Sonata Secrets

The middle Intermezzo in the Op. 117 set is more restless than the outer ones, but still shows much nostalgia and introspection. Here we taker a proper look at the original and pianistic textures that makes this piece flow so seductively. With pianist Henrik Kilhamn. Video: https://youtu.be/rf5vdR4fqys

Brahms Intermezzo in Eb major, Op. 117 no. 1 is a kind of sweet lullaby but with a disturbingly dark middle section. What is that about? The gorgeous music draws you in with its lush harmonies and rich textures, and tells a compelling but unclear story. With Henrik Kilhamn, piano. Video: https://youtu.be/95nEeUymyaY

In this episode we'll see how Tchaikovsky summons the exotic arabian dancers in the Nutcracker ballet, using modal mixture, oriental ornaments and meandering structural segments over a rhythmic ostinato. With your analysis guide Henrik Kilhamn. Video: https://youtu.be/9xoCT93XfjY

Debussy paints a musical depiction of dead leaves with dissonant harmonies and eerie and fragmented lines in his "Feuilles mortes," Prelude no. 2 from the second volume of preludes. It shows a lot of his typical features such as sequential rather than functional harmony, block chords, and a maximal use of different piano registers. With Henrik Kilhamn, piano. The piece was a Patreon request by L....

Tchaikovsky made the piano arrangement to his "Nutcracker" ballet music himself. The March is one of his most known tunes that immediately summons the Christmas spirit with its high energy marching features. Any ballet production tells the story of toy soldiers coming to life, but in this video we look at the music only. Henrik Kilhamn, piano. Video: https://youtu.be/PrZ15Lo2s6A

Faurés mature style explores the chromatic depths of counterpoint while retaining a radiant surface, and his 6th Nocturne in D flat major, Op. 63, is a great example that holds together three disparate ideas beautifully.  This video is on the advanced side of analysis on the channel, e.g. some concepts are used freely in order to get more complex points through. If you don't know them this sh...

Gabriel Fauré's Pavane is one of those pieces that just speaks directly to your heart with an air of nobility intact. The composition is a masterclass in coherent melodic structure and the use of coloring notes in harmony. Video: https://youtu.be/9ucfVYrbCDg

"Vogel als Prophet" (Bird as prophet) is a peculiar piece in Robert Schumann's Waldszenen suite Op. 82. On closer inspection we find the most prominent feature to be arpeggios leading to quite dissonant appoggiaturas. As often with Schumann, he strikes a balance between the playful and the profound. With pianist Henrik Kilhamn. Video: https://youtu.be/ic7cXHujqA8

Chopin's 1st Ballade in G minor has a special place in the hearts of many pianists and piano lovers. It has many characters who all speak directly and poignantly, and Chopin lets them evolve organically within the Ballade. It's a story without any explicit drama, but with intense dramatic content nevertheless. And it's especially one chord that sets the tone. With pianist Henrik Kilhamn. Video: ht...

The piece that starts Waldszenen (Forest scenes) is "Eintritt", an Entrance into the forest. The pleasant melody shifts between the hands but for some reason Schumann has written most of the piece like it's metrically offset within the 4/4 time signature. Video: https://youtu.be/s7OI-OcUVko

Schumann's "Waldszenen" (Forest scenes) op. 82 is a collection from his later period, invoking the forest in nine pastoral, cute and intruiging pieces. No. 3 "Einsame Blumen" or "Lonely Flowers" has all the best Schumann ingredients: rhythmic ambiguity, aching suspensions and creative counterpoint. Video: https://youtu.be/t3VaGEIGNTI

Frühlingsrauschen, or Rustle of Spring, has impressed audiences since Christian Sinding composed it in 1896. The lightning-fast arpeggios in the right hand are actually not that difficult, but the piece still requires a high degree of rhythmic precision and position changes later on.  It's a passionate celebration of spring-time energy, wonderfully fitted with exciting harmonic progressions t...

This Nocturne poses some serious technical challenges! Once mastered, they give an impression of something light and playful (scherzando is marked in the score) and with so much elegance typical of the young Chopin. With Henrik Kilhamn, professional pianist. Video: https://youtu.be/0S5uRET-mzg

This is a fascinating example of how Rachmaninoff uses a short motif as a foundation for a composition, and spins an endless amount of colorful variations on it. With pianist Henrik Kilhamn. Video: https://youtu.be/AuJ2ksqjhrY

This poignant waltz was published in 1986 and attributed posthumously to Chopin, but it was discovered in 2012 to actually have been written by Chopin's contemporary Charles Mayer. However, he did such a good job to imitate a Chopinesque style (for example with chromatic suspensions) that he had the music world fooled for several decades. With pianist Henrik Kilhamn. This episode is dedicated to m...

In the middle of the set of 24 preludes in all different keys Op. 11, Scriabin limits himself to use only the diatonic notes of D-flat major in slowly moving melodic lines harmonized in thirds. Needless to say it's a great exercise for legato playing in the left hand, which has to play the thirds before the right hand enters with a soaring but tragic melody. Video: https://youtu.be/zBdNOsToQbU

This is one of my absolute favourite piano pieces. Brahms is such a master of knitting the musical material together tightly, and he does so in this Intermezzo over a nostalgic but forgiving backdrop. The middle section is a reminder of sorrow and pain, but in the end everything is all right. Henrik Kilhamn, piano. Video: https://youtu.be/bypALczDNMI Easy arrangement: https://sonatasecrets.gumroad...

This is one of Brahms' most famous melodies; it captures perfectly the elegant dancing of the Viennese ballrooms in a piano piece. Video: https://youtu.be/6sYxmVYHD30

Henrik Kilhamn takes a closer look at Liszt's famous Liebestraum no. 3. It's inspired by a poem by Ferdinand Freiligrath "Oh, love as long as long you may", celebrating love as a strong force in the world, and Liszt makes use of some spectacular things in the musical structure to get the message across. Video: https://youtu.be/U_AImOWal2Y

Liszt's "Consolations" are a kind of musical prayer, and no. 3 is perhaps the most comforting of all with its Lento placido; resonating broken chords over a deep bass and a soaring melody. Playing, analysis and comments by pianist Henrik Kilhamn. Video: https://youtu.be/_QoShd8mKz8

This major Nocturne has all the typical features - long sweeping arpeggios in the left hand and a soaring melody on top - but it is also a duet of two voices that keep the dialogue alive throughout the piece. With pianist Henrik Kilham. Video: https://youtu.be/tc69rTem_qo

What is the secret alluded to by this wonderful piece of music by Michael Nyman? "The Piano" character Ada plays this piece in the movie - it shows some classical influence to start with, but then develops into a passionate improvisation with lovely piano textures over lush chords. With pianist Henrik Kilhamn. Video: https://youtu.be/l6QzexGfGZA

Edvard Grieg wrote this famous piano piece to celebrate his 25 year wedding anniversary with his wife Nina. Henrik Kilhamn goes through the music to find out how it feels so optimistic and full of energy, and the middle section so nostalgic and sensual. Video: https://youtu.be/3zknYtbD5MY

W. Stenhammar's third Fantasy from Op. 11 could just as well have had the title Ballade in my opinion. Folklore melodies, dramatic development and your typical Stenhamamr chromatic thickness. Henrik Kilhamn, piano. Video: https://youtu.be/BfnaTCyWXsE

There are some piano gems from the film music genre, and this is one of them: Michael Nymans score to the 1993 Jane Campion film The Piano. Rolling 16th notes over lush harmonies - simple but effective, and a manifestation of the main character's emotional life in the film. With pianist Henrik Kilhamn. Video: https://youtu.be/YlW1XhbWHeI