Two Writers Slinging Yang

On whether being close to politics causes one to look less terrifyingly at politics. On whether CNN is still a worthwhile spot. On why one is better served covering sports than government. On the transition to Substack.

On the weird coolness of the Westminster Dog Show. On having an open mind to unique scenes and people. On why one writes a book about dogs. On writing through hell.

On the word-choice decisions one must make when writing a children's book. On the (gasp!) Dodger-loving grandma who inspired a character. On why we should cut Barry Bonds a break and why Will Clark is a lovely dude. On the hyper-criticized hug of a Major League pitcher.

On the highs and lows of chasing around Barry Bonds for six days (and being blown off repeatedly); on what it was to cover Mike Tyson in his prime; on the death of boxing writing; on why he left the business and never looked back.

On the lengths he went through to track down and corner a master scam artist. On whether podcasts have a future as a journalistic medium. On what happens when you don't use material from people you interviewed.

On the heyday of the blogger and what became of the genre. On why James Van Der Beek earned her scorn. On how one becomes less cruel (for sport) with age. On whether blogs have a place in 2024.

On covering the Lady Vols as they approach yet another NCAA Tournament; on making the leap from Ferris State to the big leagues; on women athletes and the passion of self expression; on landing a sweet gig out of college.

On wrapping a career after decades of chronicling the NFL; on picking up Boomer Esiason from the airport as a rookie Bengals beat scribe; on breaking the news of Lawrence Taylor's drug suspension for Newsday; on what is good and bad about modern beat writing.

On the untold story of Indiana high school basketball and the team you need to know about; on the brilliance of a young Oscar Robertson; on whether we can still dig, "Hoosiers"; on nearly coming to blows with a Hall of Fame point guard.

On the inspiration behind the Commodores' "Nightshift" and Selena's "Dreaming of You." On that first big song for Diana Ross. On the big winners of "We Are The World." On being credited as a writer on Tupac's "Hit 'Em Up."

On the brilliance of her latest piece, "How Nikola Jokić Became the World’s Best Basketball Player." On how she navigates a subject who doesn't speak with her. On the beauty of tiny details. On whether bad writers can learn to be good writers.

On coming up through small daily newspapers. On whether quotes bog down stories. On dealing with prep coaches. On whether athletes read newspapers.

On knowing from a young age what he wanted to do and how he wanted to do it. On a string of irksome and weird conflicts with Dana White. On why interviewing UFC fighters is the best gig in the world. On the difference between wanting a career and craving a career.

On being named the first Black news columnist in the newspaper's lengthy history. On what the population misunderstands about Houston's Third Ward. On finding humanity in the recently deceased homeless man. On transitioning from fashion to news after the murder of George Floyd.

On the dispiriting demise (and end?) of his beloved magazine; on the curious case of Sidd Finch and the decision to tell Michael Jordan to bag baseball; on defending the Swimsuit Issue and a bitter divorce from Frank Deford; on Dan Jenkins and George Plimpton and William Nack and Pat Putnam and Rick Reilly and the world's greatest sports writers.

On why former Expos manager Dick Williams physically assaulted him; on the bliss of writing NHL game stories; on the Canadian appeal of Gary Carter; on the demise of a beloved magazine.

On why so many Colorado-based media outlets kneel before Coach Prime; on a long and trying fight to stay afloat as a journalist; on our weirdly combative days as Nashville prep writers; on infuriating Steve Alford and Corey Dillon.

On what it's like to cover an NBA team as it loses 27-straight games; on how to approach players when they have no interest in talking; on the empathy of Cade Cunningham; on working a locker room.

On what a Black man learned about America from white Christianity; on what football players need to know about the system they occupy; on how a Facebook screed became a terrific manifesto; on the book he dreamed of writing.

My dad, Stan Pearlman, died today of pancreatic cancer. He was 81 and a great man—as well as a beautiful writer. This is his final interview, conducted last week in South Florida.

On why Barry Bonds was such a monumental asshole; on a young Aaron Rodgers soaring at Cal; on the unique decency of Dusty Baker; on the wild, wacky Los Angeles Express of the USFL.

On the difference between a great book proposal and a crappy one; on representing Jimmy Breslin and Hank Aaron and Wolfgang Puck; on concerns as Jonathan Eig dove into the legacy of MLK; on how the book business has transformed.

On how one covers Georgia preps ... from Missouri; on growing up with a famous father and taking Charles Barkley to school for show and tell; on why a horse's fossilized poop lived in her family's basement; on how one moves on after losing a loved one.

On having Albert Belle threaten him with a bat; on the strange contradictions of Mike Ditka; on whether anyone cares about newspaper columns in 2023; on the joy of ... poetry.

On breaking barriers and becoming the Daily News' first woman sports columnist; on the different sides of Joe Namath; of how Dick Young lived up to his first name; on the 95-year-old strongman who needed a diaper.