The Drop @ DFT

Composer Tom Howe might be better known for his work on The Great British Baking Show, but it’s his wildly collaborative and heartfelt work on Ted Lasso that continues to draw audiences further into each character and moment week-over-week.

You'd be surprised how much emotion in a visual actually comes from sound, especially on Ted Lasso. Re-recording mixers Sean Byrne & Ryan Kennedy walk us through some of the show's key moments and how they came alive on the sound stage.

Production design is constantly thinking about post - what shows up on camera is often meticulously scrutinized with the post team to best set up for vfx, thru lines and meaningful character arcs. Paul Cripps joins us to talk building the land of Lasso!

Team Lasso’s performance on the pitch gets a bit of help in Previs. Katelyn Hollenbeck, Lasso’s lead post super, joins us to talk about being on the virtual pitch, in a game engine.

Dani Rojas himself, Cristo Fernández, joins us on The Drop! hear how this role was the intersection of preparation and unexpected opportunity that led to the heart and many talents you see on screen!

Camera to cloud you say? All the way from London to L.A.? Ted Lasso's assistant editor Alex Szabo and post coordinator Robbie Stevenson walk us through the behemoth that is Lasso dailies.

DFT welcomes editor Melissa McCoy and her assistant editor Francesca Castor to kick off our Lasso season! We unpack the “Lasso Vibe” and all that’s ahead this season for Ted and Richmond.

caring for dailies used to be a hallowed rite of passage. now, much of it happens in the cloud & one dark bay. our team shares why your dailies are still quite holy.

Cinecode’s formidable brain trust dives into the world of Previs, Techvis, LiDAR, and the many shows leveraging this technology to dream big while saving time and money

CTO Thomas Galyon and Erin White, DFT's Content & Security Director, discuss all things cloud and remote-based post, media management, and finishing.

DFT COO/host of The Drop Nancy Jundi speaks with DFT CEO Ramy Katrib about the past, present, and future of post-production.