Writing It!

With the support of the University of Florida Center for the Humanities and the Public Sphere, we’re talking with history professor, we’re talking with history professor Raphael Folsom (Oklahoma), who wrote the book, How to Get Grant Money in the Humanities and Social Sciences (Yale University Press) about why it’s important to think big for grant writing; recommendation-letter writing; being enco...

We’re speaking with novelist and academic Elizabeth Graver about writing about her Sephardic family’s history as fiction, even as she incorporated facts and archival finds. Graver also talks about maintaining a creative process, alongside her academic position, and about moving between fiction and non-fiction genres. Don't forget to rate and review our show and follow us on all social media platfo...

We’re speaking with UConn Associate Professor of History Andy Horowitz, who also serves as the Connecticut State Historian. We talk about Andy’s first book, Katrina: A History, 1915-2015 (Harvard University Press, 2020) which won a 2021 Bancroft Prize in American History, and was named the 2021 Humanities Book of the Year by the Louisiana Endowment for the Humanities, and a 2020 Best Nonfiction Bo...

We’re speaking with Jim Loeffler, Felix Posen Professorship in Modern Jewish History at Johns Hopkins University about how our public persona affects the stories we tell and pitch to editors. We talk about Loeffler’s publishing experience with academic presses, academic-trade, and why moving to trade press has been so different. We talk about some of the challenges involved in Loeffler's forthcomi...

We’re talking with Emory Professor Miriam Udel about lessons from a career full of writing highs and challenges, beginning with the realization that the dissertation will not become the first book. We talk about learning how to understand the gradations of rejection letters; the value of pitching editors in person; why spending time on works of translations may be highly worthwhile even when they...

We’re talking with Distinguished Professor of Art History at Cleveland State University about building a scholarly foundation for future historians of art through writing and then moving in a new direction with more popular writing. We talked about writing for Smithsonian Magazine; writing about artists who are still alive; how to surmount the challenges of getting your editor to include images in...

We’re talking with Dr. Claire Sufrin, editor of Sources: A Journal of Jewish Ideas and Senior Editor at the Shalom Hartman Institute of North America about writing choices and how they affect our academic lives. We talk about choosing to leave a traditional academic position and how that affects our writing; writing about personal matters; deciding not to turn the dissertation into a book; and abo...

We’re speaking with Dr. Elizabeth Arleo, Professor of Radiology at Weill Cornell Medical College (WCMC), an Attending Radiologist at the New York-Presbyterian Hospital (NYPH), and Editor-in-Chief of the radiology journal Clinical Imaging about writing the books we feel called to write. For Liz, this meant writing self-help and children’s books. We talk about using National Novel Writing Month (Nov...

We’re talking with Mark Oppenheimer, author, professor, podcaster, and editor of the online journal Arc: Religion, Politics, Et Cetera, about a varied writing career defined by openness to the next interesting project (one of those current projects is writing Judy Blume’s biography). We talk about writing a great sentence; how academics can best position their research and ideas for the popular pr...

We talk with historian and film critic J.E. Smyth about her most recent book, Mary C. McCall Jr.: The Rise and Fall of Hollywood's Most Powerful Screenwriter. We talk about writing the kinds of books called “recovery projects,” and how commitment to the subject helps us get beyond discouragement from the publishing world. In speaking about writing biography, we talking about finding your writing v...

We’re talking with historian and journalist Tim Shenk about creating a professional relationship with our writing. In addition to being an assistant professor of history at George Washington University, Tim is a senior editor at Dissent magazine, and has written for the New York Times, the Nation, the New Republic, and Jacobin, among other publications. He is also the author of three books, most r...

In this episode, we’re talking with writer and historian Rachel Cockerell, author of Melting Point: Family, Memory and the Search for a Promised Land, about the process of writing a family history that Zadie Smith, Simon Schama, and others have praised. Cockerell tells us about her research and writing process; deciding to take out the narrative voice and letting the primary sources tell the story...

We speak with literary scholar Heather Clark about moving from biography to novel-writing, why it can be helpful to move back and forth between non-fiction and fiction, and why academic writers might want to rethink the “stay in your lane” approach. Don't forget to rate and review our show and follow us on all social media platforms here: https://linktr.ee/writingitpodcast Contact us with question...

