Ann Kroeker, Writing Coach

In her book The Artful Edit, Susan Bell says editing “involves a deep, long meditation within which the editor or self-editor listens to every last sound the prose before him makes, then separates the music from the noise" (5). -

Recently I plucked from the shelf The Artful Edit: On the Practice of Editing Yourself, by Susan Bell. Already I can tell that Susan Bell's approach to editing has less to do with comma-spotting and more to do with staying attentive and open to more im...

Curious writers are generally creative and productive, and able to achieve their writing goals—all while having fun. This is no surprise to you—I say it every week! Curiosity can fuel our writing projects and our writing lives so we can create our best...

Last time we talked about enjoying our vein of gold as we decide what to write next. - To discover our strength as a writer—writing that represents our brightest, most brilliant contributions—I proposed we may have to experiment and try new genres,

If you were to meet me in person, you’d find out I’m a little silly. My humor is situational, and a story grows more animated in relation to audience reaction—which I don’t have in real time here on the podcast. -

A few weeks ago, when I introduced the idea of how we can decide what to write next, I proposed several ways a writer can approach that decision. One was to write whatever’s next in sequence. Write What’s Next in Sequence If you’re writing a novel,

Last week I presented you with a long list of ways you can decide what to write next and then I promised to expand on some of them. - One suggestion was to decide to write something you can finish and ship fast. Projects Big and Small

Every day, a writer wakes up and asks, “What do I write next?” And the answer varies from writer to writer—even your own answer may change from week to week. Sometimes it’ll be obvious what to write next. When you’re approaching a looming deadline and that article or chapter must be completed, the decision is made for you. You sit down and work on that. But other days you have flexibility. You can...

This fall, I traveled to New York City for the first time. - I’d been concerned about how to navigate the city; I'd never before been there. I didn’t know what to expect, and wasn't sure how things work. Should we take taxis? The subway? Uber? -

Not long ago, I presented to you the concept of a writing pipeline. The stages are: Research Ideas Drafts Final Edits Shipped Archive (or Portfolio) - A project enters the pipeline when it’s an idea,

You’re writing. Everything’s moving along just fine, and then. Huh. You hit a section that won’t flow. You write a line or two and it feels convoluted. Or you’re not sure how to best express the idea. Or something’s missing and you’re not sure what. Or you just stop, blocked. Try this. On the page—or on the screen, depending on where you’re writing—actually write this phrase: "What I’m trying to s...

Writing takes time, and life is short. When experts recommend we post content on Facebook and on blogs and in newsletters and YouTube and all these places while we’re trying to write essays or articles or books, we can feel deflated and defeated. How on earth are we supposed to produce that much content? It’s easy to just say, “Forget it. I can only write one thing at a time." Repurpose Your Writi...

And so it begins. The holidays. Here in the U.S., Thanksgiving kind of kicks things off with gatherings and feasts and shopping and decorating. Over the weekend, lights blink on in neighborhood yards and Bing Crosby will croon Christmas tunes from the stereo most nights. It’s hard to know how much writing we can actually produce in the middle of the holidays. Do we write, or take a break? If we wr...

My husband is fluent in both French and English. During the first years of our marriage, I worked hard to learn some French on my own. I wanted to be functional in the language when we visited his family overseas.

In October, I had the honor of accompanying a client to New York City, where she met with her editor and publisher. In person. Face to face. Digital Connections: Intimate or Distant? In the digital age, face-to-face interaction is becoming more and mor...

Last time we talked about how lack of time is a universal frustration for people who want to write. And I offered a solution that could kickstart your writing and prove to yourself it can be done—you can write even when you think you have no time at al...

I hear it all the time. It doesn't seem to matter what stage of life we're in or what part of the world we're from. Regardless of age or gender or personality type, everyone says it: "I want to write, but I don’t have the time." Time Management Systems Only Part of the Solution You might think the only solution is to quit your job or hire a nanny. More likely, you’ve given up. Well, I guess that’s...

A lot of my clients are preparing nonfiction book proposals to send out to agents and publishers. One of the sections they have to think through is their primary audience or target reader. We have to identify who this book is intended to impact.

In Monty Python and the Holy Grail, we follow the saga of King Arthur and his knights when, at one point, they encounter the Keeper of the Bridge of Death. Arthur explains that the Keeper of the Bridge of Death asks each traveler three questions.

Writers have to churn out content of all kinds, from blog articles and guest posts to magazine pitches and book proposals. You never want the well to run dry, yet you may have faced days when you opened your laptop and stared at the screen without a si...

In fiction writing, we refer to plotters and pantsers: those who like to outline their plot and write in an organized manner, the “plotters"; and those who write-by-the-seat-of-their-pants, the "pantsers.” Each approach reflects when and how you do your thinking. I know every writer has specifics to his or her approach, but here’s the general idea. Plotter, Pantser The plotter is imagining his cha...

In Rumors of Water, L.L. Barkat recommends a book to her daughter. Barkat is out in the garden with her girls, who are pulling weeds, and one of the girls, Sara, has decided she hates Bishop’s Weed. Barkat tells Sara,

Young people graduate high school or college, apply for positions, and get stuck: no one will hire them because they have no experience, but they can’t get experience because no one will hire them. So they get a job at Starbucks to pay bills,

Last time we talked about taking a cue from Dani Shapiro and attempting to tell the story as we’re inside of it—potentially before the story has become a story. This requires us to write about life as it’s unfolding,

In her recently released memoir, Hourglass, Dani Shapiro says she used to teach her students that writers need distance from the event or events they intend to explore in memoir. I was quite certain that we could not write directly from our feelings,