Acting: Conversations on Craft

“You can’t take you out of the equation.” This is something that we hear again and again in class. Burgess Jenkins, actor and founder of Actors Group studio, explains how actors must build bridges between themselves and the characters they portray. How do we do this? By figuring out the emotional space our character lives in. You find what they are feeling and then reinsert yourself. The amount of...

To be able to sit down with my film and TV agents for an entire hour and pick their brains was a gift. I was able to ask all the questions that have been going through my head since I signed with them. In this second part of the conversation, we talked about why it is important to communicate with your agent and stay in contact with them, how fortunate actors in the SE market are, and how actors n...

To be able to sit down with my film and TV agents for an entire hour and pick their brains was a gift. I was able to ask all the questions that have been going through my head since I signed with them. In this first part of the conversation, we talked about the steps it takes to get representation, how to keep representation, and the difference between a manager and an agent. Thom Milam is Co-Head...

When I was seeking an agent and auditioned with People Store, I walked in somewhat blind. If they said yes, what was my role in the process? Was I supposed to simply sit back and wait for auditions? If not, then what else was I supposed to do? How many auditions was I to expect? What if I didn’t get any? If I didn’t book anything would they drop me? Assuming that many new actors feel this way, I t...

When a friend signed him up to be a featured extra on the movie the 5th Quarter, with Andie MacDowell and Aidan Quinn, Cranston Johnson was mad. He had no desire to be in the movies and had no idea what he was doing. That experience, however, changed his life. In 2011 he started studying at Actors Group with Burgess Jenkins and since then he has been on Atlanta, Wu Assassins, The Fix, P Valley, an...

When I took a workshop with George Pierre at Get Scene Studios, it became immediately clear that feedback was going to be direct and possibly brutal. Neither he, nor Jesse Malinowski shy away from telling actors what is wrong with their audition tapes and why they might not make it to a call back. George Pierre is one of Atlanta’s top casting directors and has worked on films like Ride Along 1&2 a...

When we talk about actor training we don’t immediately think about how much empathy we have (or should have) for other people. Actor and acting coach, Burgess Jenkins, says that empathy is one of the more important components of being a better actor. He says the more empathetic an actor is, the more nuances there are in the performance and, he states, “nuances are the difference between good and g...

Are all the details in our backstories important? Are they all helpful in creating a fully fleshed out character? Do they all make us more connected, more present, more alive? Burgess Jenkins, actor and founder of Actors Group, says no. He has talked in class about the difference between specificity and minutia. In the second part of our conversation he says it’s important to ask yourself, “How ha...

Are all the details in our backstories important? Are they all helpful in creating a fully fleshed out character? Do they all make us more connected, more present, more alive? Burgess Jenkins, actor and founder of Actors Group, says no. He has talked in class about the difference between specificity and minutia. I sat down with him and asked him to explain what he meant by that. He says, “You can’...

With over 1000 auditions behind him, Burgess Jenkins, actor and founder of Actors Group, answers four very specific questions about the auditioning process ranging from how many takes you should send to the importance of the reader. Burgess has been in a myriad of projects ranging from arthouse independents to blockbuster films. He is best known for his role as Ray Budds, in Remember the Titans, o...

Dialects, Accents, and the Politics of Speech: A conversation with Robin Christian McNair and Kate Udall (Part II) Robin and Kate are both passionate about the need for actors to work on their voices. In this episode our conversation centered around accents and dialects. They talk about how stereotypes and cultural norms/expectations affect how we talk and how that impacts us as actors. Advice fro...

Robin and Kate are both passionate about the need for actors to work on their voices. They teach their students that it is an integral part of being free as an actor. Robin states, “Free breath allows for free thought.” Kate believes working on her voice has made her a better actor because, “…it makes me more present, makes me more able to receive and be affected by my partner, and makes me more m...

Enjoy my conversation with James (Jim) Patrick Freetly, an actor and instructor at Actors Group studio. Jim talks about his most memorable audition and explains how important it is to “fight for your audition” and to take ownership of the room in the audition space. Jim is best known for his role as Todd in Trouble With the Curve opposite Amy Adams and Clint Eastwood. He has been on such shows as...

Enjoy part II of my conversation with Burgess Jenkins on honesty in your acting. Burgess Jenkins, actor and founder of Actors Group, explains why it is better to be flat and boring as long as you are being honest. He talks about how actors come to class, to auditions, to set with "performance oriented ideas" as a way to be more interesting. What is inherently more interesting is you and your hones...

Burgess Jenkins, actor and founder of Actors Group, explains why it is better to be flat and boring as long as you are being honest. He talks about how actors come to class, to auditions, to set with "performance oriented ideas" as a way to be more interesting. What is inherently more interesting is you and your honesty. Burgess has been in a myriad of projects ranging from arthouse independents t...