We speak with literary scholar and biographer, Heather Clark, author of Red Comet, which was selected for the New York Times Book Review's "10 Best Books of 2021" list and was a finalist for the 2020 National Book Critics Circle Award for Biography and a finalist for the 2021 Pulitzer Prize for Biography or Autobiography. It won the Truman Capote Award for Literary Criticism in 2022. We talk about...

We’re talking with Professor Blaufarb about writing graphic history. His Inhuman Traffick: The International Struggle against the Transatlantic Slave Trade: A Graphic History is part of the Oxford University Press Graphic History Series. Blaufarb tells us about what kinds of histories he thinks work best for graphic history, and how and why you might want to have images tell a history. We also tal...

When Mary Dearborn finished her doctorate at Columbia University she knew she wanted to write biography. She went on to a forty-plus year career in writing biographies whose subjects including Peggy Guggenheim, Norman Mailer, Henry Miller, Ernest Hemingway, Anzia Yezierska, and most recently Carson McCullers. We talk about the challenges of writing biography for trade press publications; writing t...

We’re talking with historian-turned-playwright Andy Heinze about leaving academia to begin a different kind of writing career. We talk about how he made this decision, what other factors helped, and why this new path has led to the most fun kind of writing. We talk about how academia prepares writers for failure and the joys of becoming a beginner and a student again. Don't forget to rate and revi...

In this episode, we’re talking with Amy Reading, author of The World She Edited: Katharine S. White at The New Yorker, about why a PhD is helpful background for writing literary non-fiction, and how that background helps us skillfully cold-call agents; the importance of understanding how your book fits in with comparable works; how and why she ended up writing a bigger book than she expected; find...

We’re speaking with Professor Michael Alexander, professor of religious Studies and Jewish Studies at U.C. Riverside, about writing about the history of human spirituality. Alexander’s recent book, Making Peace With the Universe: Personal Crisis and Spiritual Meaning is very different from his previous book, Jazz Age Jews, in part because it includes an honest examination of his own life. We talk...

We’re speaking with writing teacher, John Warner, author most recently of More Than Words: How to Think about Writing in the Age of AI, about where AI can be an ally (it’s great a alphabetizing, as a tool for jogging our memory, generating lists and first drafts of abstracts and summaries), and where to steer clear of it. We talk about teaching and learning in the age of AI, and how to remind stud...

NYT bestselling author of historical fiction, Lauren Willig, talks about shifting from a history dissertation to writing historical novels. Willig talks about how she discovered she has “fiction brain”; figuring out when and how to use fiction to fill the gaps in historical understanding; finding co-authors; and what makes collaborative writing work. We also talk about competition and envy between...

Less than a decade ago, Anne Boyd was a tenured literature professor and her book, Meg, Jo, Beth, Amy: The Story of Little Women and Why It Still Matters received a rave NYT review from Francine Prose. We talk with Anne Boyd about leaving academia and buying a one-way ticket to Paris. She has been traveling around Europe ever since, writing and exploring new genres, including fiction. We talk abou...

We’re speaking with Distinguished Professor James Goodman, of Rutgers University, Newark, where he teaches history and creative writing. Our conversation focuses on what Goodman teaches his graduate students about writing, and how these lessons about form, voice, and pacing are rooted in his own writing experiences. Goodman has received fellowships and awards from NYU, Princeton, Rutgers, and the...

In this episode we talk with history professor Robin Judd of the Ohio State University about writing her most recent book, Between Two Worlds: Jewish War Brides After the Holocaust. Figuring out how to write up her research as a book appealing to a broader audience was a challenge that required new skills and a willingness to edit, while staying true to her sources’ voices. Don't forget to rate an...

We’re speaking with University of North Carolina-Greensboro psychology professor and author of How to Write a Lot: A Practical Guide to Productive Writing, Paul Silvia. We humanities folks tend to overthink things, including about the reasons that writing isn’t going well. But what if the solutions to our writing problem are more simple than we realize? Silva studies the psychology of creativity a...