Keith Eisenbrey

Keith Eisenbrey

Podcast by Keith Eisenbrey

Bezoek zeker de website van de podcast en steun de maker: soundcloud.com

Auteur

Keith Eisenbrey

Categorie

Uncategorized

Website van de podcast

soundcloud.com

Nieuwste aflevering

3 okt. 2026

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Afleveringen

14 Sinfonia 14 240619 [241008] Piano 12.10.2024

my recent composition, recorded October 8, 2024

66 Ortonville 241006 [241006] 12.10.2024

my arrangement of a tune found in an 1846 shape note song book

Banned Rehearsal 1110 241007 12.10.2024

Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, and Aaron Keyt improvising at The Tintinabulary, Seattle, October 7, 2024

Banned Rehearsal 486 980228 12.10.2024

Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, February 28, 1998

Banned Rehearsal 131 880101 12.10.2024

Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at The Greenwood Big House, Department of the Tintinabulary, Seattle, January 1, 1988

Benjamin Boretz: Liebeslied [241003] 05.10.2024

Ben's 1974 piece, recorded on his 90th birthday, at the Tintinabulary, Seattle, October 3, 2024

65 Dunfield 240929 [240929] 05.10.2024

my arrangement of a tune from an 1846 shape note song book

Banned Rehearsal 646 030207 05.10.2024

Karen Eisenbrey, Keith Eisenbrey, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, February 7, 2003

Banned Rehearsal 1109 240923 28.09.2024

Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, September 23, 2024

64 Tilden 240922 [240922] 28.09.2024

my arrangement of a tune found in an 1846 shape-note song book, recorded September 22, 2024

Banned Rehearsal 485 980221 28.09.2024

Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, and Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, February 21, 1998.

Banned Rehearsal 132 880106 28.09.2024

Karen Eisenbrey, Keith Eisenbrey, and Aaron Keyt improvising at Outpost Greenwood Big House, Department of The Tintinabulary, Seattle, January 6, 1988.

63 Zephyr 240915 [240915] 21.09.2024

my arrangement of a melody found in an 1846 shape-note song book.

Banned Rehearsal 830 130218 21.09.2024

Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer, improvising at The Tintinabulary, Seattle, February 28, 2023

Banned Rehearsal 484 980214 21.09.2024

Isaac E, Karen Eisenbrey, Keith Eisenbrey, Aaron Keyt, and Neal Kosály-Meyer, improvising at The Tintinabulary, Seattle, February 14, 1998

Benjamin Boretz - Liebeslied [240913] 15.09.2024

Benjamin Boretz's 1974 composition, recorded at my home on September 13, 2024.

Lockrem Johnson - Fifth Sonata [240913] 15.09.2024

Lockrem Johnson's 1953 composition, recorded at my home on September 13, 2024.

William Byrd - Ut Re Mi Fa Sol La [240913] 15.09.2024

William Byrd's composition from My Ladye Nevells Booke of Virginal Music, recorded on clavichord at my home on September 13, 2024.

62 Frostenden 240908 [240908] 15.09.2024

my arrangement of a melody found in an 1846 shape-note song book.

13 Sinfonia 13 240514 [240906] Piano 07.09.2024

my recent composition, played on piano, recorded September 6, 2024.

61 Attica 240901 [240901] 07.09.2024

my arrangement of a melody found in an 1846 shape-note song book

Banned Rehearsal 483 980206 07.09.2024

Karen Eisenbrey, Keith Eisenbrey, Anna K, Aaron Keyt, Neal Kosály-Meyer improvising at The Tintinabulary, Seattle, February 6, 1998

Banned Rehearsal 1108 240906 07.09.2024

Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer, improvising live at Gallery 1412, Seattle, September 6, 2024

Banned Rehearsal 1107 240906 07.09.2024

Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer, improvising live at Gallery 1412, Seattle, September 6, 2024

Banned Rehearsal 1106 240826 31.08.2024

Karen Eisenbrey, Keith Eisenbrey, Steve Kennedy, Aaron Keyt, and Neal Kosály-Meyer improvising on the Patio at The Tintinabulary, Seattle, August 26, 2024.

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