Casper Hernández Cordes

Music EN ↓ 86 afleveringen

Casper Hernández Cordes (1971) graduated as a composer from the Royal Danish Academy of Music in 2006. For a number of years he has been involved in electroacoustic music, interactive installations, happenings, performances and workshops, as a means of involving non-musicians in creative , musical creation. Since the pandemic, he has found his way back to working with score music.

Bezoek zeker de website van de podcast en steun de maker: www.cultural-sustainability.eu

Auteur

Casper Hernández Cordes

Categorie

Music

Website van de podcast

www.cultural-sustainability.eu

Nieuwste aflevering

6 feb. 2026

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Afleveringen

Krageløsen 06.02.2026 4:19

Arbejder med at finde de matematiske formler, omsat til lyd, som skal lukke op for kragekanalen, dvs. kragernes kollektive erindring... Her har jeg analyseret et kragekald, fundet overtonerne, omsat disse til talforhold, - 10 8 3 2 1 - og disse tal er omsat til tempo, rytme og tonehøjde, samt klanglige farvninger.

Biernes Geometri 06.09.2025 12:06

Solo klarinet og analog synth. Før koncerten i morgen; en forpremiere.

Synth piece recorded by a window glass 06.12.2024 5:11

A synth 'improvisation' on maxmsp, played in the room, recorded by a geophone attached to the window...

Abrikostræerne findes abrikostræerne findes 11.11.2024 4:03

More experiments with maxmsp to prepare for my forest concert... Developing an 'analog' synth in maxmsp, and using 'cellulose' sounds, IE, sounds made of wood things, as 'percussion'; and, finally, using the poetry of Inger Christensen as basis for the melodic parts.

Cellulose beats for mycelium 18.10.2024 1:18

This is music, that I suppose mycelium would love. Based on cellulose IE sounds from branches, leaves, fruits, seeds, etc., that are the things mycelium feed on. When doing my outdoor mycelium concerts, this is the basic soundscape I'll 'feed' to the environment, thus creating a fertile ground (literally) for the mycelium to engage in a fair trade - cellulose (sound) for bioelectricity (used in my...

1632 - 11 - 24 Improvisations on Spinoza #07 13.03.2022 3:31

Listen to this episode of the podcast Building Sound Collectives https://cultural-sustainability.eu/2022/03/13/1632-11-24-spinoza-numbers-and-human-emotions-in-music/

1632 - 11 - 24 Improvisations on Spinoza #06 13.03.2022 2:09

Listen to this episode of the podcast Building Sound Collectives https://cultural-sustainability.eu/2022/03/13/1632-11-24-spinoza-numbers-and-human-emotions-in-music/

1632 - 11 - 24 Improvisations on Spinoza #05 13.03.2022 3:56

Listen to this episode of the podcast Building Sound Collectives https://cultural-sustainability.eu/2022/03/13/1632-11-24-spinoza-numbers-and-human-emotions-in-music/

1632 - 11 - 24 Improvisations on Spinoza #04 13.03.2022 3:28

Listen to this episode of the podcast Building Sound Collectives https://cultural-sustainability.eu/2022/03/13/1632-11-24-spinoza-numbers-and-human-emotions-in-music/

#020012 05.02.2022 4:06

"Epilogues". Improvisations using the composition #011300 as a 'landscape'..

#020212 05.02.2022 3:51

"Epilogues". Improvisations using the composition #011300 as a 'landscape'..

#020312 05.02.2022 3:38

"Epilogues". Improvisations using the composition #011300 as a 'landscape'..

#020412 05.02.2022 2:21

"Epilogues". Improvisations using the composition #011300 as a 'landscape'..

#020512 05.02.2022 4:50

"Epilogues". Improvisations using the composition #011300 as a 'landscape'..

#011300 04.12.2021 3:18

#011000 - #0114000 Improvisations over the composition #000000 "Last Dream" Read more about the method and philosophy behind this improvisation here: https://cultural-sustainability.eu/2021/11/05/music-as-an-ecosystem/

#010A00 Epilogue 05.11.2021 1:36