Ask Zac

I love honest, beat-up, Telecasters. Today we tell the story of one of the most aged butterscotch Telecasters I have laid eyes on. Besides telling its story, we also compare it to a near mint 53 Telecaster. Thanks to Andy T, for letting me borrow his beautifully aged Tele.  Follow me on Instagram https://www.instagram.com/askzac/ To Support the Channel: Patreon  https://www.patreon.com/AskZac Tip...

Today I sat down with one of the finest solo-Jazz guitarists of our time, Tim Lerch. We discuss how a non-jazz player might get into solo guitar, his influences, his highly modified Fender Nocaster, and how he approaches tone and touch. Much thanks to Tim for taking the time for this interview while he was in Nashville teaching at a guitar seminar. Follow me on Instagram https://www.instagram.com/...

Earlier this year, I did an episode on the Buck Owens "American" guitars made by Harmony from 1969-1971. Mine was in pretty good condition, but missing its headstock overlay, and having survived a neck break. The day after I released that show, the head broke off again on its own. With learning there was a major structural issue, I turned to a Harmony restoration specialist, Dan Lambert,...

Gibson has never been known for their amps. Though we may revere certain models, they pale in collectability with those made by Fender of the same era. After years of slow amp sales, Norlin, the owner of Gibson from 1969-1986, decided to start a new amp division under its own name, Lab Series. To design the new line, they turned to another division they owned, Moog, and they were tasked with makin...

We all have a tone obsession, but when is it healthy, and when is it not? I asked Barry O'Neal of Xact Tone Solutions to have a discussion on the "tone suck" of certain pedals, and it quickly morphed into a philosophical discussion on the potential pitfalls in the pursuit of tone. Follow me on Instagram https://www.instagram.com/askzac/ To Support the Channel: Patreon  https://www.p...

Luther Dickinson is an acclaimed sideman, solo artist, and producer, noted for his work with the North Mississippi Allstars, Phil Lesh, and the Black Crowes. We begin with a discussion of his legendary producer/musician father, Jim, and how he nurtured his son's playing and his work ethic. We also dive into how Luther became a devotee of open tunings via his dad's obsession with Bo Diddl...

Built from 1953-55, the Wide-Panel Princeton was short-lived, yet in that brief time had 5B2, 5C2, and 5D2 iterations with earlier versions using octal preamp tube, and the latter using a 12AX7. Though both the tweed Princeton and the Champ were single-ended (single power tube) amps, the mighty Princeton throughout the 50s in most years had a bigger speaker, larger cabinet, and the addition of a t...

In the mid 1980s, Ricky Skaggs and Steve Wariner were frequently seen on television playing eye-catching Tele-looking instruments equipped with B-Benders, in vibrant colors, with beautiful flame maple necks. Though I had no idea what they were, I wanted one. I finally found the answer in the January 1987 issue of Guitar Player magazine, where it was revealed that these were custom instruments buil...

Today I share the story of playing the American Music Awards 50th Anniversary Special with Brad Paisley. He had a new single, "Truck Still Works," and wanted to fill things out with another guitar player. I lay out what I did to learn the guitar parts he wanted covered, the experience of playing on the show, and the gear that I used. Follow me on Instagram https://www.instagram.com/askza...

Today we sit down with the incredible father/son guitar team of Stuie and Sonny French, of The French Family Band. They tell their tale of how they moved from Australia to the United States in 2019, and quickly made an impact on the Nashville music scene through their shutdown era livestreams, and their more recent appearances on the Grand Ole Opry. Gear wise, Stuie shows us his modified Jason Isb...

Ricky Skaggs released Highways & Heartaches in September 1982, and the album quickly moved to the number 1 spot on the Country Album chart, and spawned 3 number 1 singles. Besides being a well polished example of Ricky's Bluegrass/Country hybrid style, it also spearheaded the neo-traditionalist movement that brought an end to the more pop oriented "Urban Cowboy" era. The album f...

What is the best speaker for my Deluxe Reverb, is one of the most asked questions of all-time. A friend recently asked me about doing an episode on this topic, and added that I should give it some added weightiness by finding out what all the pros I know use. So I queried Brent Mason, John Leventhal, Tom Bukovac, Duke Levine, Luke McQeary, JD Simo, Guthrie Trapp, Redd Volkaert, Steve Wariner, Jame...

In the 1960s and 70s, the JBL D120/K120 was the top choice  for the touring pro who didn't want to worry about blowing a speaker on the road. However, in 1983,  Electro-Voice released the EVM-12L, and soon after everyone from Eric Clapton & Stevie Ray Vaughan to Mark Knopfler and Larry Carlton were using EV speakers in their rigs. Today,  I lay out some history/context, and compare it wit...

