A Reading Life, A Writing Life, with Sally Bayley

In this episode, Sally reads extracts from her forthcoming book, the Green Lady, released next week. The Green Lady is the third part of a literary coming of age story that began with Girl with Dove, a combination of memoir and storytelling from the perspective of a child in search of a way of expressing herself. The book is a tribute to the women who raised Sally, and the often unappreciated and...

Sally treads old familiar pathways through fields of corn and wheat in Sussex, very close to the place she grew up. Her thoughts are with Charlotte Brontë, who wrote haunting poems about her own complex, equivocal feelings towards her childhood and the place she grew up. Sally reads the famous opening passage from Brontë's novel Jane Eyre. Jane, an unwanted orphan who retreats into the world of bo...

"Why do we write?" Sally asks herself this week, as she reads a novella by the 20th century writer DH Lawrence, a story of longing, dreams, desire and self-liberation. Sally is interrupted by the arrival of a gang of noisy pheasants, who annoy the local cat, the aloof and enigmatic Plucky. Sally reflects on the unknowable interiority of everyone - not just cats; and while spring cleaning, she find...

This week, Sally is entertaining a visitor to the narrowboat - her eight-year-old neighbour Maeve Magnus - for their regular evening ritual of watching Poirot and honing their impressions of the TV show’s characters. Sally harkens back to her eight-year-old self, reading her way through Agatha Christie’s stories, each tale representing a world of fresh possibilities and alternative ways of living....

This week, Sally is reading The Girls of Slender Means, a novella by one of her favourite writers, Scottish novelist, poet and essayist Muriel Spark (1918 to 2006). During the Second World War, Spark came to London to work in British intelligence. She took up residence at the Helena Club in London, a hostel in Lancaster Gate, described as “a strict club for young ladies”.  In 1963, she published A...

Sally starts the podcast with a brief poem by Philip Larkin, a complex poem of springtime, grief, and renewal. The trees all around the boat take Sally’s mind back to the horse chestnut tree of her youth, where she and her brother used to play, and which became a companion to her as she started to read books. A hunt for a pack of pesky wasp invaders, headed by an indignant Queen, ends up with Sall...

Sally reads Samuel Taylor Coleridge’s poem Frost at Midnight, and reflects on the importance of finding ways to escape, now and again, from a stressful world - to find a place of tranquillity, where we can think and create, connect with ourselves and with the natural world. It's a fundamental need, but very hard to achieve. So Sally outlines a plan - to create a "retreat", a way to provide our lis...

Sally starts by telling us the tale of the Boiler That Went Bang in the Night, and the Bird That Never Was. She’s preparing a zoom class for some schoolchildren which draws on her first book of memoirs – or anti-memoirs, as she prefers to call them – called Girl With Dove. Sally pulls out the book's manuscript and we hear about her upbringing in a slum area on the south coast, and her earliest mem...

Sally does her washing on the narrowboat, and with spring in the air, her thoughts turn to the past. She reads from an old favourite, the children’s classic novel, The Wind in the Willows, and discusses its characters and themes with her friend from next door, Maeve Magnus, who is reading it for the first time and sees close parallels between the book and their own lives on the river. Sally recall...

In this episode, released on the anniversary of the invasion of Ukraine, Sally reads the works of great Ukrainian writers and poets of previous generations. Her thoughts turn to the novelist Joseph Conrad, who was born in a region which is now part of Ukraine. She reads passages from his masterpiece, Lord Jim, about the tangible presence of evil in the world. In a lighter vein, she reads an extrac...

In this special, double-length episode, Sally leaves her boat to seek refuge at a friend’s house on another island in Oxford, as the rains have flooded the meadow of her narrowboat community. Returning to the boat as the waters subside, she reads a poem by Elizabeth Bishop, then settles down to study a collection of essays by Will Self. The essays lead Sally to reread a chilling short story by the...

Sally wakes up at dawn and thinks about the book she's currently writing – Pond Life, a fictional biography of two women who live on the south coast of Britain in the years after the Second World War. The book addresses themes of loneliness, disconnection and the consolations and snares of film, art and the imagination. Sally consults her own memorandum, a note to herself and the reader, about the...

Sally takes time off from trying to unblock her sink to conduct a creative writing lesson with her student, Evelyn. They discuss a single sentence in a short story written by Katherine Mansfield, the modernist writer who died 100 years ago this month. After Evelyn leaves, Sally settles down to read Mansfield’s diaries, immersing herself in her scribblings both funny and profound.   Further Reading...

Sally takes a trip on her shiny blue electric scooter to Oxford Public Library, where she picks up a novel by the iconic British modernist writer Jean Rhys. After a disturbing experience at the hospital, she seeks refuge in Rhys’ existentialist narrative of rootless but indomitable women, who eke out a living on the margins of society while searching for love, beauty and a sense of belonging. Furt...

Temperatures on the narrowboat dip below zero, so Sally takes the advice of Virginia Woolf and stays in bed to read poetry. She immerses herself in The Child’s Story, by the Oxford writer Elizabeth Jennings, a poem about the fear and the potential of love. Sally reflects on the connectivity between learning, teaching and love, and the regenerative possibilities of a New Year.   Further Reading:  ...

On a cold boat, Sally is warmed by her fire, the sound of her neighbours, and the cathartic practice of “speaking in tongues”, a technique she  learned as a very young child from her aunt, who ran an all-female Christian charismatic group and would suddenly launch into these emotional outbursts. She reflects on how this practice may express the longings of the subconscious, and may have influenced...

Sally leaves a frosty boat and travels to Gloucestershire to meet her friend and fellow author Alice Jolly. They talk about Alice’s epic experimental novel, Mary Ann Sate, Imbecile, which is written in rolling free verse and recounts the life of an elderly maidservant in the Stroud Valley of the 19th century.  They listen to clips from an extraordinary dramatisation of the book, and discuss spirit...

Sally takes a swim in the river after a few days’ absence from the boat, reflecting on how her natural surroundings fuel her writing. Her thoughts turn to her mother, who loved music; and she plays a song by Nina Simone, which Sally has often used as a teaching aid in her creative writing classes. It’s an elegiac song, and Sally ponders how songs can help us unpick the difficult narratives of our...

A robin visits Sally’s boat, and she reflects on the importance of quietness and concentration in the creative process. Inspecting a patch of the meadow which she shares with other boat owners, she thinks of the pioneering naturalist Henry David Thoreau, who also escaped urban living in search of the natural life. Meanwhile, podcast producer Andrew wanders through the woods in search of Sally’s bo...

Sally invites us into her life on the boat, a life lived in close connection to nature, powered by sunlight from her solar panels. We hear how a water pump works, and witness a daddy long legs making its slow way across a rainy porthole. Sally is reading the diaries and journals of Virgina Woolf, a modernist “stream-of-consciousness” writer, who intensively recorded her own thoughts and observatio...