A Point of View

The coronation in 1953, which heralded a new Elizabethan age, was accompanied by that most famous of mountaineering exploits - the conquering of Mount Everest. 'This weekend,' writes Sara Wheeler, 'we are not, perhaps regrettably, expecting celebratory rocket-runners from Mars announcing touchdown on the red planet.' But, Sara suggests, the new Carolean age should be about collective effort rather...

The philosopher Michel de Certeau characterised space as ‘the practice of place’, Will Self argues that, in order to appreciate the places we inhabit, we have to indulge in 'that most unfashionable and unproductive of things: abide". 'To be in a place', he writes, 'is not to be distracted by the possibility of other places, but absorbed by the particularity of the one you're in.' Producer: Adele A...

Living in New York during lockdown, Adam Gopnik spent his time enjoying the escapism of foreign TV shows - like the BBC's W1A and 2012. While these shows were unapologetically British, chock-full of alien cultural references to Frankie Howerd and Dad's Army, Adam says these shows helped him appreciate the universal language of satire. 'I'd say we enjoy satire more when we don't know the things bei...

Sara Wheeler finds writing a biography to be a humanising process, in which learning to see the world through someone else's eyes is more important than rushing to judge them. 'We are quick to judge - quicker than ever in grotesquely polarised times. But if we can't know another person, how can we judge them?', she writes. 'I am suggesting that we use the biographer's craft as a tool for understan...

Megan Nolan says millennial adulthood feels just as uneasy as her teenage years. Short term job contracts and expensive housing has left her generation with a permanent sense of insecurity. As a teenager, Megan struggled to find her identity and place in the world, and felt 'wrong and different in the most profound and private of ways'. She was told these feelings would pass. Now as an adult, howe...

John Gray makes the case for proportional representation as a means to revive British politics and fuel new political ideas. He argues that, for the last thirty years, government in Britain has been 'Thatcherism on autopilot'. He says that the 'cult' of the free market has been pursued by both main parties but it has long since run its course. He believes a change in the electoral system is now ur...

After being given an amaryllis as a gift, Howard Jacobson wonders why he's never stared at a flower...until now. He ponder his life-long ignorance of flowers. Growing up, the family garden was a dumping ground for his dad's old trucks; seeds were something you fed to a budgerigar. 'And wasn't there a flower called An Enemy?' Howard asks. 'There you are then. I've had enough of those in life withou...

Zoe Strimpel explores what lies behind her new-found impulse to collect art to fill the blank spaces on her walls - and how collecting means something different for men and women. "It is perhaps no surprise to discover that the greater the instability outside our walls, the more we may want to create a secure and beautiful world inside, or on, them." Producer: Sheila Cook Sound engineer: Peter Bos...

AL Kennedy finds echoes of the movies of her childhood in our current state of affairs. "Jaws, like many disaster and horror movies contain the core lesson - whenever there's a problem, greedy people will ignore it - corporations, local authorities, politicians, contractors - people who love money more than, well, people.' Producer: Sheila Cook Sound engineer: Peter Bosher Production Coordinator:...

Trevor Phillips argues that Britain, in its desperation to eliminate inequality, risks destroying the very principles that have drawn people here for generations. He points to its eccentricity, its easy going tolerance and its spirit of non-conformity, but he believes 'zealots' are slowly demanding a new sort of 'group-think' that has all the features of a repressive sect. 'I, for one, hope that t...

Sarah Dunant says the rediscovery of ideas from the past can help with 'the toxicity of the present'. Just as the Renaissance master Donatello drew from the classical world to create revolutionary art, so we can find a moment in history to inspire progress in our time. 'On the surface it seems like an impossible task' says Sarah, 'not least because like everything else in this angry, polarised mom...

Will Self on the pleasure of walking without purpose, with no final destination in mind, and the freedom that comes from getting lost once in a while. He reflects on the rising perception that our public spaces are becoming ever more threatening - especially for women. 'Our movements about this wide and wonderful world are for the most part painfully constrained,' he writes. 'Comfort zones have be...

Adam Gopnik challenges the idea that the artistic and literary creations of artificial intelligence can match human endeavour. Although impressive in their ability to produce pastiche, he thinks AI programmes fail to produce anything 'newly memorable'. 'They are not smart at all in the sense that we usually mean it, capable of constructing creative ideas from scratch,' he writes. 'But rather they'...