The hardtail Strat is a different beast from it's tremolo equipped brother, with a tone, and feel of it's own. Today we look at the history, and spotlight the famous players, all with a beautiful 1957 hardtail Stratocaster. Follow me on Instagram https://www.instagram.com/askzac/ To Support the Channel: Patreon  https://www.patreon.com/AskZac Tip jar:  https://paypal.me/AskZac Venmo @Ask...

Vince Gill is at the top of his game. He recently completed a 4-night run at the Ryman where he played a three-and-a-half hour show each night, still singing & playing the songs in the same keys, or higher. Gill is some kind of superhero, as artists half his age could barely do this. Today we sit down with Vince, as he shares stories about some of his favorite guitars and a life well lived. To...

Brent Mason, Redd Volkaert, Johnny Hiland, J.D. Simo, and Daniel Donato reunited with Don Kelley on August 5th 2024 for a one-time concert to celebrate the 25th Anniversary of Robert's Western World. Besides being a fete for one of the longtime anchors of Broadway's club scene, it was also a celebration of Don Kelley, and the incredible alumni of his band over the last 40-years. Today, w...

In the Spring of 1956, Leo Fender introduced the greatest little solid body of all-time, the Fender Electric Mandolin. Nicknamed ,Mandocaster, by collectors, they were designed to replicate the sound of Tiny Moore, and Johnny Gimble, the fiery 4-string mandolin playing veterans of Bob Wills Texas Playboys Band. The instrument was not a success as Western Swing's popularity was waning by the t...

Have you ever wondered how we got light gauge strings? To give some context, until 1962, strings were 12-52, or heavier,  with a wound third, and nothing lighter was available unless you used a banjo string. How about this, did you ever wonder why every string manufacturer has a 10-46 set that has the exact same gauges, 10,13,17,26,36,46? And the same with 9s and 8s?  Today we tell the tale of the...

For years I went back and forth between 9s and 10s on my Telecaster, always frustrated with both gauges for different reasons. 9s, although easy to bend, were just not as full sounding, and I had to be careful not to "overplay" them, as they really needed to be played with a light touch. 10s, while certainly fatter sounding, always felt a bit too stiff for my liking. There just seemed to...

In the summer of 1968, Fender released their most unconventional finishes to date, the Blue Flower & Paisley Red finishes. Available on only the Telecaster and Telecaster Bass, their striking appearance was made possible by a new product line from Borden Chemicals of Columbus, Ohio, "Cling Foil." This new "beautifully embossed" & "beautifully printed" foil was...

To Support the Channel: Patreon  https://www.patreon.com/AskZac Tip jar:  https://paypal.me/AskZac Venmo @AskZac  Or check out my store for merch  - https://my-store-be0243.creator-spring.com/ The Blues Brothers movie was a blockbuster in the summer of 1980. Even with a 27.5 Million dollar budget, that's 102 million in 2024 money, it managed to make that back in a couple of weeks. A sequel wa...

 To Support the Channel: Patreon  https://www.patreon.com/AskZac Tip jar:  https://paypal.me/AskZac Venmo @AskZac  Or check out my store for merch  - https://my-store-be0243.creator-spring.com/ Today we look back at Delbert McClinton's 1989 Alligator Records release, Live From Austin. The year it was released, I was 16 and a drummer friend gave me this album on cassette, and I completely wore...

To Support the Channel: Patreon  https://www.patreon.com/AskZac Tip jar:  https://paypal.me/AskZac Venmo @AskZac  Or check out my store for merch  - https://my-store-be0243.creator-spring.com/ Nashville is a "Telecaster-Town," a common phrase bandied about, and many will stress the  importance of Tele ownership if one wants to work as a pro guitarist in Music City.  Surprisingly, the Tel...

To Support the Channel: Patreon  https://www.patreon.com/AskZac Tip jar:  https://paypal.me/AskZac Venmo @AskZac   Or check out my store for merch  - https://my-store-be0243.creator-spring.com/ A discussion with my friends, JD Simo, and Dan "Danocaster" Strain about how they set pickup height on Telecaster type guitars. The discussion begins with a look at Simo's 2nd Danocaster, and...

To Support the Channel: Patreon  https://www.patreon.com/AskZac Tip jar:  https://paypal.me/AskZac Venmo @AskZac   Or check out my store for merch  - https://my-store-be0243.creator-spring.com/ Tips and tricks to help you unlock a wider array of tones from your Telecaster. We look at a combination of picking hand placement, and some counter-intuitive pickup choices to create a wider array of sound...