rfurtkamp

rfurtkamp

A bad person with bad guitars playing really outside weird thirty years gone. Are we not men, or free jazz, or weird noise, or just clueless? Your call. Recorded improv-style, pseudo-live (no edits to tracks, either it's good or the whole session is pitched), one pass at a time with old, forgotten gear. Synths courtesy mistracked guitars via 90s Boss snyth bass units (ME-6B etc), stacked glitchy fuzz pedals, and pitch-shifted harmonizing delay. Newer synthy stuff courtesy Roland GR-55 and all the old toys, plus various Roland keys and a Behringer DeepMind 12.$29 LFO-enabled rack delays and ART...

Husk å besøke podkastens nettsted og støtte skaperen: soundcloud.com

Forfatter

rfurtkamp

Kategori

Uncategorized

Podkastens nettsted

soundcloud.com

Siste episode

18. jun 2026

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Episoder

Darkening, blackening lies 17.03.2013

Darkening, blackening lies by rfurtkamp

Gypsy water ahead 17.03.2013

Gypsy water ahead by rfurtkamp

Crabgrass and pentagon smiling 17.03.2013

Crabgrass and pentagon smiling by rfurtkamp

Whispers of a seventh eight 17.03.2013

Whispers of a seventh eight by rfurtkamp

The price of flat range 16.03.2013

The price of flat range by rfurtkamp

A chime for the lost 16.03.2013

A chime for the lost by rfurtkamp

Trainyard counterpoint 31.03.2005

2005 solo album, the closest I ever got to electronica and featuring a lot more keyboards and percussion than normal. 2016 remaster

The unknown man was 31.03.2005

2005 solo album, the closest I ever got to electronica and featuring a lot more keyboards and percussion than normal. 2016 remaster

On disdain, drowning, and how to pronounce it so 31.03.2005

2005 solo album, the closest I ever got to electronica and featuring a lot more keyboards and percussion than normal. 2016 remaster

Now that I am coyote atonal 31.03.2005

2005 solo album, the closest I ever got to electronica and featuring a lot more keyboards and percussion than normal. 2016 remaster

Neither short nor enormous 31.03.2005

2005 solo album, the closest I ever got to electronica and featuring a lot more keyboards and percussion than normal. 2016 remaster

It hastened, behemoth narrated 31.03.2005

2005 solo album, the closest I ever got to electronica and featuring a lot more keyboards and percussion than normal. 2016 remaster

Dreaming distance 31.03.2005

2005 solo album, the closest I ever got to electronica and featuring a lot more keyboards and percussion than normal. 2016 remaster

Dinner at half mast 31.03.2005

2005 solo album, the closest I ever got to electronica and featuring a lot more keyboards and percussion than normal. 2016 remaster

And the bubbly darkness would 31.03.2005

2005 solo album, the closest I ever got to electronica and featuring a lot more keyboards and percussion than normal. 2016 remaster

And so it snows 31.03.2005

2005 solo album, the closest I ever got to electronica and featuring a lot more keyboards and percussion than normal. 2016 remaster

A murdering hand 31.03.2005

2005 solo album, the closest I ever got to electronica and featuring a lot more keyboards and percussion than normal. 2016 remaster

Apocalypse weaving 31.10.1999

From the 1999 album, "Serpent at the End of the Rainbow", featuring the last track I recorded before heading west permanently to freedom. The first section is from my last live show, grafted to a "later that night" analog 8 track session. I had no choice but to leave - the shadows and death were on the verge everywhere.

Serpent at the end of the rainbow 31.10.1999

With a few bucks finally coming from the previous release, and digital distribution finally a possibility if you knew a friendly ISP and administrator to give you a then princely 100mb of storage space, Serpent was a return to Chicago-era form, complete with the last track recorded before getting the hell out of Dodge. If I knew then what I do now, I'd probably have substantially reworked a couple...

Feedback from the tracks 31.10.1999

With a few bucks finally coming from the previous release, and digital distribution finally a possibility if you knew a friendly ISP and administrator to give you a then princely 100mb of storage space, Serpent was a return to Chicago-era form, complete with the last track recorded before getting the hell out of Dodge. If I knew then what I do now, I'd probably have substantially reworked a couple...

Storm front 31.10.1999

With a few bucks finally coming from the previous release, and digital distribution finally a possibility if you knew a friendly ISP and administrator to give you a then princely 100mb of storage space, Serpent was a return to Chicago-era form, complete with the last track recorded before getting the hell out of Dodge. If I knew then what I do now, I'd probably have substantially reworked a couple...

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