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Workers' Lit

Workers' Lit

Your favorite podcast about literature for hot, cool, gay, and/or working class people. Hosted by Aysha, Lenore, Jacob, and Jen. New episodes on Mondays. Patreon: Patreon.com/workerslitContact us at workerslit@gmail.com.

N'hésitez pas à visiter le site du podcast et à soutenir son créateur : www.workerslit.com

Auteur

Workers' Lit

Catégorie

Arts

Site du podcast

www.workerslit.com

Dernier épisode

26 oct. 2026

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Épisodes

It's The End of the World as We Know It: Left Behind Part 1 25.02.2023

Dive with us into Tim LaHaye and Jerry B. Jenkins's 1995 apocalyptic evangelical thriller, Left Behind! This is a weird one, folks. In this episode, we take a long look at the borderline-supervillain of life of Tim LaHaye, assess how the 1990s were primed for apocalypse hysteria, and really tear into the deliciously incompetent prose of Jerry B. Jenkins. Cover from the 1995 release of Left Behind....

History on Ice: At the Mountains of Madness part 2 21.02.2023

We're back! We've got aliens! We've got monsters! We've got...penguins? Yes. Lots of penguins. What good is a mystery you can't solve? How do you survive a shoggoth attack? What comes of a dream of a better world when it's clouded by anti-solidaristic bigotry? We cover a lot in the span of forty-five minutes or so. Music by Kevin MacLeod. Art by Gecko! for the Moscow University Press.

History on Ice: At the Mountains of Madness part 1 12.02.2023

It's time to enter the weeeiiirddd world of H.P. Lovecraft. In this episode, learn about the life of Lovecraft, the good, the bad, the ugly, the badder, and the uglier (seriously, he wasn't a very good guy.) We discuss the influence of Lovecraft on the horror genre, the looming sense of doom instilled in the capitalism of the 1930s, and what makes a story actually scary. Episode art by Howard V. B...

Greed, Ghosts, and Gonzo: A Christmas Carol 04.02.2023

You're really uploading an episode on Charles Dickens' "A Christmas Carol?" In February? Are you crazy? Maybe! Join us on the foggy streets of Dickens' London, a place where all sorts of wondrous folk fight to scratch out a living in the birthplace of industrial capitalism. How does light get introduced into such a bleak setting? Why does this story speak to us more than a century-and-a-half later...

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