Ankler Agenda

Inside the gleaming towers of marble and modern art containing Hollywood’s storied agencies lays the beehive of Hollywood: 10 percenters rolling calls and doing deals (that close slowly), and fresh faces filing the mailroom. But agencies aren’t immune to industry upheaval. Consolidation is just one reason more agents are leaving for management(resulting in a new class of manager superstars) as the...

Toast the New Year with RC Cola? It’s the kind of subpar beverage apropos to the first days of 2024, where a dreary Golden Globes (the RC Cola of Awards Shows) was celebrated for not being the lowest-rated in history; one of the most valuable companies in the world (Amazon) laid off hundreds in Hollywood, and one of the most storied studios (Paramount) has perched a semi-permanent “For Sale” sign...

Five years ago, Hollywood rose up in protest over Saudi Arabian dissident Jamal Khashoggi’s murder, which U.S. intelligence found was approved by the country’s leader, Crown Prince Muhammad bin Salman. Now, with Hollywood in lean times and in need of new markets, the Kingdom and its $776 billion sovereign wealth fund appear back in favor, reports Claire Atkinson, with one movie producer likening i...

From mass layoffs to major strikes to multiplex disasters, the entertainment industry isn’t likely to forget 2023. Richard Rushfield runs through his annual Ankler 100, Hollywood’s most miserable moments of the year, as 2024 looms with even more possible disruption as a Warner Bros. Discovery-Paramount merger raises myriad questions: Would a hypothetical deal even pass DoJ and FTC muster? What wou...

Hollywood officially entered the upside-down this week: streamers flexed like it was 2019 again with a flurry of new deals; Disney about-faced by licensing shows to one-time nemesis Netflix; and then Netflix, in the never-say-never category, dumped 10,000 pages of viewership data onto reporters. With Richard Rushfield and Sean McNulty breaking down the press call with Ted Sarandos, the team talks...

The passing of Norman Lear coincides with a new TV era where, quite likely, not a single one of the legendary producer’s famous sitcoms would pass muster in a pitch meeting of today. While Elaine Low talks specifics about what’s selling and who’s buying in the contracted post-strike TV market, Martini Shot host Rob Long pays homage to Lear’s immense legacy (“his shows were’t about politics, they w...

As Hollywood reels from a string of high-budget box office flops, Kevin Goetz, says, sure, contraction is coming. But, “every movie — if made and marketed for the right price — should make money,” says the CEO of Screen Engine/ASI, long considered a top expert on audience. Goetz joins to talk about recent changes he’s seeing in theater-going, what’s working (and not), and what films can learn from...

‘Oh Judy, baby.’ That’s Judy Blume impersonating the many male producers who had approached her decades ago to bring her legendary book about a girl traversing puberty, family and friends to the big screen. She wasn’t having it and followed advice from her son: Wait for the girls who grew up with the book to be in power. Enter director Kelly Fremon Craig. In a poignant, fun and revealing conversat...

Back from the golf-F1 mashup Netflix Cup, Richard Rushfield joins Sean McNulty and Elaine Low to reveal that what happened in Vegas doesn't stay in Vegas as the team talks Ted-spotting, celebrity entourages, and what it all has to do with the sports-ification of today's entertainment. Also how the streamer may be the only one left to take big swings (no pun intended). Also: the Globes have a TV pa...

Hollywood’s dystopian-sounding future is here, with AI the overriding issue for actors as they negotiated their new deal with the studios. Today, two actors on that SAG negotiating committee, Picard’s Michelle Hurd and actor Kevin E. West, walk host Elaine Low through new guardrails around “synthetic” performances, and how an actor can still get paid even when their replica is the one at work. The...

“None of the workers in this industry are going to let themselves be dictated to anymore by big companies,” says SAG-AFTRA president Fran Drescher, who sat down, along with chief negotiator Duncan Crabtree-Ireland, with Elaine Low on Nov. 10, in the wake of a new contract with the AMPTP. They detail the drama around AI that took talks to the “last minute, literally the last day.” Drescher says the...

