Aethyr

“You have wakened not out of sleep, but into a prior dream, and that dream lies within another, and so on, to infinity, which is the number of grains of sand. The path that you are to take is endless, and you will die before you have truly awakened.” ― Jorge Luis Borges for the disquiet junto // real sounds for an imaginary genre, or is it the other way around?

for the disquiet junto // music for the troubled mind, to ease into sleep companion piece/follow-up to https://soundcloud.com/aethyrulf/disquiet0020-nodebeat

for the disquiet junto // partially made with samplebrain (https://gitlab.com/then-try-this/samplebrain), partially comprised of field recordings sourced from freesound. all samples were creative commons 0 but details can be found in the lines thread.

for the disquiet junto // sound design idea of a cursed conference call, inspired by japanese horror movies

for the disquiet junto // an unpleasant but necessary task, transformed

for the disquiet junto // ambient(ish), jittery glitched sounds of wood, water, and glass, on a bed of audio produced by putting the project's image through photosounder

based on a midi file generated by a japanese ai/algorithm at www.mu-tech.co.jp/AcsWebE/setparam.asp midi file was unaltered except to trim silence; instruments and effects were added to make this piece style of 'gagaku', traditional japanese classical music

for the disquiet junto // processed sounds from freesound.org plus a couple from https://mavriksounds.gumroad.com/l/cFomq

based on a midi file generated by a japanese ai/algorithm at http://www.mu-tech.co.jp/AcsWebE/setparam.asp midi file was unaltered except to trim silence; instruments and effects were added to make this piece

for the disquiet junto // simple waves, composed simply

same sound sources as "uncomplicated" but elaborated upon with dsp same image, but passed through neural filters

drone piece for the disquiet junto // based on a chord from the john cage composition "as slow as possible" (file edited 12/08)

for the disquiet junto // processed sounds from freesound.org / based on an excerpt of a conversation between john cage and morton feldman

for the disquiet junto // all sounds here are my own voice, processed

older piece revived // intense signal processing ambient/glitch

hypnagogia // parasomnia ((practice))

// system failure 24 months -- restoration of audio faculties coming soon current file: rytmik ultimate ++ ozone ((practice avril 14th))

𝚊 𝚎 𝚜 𝚝 𝚑 𝚎 𝚝 𝚒 𝚌 憶パー

previous piece w/ trap loops + sfx + processing offcuts of ambuscade ep

for space travelers //

For the Disquiet Junto 0349, "Got Glitch?" I decided to approach "glitch" in the sense of "randomness" as well as the typical buffer/grain effects associated with IDM. Also, as with most if not all of the previous Junto projects I have participated in, it was my objective to make the track rapidly (within a few hours) rather than prevaricate over every little detail as I sometimes do with my perso...

[updated with Ozone re-mastering 22 Aug 18] Trying something vaguely conventional for a change. Unsure of electronic subgenres. Uploaded as MP3 because SoundCloud seems to mangle them a bit less than FLAC. EDM loops // arrangement // add violence = output. Album in this style(?) coming in the future.

Note: SoundCloud seems to be doing something weird to the quality of this track. Please download the original file for optimum listening. A cover version of the song "Rocket Jump Waltz" from the Team Fortress 2 soundtrack, based on an anonymous MIDI version found online. All the instruments used here are from Sonivox, largely by coincidence, and I changed all but the piano into different, but comp...

Slightly different version of https://soundcloud.com/aethyrulf/team-fortress-2-main-theme Based on the piano cover by TheAeon on Musescore. Originally composed by Mike Morasky, rights belong to Valve, so on and so forth

Stripped-down version of the Team Fortress 2 main theme, based on the piano cover by TheAeon on Musescore. Two instruments and a little DSP. Originally composed by Mike Morasky. This is a fan work and all rights go to Valve Corporation where due.