Helping Writers Become Authors

When should you take a break from writing? And once you've taken that step, what in heaven's name are you going to do with yourself?

Creating an amazing supporting cast that can offer important relationship dynamics in fiction will also help develop your protagonist.

Learn how archetypes and story structure mirror each other in any individual book and can be used to further strengthen your story.

Here are a five important questions you, as a writer of fiction, can ask yourself to help you in making story structure your own.

There’s nothing incorrect in using confrontation to create conflict in fiction. But to understand conflict as only confrontation is too narrow a definition.

Learn how to increase the health and effectiveness of the writer's inner critic while diminishing toxic effects.

Here are this writer's New Year reflections, focusing on six "gifts" I gave myself and why I believe they were profoundly life-changing.

The two halves of the Climactic Moment require the story's final sequence to offer two very specific beats: Sacrifice and Victory/Failure.

The two halves of the Third Plot Point work together to create a scene arc that moves from the False Victory to the Low Moment.

The halves of the Midpoint are unique in story structure in that they mark the dividing line between the two halves of the entire story arc.

The First Plot Point is often referred to as a threshold, a visual metaphor representing the native two-sidedness of all structural beats.

A series examining the two important "halves" in each of story structure's major beats, beginning with the Inciting Event in the First Act.

Find out what defines repetitive scenes, as well as strategies for recognizing and avoiding them in your fiction.

The archetypal antagonists for the Mage Arc often manifest subtly--not  in obvious "evil," but in an ordinary person's weakness.

The archetypal antagonists for the Crone Arc are represented as a Death Blight and as the subtle Tempter who would lure her from the Truth.

The archetypal antagonists for the King Arc are the Cataclysm and the Rebel, both of which challenge the King to culminate his rule.

Usually the archetypal antagonists for a Queen Arc are represented by the Invader in the outer conflict and the Empty Throne in the inner conflict.

The antagonists for the Hero Arc can be seen archetypally as both the Dragon and the Sick King.

The antagonists for the Maiden Arc can be seen archetypally as both her Authority Figures and a frightening Predator.

The archetype of the Child is necessarily an archetype of deep vulnerability and surprisingly powerful impact upon other characters.

Will the character triumph--or succumb in the end to the powerful temptations of either of the Mage's shadow archetypes, the Miser or the Sorcerer?

The majestic Queen Arc builds upon the lessons learned in the Hero's Journey to create an archetypal character arc that offers a worthy sequel.

The Hero Arc is the story of the conquering champion--the ingenuous but perhaps immodest youth setting out to do a great deed.

As the "youngest" of the archetypal character arcs, the Maiden Arc represents the quintessential coming-of-age story.

For a writer, one of the most exciting explorations of archetype can be found within specific archetypal character arcs--or journeys.