The longest actors strike in history is over, but a scarred landscape of reduced spending, fewer shows and a shrinking job market now awaits. Sean McNulty, Elaine Low and Richard Rushfield reveal what executives are privately saying, and how to interpret those messages coming from Disney’s Bob Iger to WBD’s David Zaslav. To top it off, labor discontent is still afoot: Elaine interviews former Love...

Swifties follow their favorite pop star from stadiums to theaters, even to NFL games. Now, Call Her Daddy podcast host Alex Cooper — founder of new multimedia company, Trending, with producer-fiancé Matthew Kaplan — hopes her fan army (known as the “Daddy Gang”) does the same. With her $60 million Spotify deal expiring soon, and plans to further activate her fanbase through a tour, an Alex Cooper...

The dramatic story of how high-flying CAA agent-to-the-stars Maha Dakhil ended up grounded as who-said-what about conflict in the Middle East inflames Hollywood. Also; real-life Hollywood horror stories, Peacock’s losses peak, and Ralph Nader’s apocalyptic AI warning to Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoices

The pivot into advertising is off to a rough start: Journalist Sahil Patel on the shuffle inside Netflix as it misses first-year ad goals by half. For more entertainment industry news, subscribe to The Ankler at theankler.com/subscribe. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit theankler.com/subscribe Learn more about your...

The world has no shortage of villains, and according to Jonathan Taplin, author of The End of Reality, Hollywood is currently up against four: Silicon Valley billionaires Peter Thiel, Mark Zuckerberg, Marc Andreessen and Elon Musk. “We have right now a culture of dystopia and nihilism,” says Taplin, who argues that ‘The Four’ are wreaking havoc yes, on politics and economics, but also popular cult...

Post-strike, writers have returned to a vastly changed industry. “A big theme I’m hearing from a lot of studio people is that the bar for a greenlight has just gotten much, much higher in the last few months,” says Richard Rushfield, who joins Sean McNulty and Elaine Low to evaluate the worrisome post-strike landscape. For more news about the entertainment business, subscribe to our daily newslett...

For years, CAA agents were promised a pot of gold. Now as the behemoth sells, the 10 percent crew cries foul over its own 10 percent. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit theankler.com/subscribe Learn more about your ad choices. Visit megaphone.fm/adchoices

What went on during those last five crucial days of negotiations between the WGA and Alliance of Motion Picture and Television Producers? Showrunner and WGA negotiating committee member Adam Conover (Adam Ruins Everything) takes us behind-the-scenes of the talks. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit theankler.com/subs...

Looking for signals and signs that the end is near for the WGA strike. Plus, Peter Kiefer talks about one of the other casualties of the shutdown — Democratic political fundraising — as President Joe Biden faces the fight of his career. To subscribe to The Ankler, go to theankler.com/subscribe This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus epi...

Since the last round of talks between the WGA and AMPTP on Aug. 22, the deafening silence that fell over Hollywood kicked the rumor mill into overdrive. “This is a function of this stage of the strike where there's a vacuum of information… coupled with a deep sense of distress and desperation to try and figure this thing out,” says Peter Kiefer, who, together with Elaine Low, unraveled the real st...

CNBC's Alex Sherman goes behind the scenes of Disney's succession plan disaster and the 'disintegration' of his inner circle. To subscribe to The Ankler and The Wakeup newsletters, please go to theankler.com/subscribe. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit theankler.com/subscribe Learn more about your ad choices. Visit...

Why a next-year end to the strike looks possible, what the Charter-Disney debacle has to do with it, and Richard Rushfield's TIFF report. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit theankler.com/subscribe Learn more about your ad choices. Visit megaphone.fm/adchoices

After making bold summer box office predictions at Memorial Day, Sean McNulty, Elaine Low and Richard Rushfield return to talk about the titles that took in $4 billion stateside, and crown one winning workhorse studio with the highest return on summer movie investments. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit theankler.c...

Labor contagion keeps spreading as union actions across the country catch fire. That's no coincidence, says labor journalist and Work Won’t Love You Back author Sarah Jaffe, who joins Elaine Low to discuss what disparate industries, from teaching to health care to Hollywood, have in common, but also what’s unique to creative people in entertainment and the arts. This is a public episode. If you’d...