poet and classicist Alice Oswald. Widely considered one of our great living poets, Oswald is the 46th professor of poetry at the University of Oxford, and the first woman to hold the poetry chair in its over three centuries of existence. Perhaps best known for Memorial , her radical revocalizing of the Iliad,  Oswald speaks today of her...

Join poet-essayists Hanif Abdurraqib & Shayla Lawson for an extended conversation on writing pop culture (and so much more).  This conversation was recorded at the 2020 Tin House Writers Workshop.  Shayla’s most recent book is This is Major: Notes on Diana Ross, Dark Girls and Being Dope  & Hanif’s next book is A Little Devil in America: Notes in Praise of Black Performance. Do...

“Amid impending disasters too vast even to be perceived, what can we do―cognitively, morally, and practically? Gabbert, a tenacious researcher and a ruthless self-examiner, probes this ultimate abstraction in her essays, goes past wordless dread and comes up with enough reasoned consideration to lead us through. Do you feel―and how can you not―as if your emotional endurance is exhausted by horrors...

“An urgent, intimate hybrid of memoir and fiction, Homeland Elegies lays bare the broken heart of our American dream turned reality TV nightmare. The book . . . brilliantly captures how we got to this exact moment in time and at what cost. Stunning.” —A. M. Homes “An unflinchingly honest self-portrait by a brilliant Muslim-American writer, and, beyond that, an unsparing examination of both sides o...

Today’s conversation is with poet Natalie Diaz, author of the National Book Award shortlisted collection Postcolonial Love Poem.   We talk today about questions of postcoloniality, about love and postcolonial love, about writing poetry under occupation, the fine line between participation and complicity, about empathy and what cannot be translated and about the sensuality that arises from wh...

In “Getting Past the Gatekeepers: How to Keep Writing in an Industry that Excludes Us,” Kaitlyn Greenidge and Mira Jacob discuss their combined 30+ years of experience navigating literary publishing. From the first feedback to the final copyedits, they discuss strategies to stay sane and keep writing when your story doesn’t fit the industry’s narrow bookshelf.

“This collection of essays, memoirs and critical pieces forms an intellectual biography of Europe’s most history-obsessed writer. Beginning with her childhood in East Berlin in the early ’60s and ’70s, the book moves in concentric circles, from the intimate and understatedly moving to the moment History collides with her life. A powerful voice singing the past into the present’s melody.” —John Fre...

“In The Fish & The Dove , Mary-Kim Arnold’s lyrical scope sweeps across intersecting terrains, moving through time to capture the history of occupation and legacy war in Korea, through the delicate tethers between biological mother, adoptive mother, motherland and daughter, and through the permeable membranes which exist between person and place. . . . With this fiercely tender offering, she l...

A conversation between Brandon Taylor & Garth Greenwell about queer aesthetics, “problematic art,” representation, and much more.

“It’s hard to overstate the importance of this gorgeous, harrowing, heartbreaking book, which tackles sexual violence and its aftermath while also articulating the singular pain of knowing—or loving, or caring for, or having a history with—one’s rapist. Vanasco is whip-smart and tender, open and ruthless; she is the perfect guide through the minefield of her trauma, and ours.” —Carmen Maria Machad...

“Anatomy of Melancholy” is a conversation between Melissa Febos & Bassey Ikpi at the 2020 Tin House Summer Writers Workshop.  Febos & Ikpi talk about making narrative (and aesthetic) sense out of the darkest parts of one’s past. Bassey Ikpi is the New York Times bestselling author of I’m Telling the Truth But I’m Lying and founder of The Siwe Project ,  a worldwide non-profit dedicated to...

“In Lauren Camp’s Took House we are enveloped in a poetry both precise and mysterious, intimate and sublime. Reading through these poems, I was reminded of the tenet that poetry is not like the interior life, but is the interior life, the thing itself made flesh via language. . . . Here is a poet articulating her human existence . . . here is a particular heart and mind removing its shield in orde...

“ Sacco is a talent entirely unto himself, applying an exquisitely fine eye for detail to the urgent histories that define the world around us. . . . Now, Sacco brings that eye to the lives of the Dene people in the Canadian subarctic, getting the full picture as only he can.” —Jonny Diamond, Literary Hub “ A tour de force . . . luminous . . . What begins as an exploration of the effects of fracki...