Cities and Memory - remixing the world

"I took a pice of birdsong I had recorded and played around with the Flextime function in Logic. I added stereo echo and then a couple of synth parts from Alchemy and this is the result.: Birdsong in Bestwood, England reimagined by Tim Hills.

A few old men play a game of dice at the outskirts of the sprawling Osh Bazaar. They slap down small bills before rolling the dice on a wooden board and chain smoke cheap cigarettes. The smoke drifts into the pharmacy next door. They seemingly sell flooring at some point too. While bustling, the bazaar is more calm here; everyone is relaxed and kind. Recorded by wwjd .

"A mix of the casual tumbling dice in their cup and the majestically remote mountains that cover the land outside of Bishkek." Dice game at Osh Bazaar, Bishkek reimagined by wwjd.

The original recording conjures a restful yet lively ambience that brings to life what early morning in this part of Chisinau must feel like. As the recordist Rafa notes, there is 'a distant sense of the urban world behind them' in the original recording, which in this composition is brought to the forefront not to clash with the birdsong, but to complement it. The response is flavoured with multi...

Recorded early in the morning in a green area on the outskirts of Chișinău, this piece listens to the softer edge of the city. Birds fill the space, with only a distant sense of the urban world behind them. It shows another side of the capital: quieter, greener, more open. The recording feels like a pause from the streets, where nature comes forward and the city almost disappears into the backgrou...

This piece was inspired by a recording of a klaxon in Patton, PA that seemed to warn of nothing on a spring morning but the arrival of migrant birds. Patton klaxon sound reimagined by Xanthra DuFrane. 

The siren sounds everyday, randomly. Sometimes twice or three times. The birds are anxious. Recorded in Patton, Pennsylvania, USA by Xanthra DuFrane.

"I retained, without adjustment, the field-recording of chanting on a football terrace. My initial sense was of masculine celebration, the chants serving as a barometer for pride and rivalry. However, with the rhythmic fluctuations, my layered loops and snatches of dialogue shifted the celebratory mood. Repetitive, loopable refrains began to drone and persist with what I perceived as a tense 'poss...

The Lardy Boys, also known as the Lardy Army, is the name of the supporters at Horsham FC. This is a sample of them singing on a match day. Recorded by Pauline Howley.

"I found the idea of candy cutting and the cheerful voices on the original recording very reminiscent of a childhood memory. The fact that I cannot understand the Japanese being spoken makes it further seem like a hazy memory.  "I wanted to retain the cheerful, nostalgic tone that I perceived while adding a melodic component on top of the rhythm created naturally by the candy cutting."   Candy cut...

On the street leading to Kawasaki Daishi, the sharp, percussive sound of hand‑cut sugar candy forms a steady rhythm. Shopkeepers’ voices enter from both sides, calling out “Welcome” and offering tastes of candy just cut moments before. Recorded in Kawasaki, Japan by Miduno.

| A wild night at Lake Masek in Ndutu, Tanzania. Hear hyenas whooping, lions roaring, jackals calling, hippos grunting, zebras barking, and flamingos vocalizing-all in one incredible soundscape. Perfect for immersion, study, sleep, or experiencing the true chaos of the African night. Recorded in Ngorongoro, Arusha, Tanzania by David Joseph.

"I spend a lot of my time leading community choirs and singing protest songs, rousing anthems of freedom and liberty - and now, more than ever, they are needed. This is not a protest song, it is a plea. Ask yourself, which side are you on?" Together Alliance protest in London reimagined by Rebecca Denniff.

"This is my second attempt at producing a piece of music using the source sample. The original sample contains a clean, distinct loop of tribal drumming, and at first I constructed a piece based on that loop, with rhythmic and melodic elements stacked, and arranged into an EDM piece.  "That was a bit too obvious, so instead I took the loop, deconstructed it, and applied pitch-shifting, filtering a...

"This is a collaboration with pianist and composer Leah Floyeurs. We worked with sensitivity to honour the vibrational signature of this location in space, the Auschwitz Death Wall, which holds the memory of the Holocaust. The piece uses electronics and piano."  Auschwitz Death Wall recording reimagined by Helen Copnall and Leah Floyeurs.

"Spend the day at Lake Masek, join The Northern Synthesizer Orchestra on an audio journey from dawn to dusk. Created collaboratively by The NSO which is Becky, Jordan, Dom, Julie and V. " Lake Masek soundscape reimagined by The Northern Synthesizer Orchestra.

The very beginning of Together Alliance's march against the right wing. This protest took place in central London in March 2026. I was located in the centre of Piccadilly near the Ritz hotel. The recording consists of chanting, drumming and many voices passing by as they made their way down Piccadilly towards Trafalgar Square. The rig I used to catch this recording was a pair of DPA 4060s into a Z...

Tribal drumming heard from a distance in the large Georgengarten park in Hannover, getting louder as we follow our microphone, identify the source of the sound and follow it. The sound stops before we get all the way to the source, but then we hear footsteps on the gravel path and birdsong.  Recorded by Cities and Memory. 

Ambisonics recording of acoustics and environmental sound at the "Death Wall" in Auschwitz I. The condemned were led to the wall for execution. SS men shot several thousand people here. Recorded by Anders Vinjar.

"I listened to the busker a lot here and loved his energy. It then made me think about how much I travel to and from work on the train daily and how attached I am to train travel, the same sounds and words I hear every day. The comfort of it. So I wanted to give it a quiet eulogy. I brought the busker in to help." Parisian metro busker reimagined by Dermot Fitzsimons. 

"One of the first things that jumped out at me about this recording was the sheer joy it conveyed, slight warts & all. I love the off note in the initial section of the piece, and started off with the notion of taking that discordance & slowly bringing it into harmony. That was stymied however, by initial processing of the discordant note resulting in something beautiful. "The other striki...

"I've always been captivated by the organic quality of atmospheres... so the meaning of FX soon became completely intertwined with it... and that's exactly what happened this time too..."  Sermon in Dundas Square, Toronto reimagined by Lajkó András Bence/ACiDBENCI. IMAGE: Kang-min Liu, CC BY 2.0 < https://creativecommons.org/licenses/by/2.0 >, via Wikimedia Commons

Nothing unusual in hearing the plaintive song of a busker on the Parisian metro, and this one has a nice voice. What strikes us as we leave the carriage is how even buskers now give out their Instagram and TikTok handles at the end of songs. Tag us on social or it didn't happen.  Recorded in Paris, France in February 2026 by Cities and Memory. 

At Aker Brygge on a Saturday afternoon in Oslo, a parade kicks off celebrating the muticulturalism of the city, with representation from many different groups and countries, all of whom are communities living there. The parade sets off to walk through the city centre with a celebratory tone, and in this recording many different groups walk past, with multiple forms of music including a brass band,...

Dundas Square is a major intersection in downtown Toronto. It has a high population of buskers and other entertainment. This particular evening turned into a sermon.  Recorded in Toronto by Scott Bennett. IMAGE: Kang-min Liu, CC BY 2.0 < https://creativecommons.org/licenses/by/2.0 >, via Wikimedia Commons