Rebecca Stott ponders if a move to more communal living could be key in solving some of our most pressing problems. 'I've begun to wonder whether our current crises of social care, childcare, energy, climate, housing could be the catalyst that makes some of us rethink the solitary ways we live,' she writes, 'to search for more practical, affordable and sustainable alternatives to the nuclear singl...

Zoe Strimpel looks at the history of masculinity and its moments of crisis, from Emile Durkheim at the end of the 19th Century to self-professed misogynist, Andrew Tate, today. 'The contemporary manosphere', she writes, 'doesn't appear to have any positive idea of what men should be, apart from rich, priapic and nasty - and within the long history of masculinity in crisis - this feels new'. Produc...

Megan Nolan ponders a bizarre alignment between her life and that of Prince Harry. 'Sure, I was taught by nuns in an Irish convent school while he was dragged up through the mean streets of Eton' but - reading Harry's memoir, 'Spare' - Megan calculates that the comparisons between them go beyond their iconic reddish hair and devil-may-care attitudes. Producer: Adele Armstrong Sound: Peter Bosher P...

Tom Shakespeare looks to some DVD classics and the Japanese concept of ikigai to provide some light relief from the doom and gloom of January. 'The definitive guide to ikigai,' Tom writes, 'says ikigai is what allows you to look forward to the future, even if you're miserable right now.' And yes, Morrissey makes an appearance too! Producer: Adele Armstrong Sound: Peter Bosher Production coordinato...

Howard Jacobson reflects on why we look to comedy to see one year out and a new year in. Reflecting on the misbehaviour of a mischievous Australian cockatoo and a 'great mocking Rigoletto chorus' of shearwaters in the Canary Islands, he considers whether he may himself have been a bird in an earlier life, as he celebrates the way animals rescue us from self-importance - and help us imagine a funni...

John Connell looks forward to becoming a father for the first time, with the help of three poets: Seamus Heaney, Ted Hughes and Philip Larkin. As he collects the turf and attends to his organic farm, he ponders what of this he'll pass onto his child. And he wonders if his new son or daughter will have any truck with Heaney's 'cold smell of potato mould, the squelch and slap of soggy peat'. Produce...

As meteorologists tell us that the chance of snow is decreasing year on year, Sara Wheeler reflects on a future where younger generations may never get to experience snow - and what that means for a season so ingrained in our lives and culture. 'Winter is deeply embedded in the English language - the white stuff of metaphor', she writes. 'But if climate change blanches the seasons, one wonders wha...

Zoe Strimpel reflects on the new sexual conservatives changing the face of feminism. 'The sexual revolution bequeathed us choice: to shag as voraciously as we wanted or to get married and have a baby at 30,' she writes. But, she says, the landscape of sexual politics today has changed dramatically. Producer: Adele Armstrong Sound: Peter Bosher Production coordinator: Iona Hammond Editor: Richard F...

Will Self says there are distinct downsides to being tall. At six foot, four and a half inches, Will ponders the drawbacks of a lofty stature. 'The very ideal of beauty is the small', writes Will, 'so how awful it is to realise that you will never fulfil this artistic ideal with your enormous person which, far from being an artwork, is simply a scale model of gigantism!' Producer: Adele Armstrong...

Adam Gopnik, recently recovered from his first bout of Covid, explores the profound impact of the pandemic on our whole belief system. 'Covid acted as a kind of universal solvent,' Adam writes, 'dissolving pretty much everyone's expectations of what could happen in the world'. He looks in particular at the concept of ‘trusting the science’ and argues that ‘science is not a transaction of faith but...

David Goodhart argues that our politics is stuck, not for want of clear ideas about what to do, but because of the inability to get important things done. 'Politics has always been about herding cats', he writes, 'but is the current generation of politicians less good at herding? Or perhaps the cats are even less herdable than usual.' Producer: Adele Armstrong Sound: Peter Bosher Production coordi...

Tom Shakespeare weighs up his options to avoid being crushed by the tottering pile of books on his bedside table. 'Shutting the blinds a few weeks ago,' Tom writes, 'I was hit on the head by three or four falling Terry Pratchett books'. So act he must...and he came up with a plan to ensure no book goes unread. Producer: Adele Armstrong Sound: Peter Bosher Production coordinator: Iona Hammond Edito...