BERGCAST

Mark Gatiss referred to Nigel Kneale as “the man who invented popular television”.  It can be a curse of a writer tagged as ‘genre’ that they may never been seen alongside the very best. As Mark said when Kneale died, “He is amongst the greats – he is absolutely as important as Dennis Potter, as David Mercer, as Alan Bleasdale, as Alan Bennett, but I think because of a strange snobbery about fanta...

In the concluding part of our look at the lost work of Nigel Kneale, Toby Hadoke talks about the practicalities of adapting The Road for radio, and Andy Murray examines the controversy of The Big, Big Giggle and its legacy in other Kneale works.  We also look at why his two Wednesday Plays are less well remembered than other missing work like Out of the Unknown: The Chopper & wonder, did Nigel inv...

In our latest lockdown special we welcome back Toby Hadoke and Andy Murray for the first of a two part look at some of Nigel Kneale's lost stories.   In this episode we examine Kneale's early radio plays, The Long Stairs and You Must Listen, Kneale's application to work at the BBC as well as classics like The Creature and The Road, which Toby adapted for radio in 2018.

There's a risk inherent in a love for obsolete technology. It can haunt us, especially if it once belonged to someone evil.  Enjoy the second of our lockdown ghost stories, written and read by Howard and introduced by Jon in his guise as BERGCAST's own Man in Black.

In Episode 12, Jon discusses Nigle Kneale's dystopian classic The Year of the Sex Olympics with writers, film historians and curators Vic Pratt and William Fowler, writers of The Bodies Beneath and leading lights of the BFI Flipside series.

BERGCAST Season Two will begin soon enough, but until then, we're going to supply you with some dead air, as the Man in Black introduces the first of a series of ghost stories, written for your pleasure and discomfort. The first of our tales, “The Austringer (1969)”, tells the story of a man who finds the Holy Grail of archive television, and the consequences of its discovery.

It's a force more powerful than 1,000 H-bombs unleashed to devastate earth! What is? Our excitement at, for the final episode of BERGCAST Season One, not only the both of us being in the same place, but getting to meet Hammer archivist and Doctor Who Magazine editor Marcus Hearn in the headquarters of the BFI no less. Marcus enlightened us on why it took so long to make a third Quatermass (but why...

This is the second part of our descent into the Pit with prolific writer Maura McHugh. Along with our discussion of what may be Nigel Kneale's finest moment, we look at MONSTERS FROM THE ID, the Nazi rocket scientist no one wanted, great character surnames, the entire absence of a philosophical leviathan, and HP Lovecraft's debt to bad archaeology.

Today, the BERGCAST team takes a deep dive into the only place to go: the pit, source of terror, haunting and the awful Darwinian impulse that drives the human race to suicidal mass action, which isn't remotely topical. We're joined by our special guest, novelist, playwright and Squaxx dek Thargo, the brilliant  Maura McHugh. The sky. The sky is purple.

This episode sees the conclusion of Jon and guest James Goss's look at Hammer's Quatermass 2. In a wide-ranging discussion that encompasses everything from Alan Plater to Flesh Gordon, they witnesses the trauma of Sid James being shot in the face (apparently), admire the inventive use of filler text and investigate if this really is the first use of the suffix '2' in a film title. James also tells...

Donlevy's back! This episode sees the first of a two-part chat between Jon and producer and writer James Goss as we look at how he first discovered Quatermass and a slightly wider discussion on Nigel Kneale's influence on Doctor Who (including an interesting conspiracy theory concerning The Invisible Enemy), before we make the two-hour trip from London to Carlisle, via Hemel Hempstead, to begin ou...

In this episode, Jon and Howard are joined by writer and actor Gareth Preston as they examine Hammer's attempt to do Quatermass without Nigel Kneale, in Jimmy Sangster's attempt at his very own Royston and the Pit... On the way we look at how the portrayal of radiation in films might depend on which side of the atomic bomb you were at the end of World War II. We examine whether Royston just spends...

For the second part of our look at Quatermass II, we are once again with Andy Murray, writer of Into the Unknown: The Fantastic Life of Nigel Kneale, which you can purchase here .  There's some dark stuff in the later episodes of Quatermass II, so we have to warn you that BERGCAST is not for children or persons of a nervous disposition.

Distract yourself from the political crisis and sinister machinations of the U.K. Government by letting Bernard Quatermass deal with it instead. This episode we're joined by writer Andy Murray, whose book Into the Unknown: The Fantastic Life of Nigel Kneale is an absolute must read. You can get it here . In the first of a two part chat, we look at what Nigel Kneale's been up to since The Quatermas...

Quatermass gets Hammered, with Brian Donlevy. This episode we're joined by Dave Thomas, writer of Hammer: Back From The Dead, to look at Quatermass's first big screen adventure. On the way we'll look at the origins of this film and what it meant for Hammer, why Brian Donlevy might actually be the villain of the piece and what connects The Quatermass Xperiment with the Marlboro Man. We'll awaken ca...

In this episode, Jon Dear and guest Toby Hadoke talk about whether anything was recorded of episodes 3-6, the reason why the finale didn't go right, and the precise meaning of the word "colloidal". Find out more at bergcast.room207press.com .

The first episode of BERGCAST, (Not Really) Official Podcast of the British Experimental Rocket Group. In episode 1, Jon Dear and guest Toby Hadoke explore what connects Inspector Lomax with the Loch Ness Monster, the question of whether Katie Johnson got a cat sacked and whether the cast took a bow at the end of the final episode, and much more.