Overinvested

Claire and Gavia review the much-hyped queer thriller Love Lies Bleeding, starring Kristen Stewart and Katy O'Brien. Plus, a multi-genre selection of highlights from this year's Glasgow Film Festival, including indie hits La Chimera and The Beast, and some excellent upcoming horror movies.

Claire and Gavia dig into the blockbuster event of the year, discussing Dune: Part Two's astonishing production design and incredible all-star cast, along with thornier topics like Dune's messy political worldbuilding and director Denis Villeneuve's adaptational changes to the original novel.

Claire and Gavia discuss Steven Spielberg's acclaimed 2021 adaptation of West Side Story, a musical about two young lovers caught in a turf war between rival gangs. Among other topics we delve into Spielberg's unique technical expertise, West Side Story's complicated political legacy, the lost art of movie-musical filmmaking... and Claire's passionate love for Mike Faist, who earned widespread pra...

Gavia and Steffan review Yorgos Lanthimos' Poor Things, a bold sci-fi comedy starring Emma Stone as a woman created through a Frankenstein-like experiment. Nominated for eleven Oscars, Poor Things is critically acclaimed but divisive - particularly regarding its depiction of female sexuality.

Claire Biddles and Gavia Baker-Whitelaw reveal their top 10 lists for the best movies of 2023, running the gamut from indie hits like Return to Seoul and May December, to blockbusters like Mission Impossible: Dead Reckoning - along with some true hidden gems!

Gavia and Steffan review the 2023 Doctor Who specials, discussing the return of David Tennant, Catherine Tate and showrunner Russell T. Davies, the arrival of Ncuti Gatwa as the wildly charismatic new Doctor, and various behind-the-scenes details involving the show's quasi-reboot status and new partnership with Disney.

Claire and Gav review the beloved 1992 figure skating romcom The Cutting Edge, directed by Paul Michael Glaser (The Running Man) and written by Tony Gilroy (Andor, The Bourne Identity). Harking back to the spiky banter of the 1930s screwball era, sparks fly when a spoiled figure skater and a macho hockey player form an unlikely creative partnership.

Gavia and Steffan review the new Hunger Games prequel movie, The Ballad of Songbirds and Snakes. Among other topics, they delve into its unexpected narrative structure, its political worldbuilding, its relationship to the other Hunger Games movies, and the complicated task of creating a successful prequel.

Claire and Gavia discuss Ira Sachs’ acclaimed new romantic drama Passages, starring Franz Rogowski and Ben Whishaw as a married couple who become embroiled in a love triangle with a young woman (Adele Exarchopoulos). We delve into the film's attitude to queer identity, its best-of-the-year costume design, and its thoughtfully choreographed sex scenes.

Gavia and Steffan delve into the iconic 1973 horror movie The Exorcist, discussing its chaotic creative process with director William Friedkin, its lasting impact on the horror genre, and its fantastic craftsmanship as an example of gritty New Hollywood cinema.

Claire and Gavia celebrate the magnificent Pre-Code classic Shanghai Express (1932), starring Marlene Dietrich and featuring Anna May Wong in her most iconic role. Directed by Josef von Sternberg, this atmospheric drama follows a group of international train passengers who are taken hostage during the Chinese Civil War.

Claire and Gavia delve into Oppenheimer, discussing the film's relationship with "great man" biopics, its divisive political narrative, its epic ensemble cast, and Christopher Nolan's underappreciated levels of corniness.

Morgan and Gavia discuss some of their favorite new books from the past calendar year, from Yellowface by R.F. Kuang, to hidden gems like All the Horses of Iceland by Sarah Tolmie (a historical fantasy novella) and The Disenchantment by Celia Bell(a tale of royal court intrigue in 17th century Paris.)

Gavia and Steffan review the latest (and possibly greatest) Mission Impossible movie, covering the franchise's unique place in Hollywood cinema, Tom Cruise's complicated star power, Hayley Atwell's incredible charisma, and how the film draws inspiration from vintage slapstick comedy.

Gavia is joined by guest-host Claire Biddles to discuss Michael Haneke’s 2001 erotic psychodrama The Piano Teacher, starring Isabelle as a Viennese piano teacher who embarks on a toxic sadomasochistic affair with one of her students. We delved into Huppert’s performance and career, the film’s costuming and music choices, the depiction of poorly-negotiated kink, and Haneke’s unique brand of intense...

Gavia is joined by guest-host Steffan Alun to discuss Spider-Man: Across the Spider-Verse, an innovative animated feature that puts most live-action superhero films to shame. Among other topics, we covered the film's visual artistry, its self-aware take on the concept of canon, its flawed political storytelling, and its relationship to other Marvel adaptations.

Gavia is joined by guest-host Claire Biddles to discuss Luca Guadagnino’s beautiful romantic horror movie Bones and All (2022), about a pair of young cannibal drifters played by Taylor Russell and Timothee Chalamet. Among other topics, we covered the film's brilliant casting choices, its well-observed depiction of rural 1980s America, and Guadagnino's use of quasi-vampiric cannibalism as an allego...

This week, Gavia is joined by guest-host Steffan Alun to discuss Steven Spielberg's Jurassic Park, an icon of blockbuster cinema. Among other topics, we covered the film's immaculate casting choices, its masterful special effects, Spielberg's skill for combining horror with heartwarming family drama, and Jurassic Park's place in the history of dinosaur cinema (including its own dubious sequels).

This week, Gavia is joined by guest-host Claire Biddles to discuss Stanley Kubrick’s acclaimed erotic psychodrama Eyes Wide Shut (1999), starring Tom Cruise and Nicole Kidman as Bill and Alice Hartford, a married couple in 1990s New York. After Alice reveals that she fantasized about having an affair, Bill embarks on a night of sexual experimentation. Topics include Tom and Nicole's marriage and d...

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This week, we discuss the influential 1966 Senegalese film "Black Girl," written and directed by Ousmane Sembene. The film follows a Senegalese young woman who works as a nanny for a white French family whose life turns into a nightmare when she accompanies them back to France and is forced to work as a maid. Topics include the film's overt postcolonial politics, its thoughtful deployment of produ...

This week, we turn our attention to the original movie adaptation of Erich Maria Remarque's classic WWI novel, "All Quiet on the Western Front," directed by Lewis Milestone and starring Lew Ayres in his first major role. We compare Milestone's groundbreaking, early-sound era (1930)film to the remake currently nominated for Best Picture at the Oscars, analyze the films' political intentions, praise...

It's been a a few months since Todd Field's massively acclaimed film "TÁR" was released in America, but between its Oscar nominations — for Field, Cate Blanchett, Best Picture, and more — all the Lydia Tár memes, and the debates its ending continues to inspire, we figured there was no better time to discuss it than the present. Topics include the film's depiction of and engagement with classical m...

Just as January comes to a close, Team Overinvested brings you our Best Films of 2022. Though we're posting this episode a little later than usual, we're as excited as ever to share our favorite films of last year, and hopefully introduce you all to some titles you haven't heard of or gotten a chance to see yet. This year, our lists range from the big budget — "Top Gun: Maverick" — to the tiny ind...

We return to you after an unplanned break due to illness with a delayed episode on "Häxan," Benjamin Christiansen's groundbreaking 1922 docu-drama about the history of the persecution of witches (or "witches") — which also conveniently allowed him to depict sexually transgressive behavior that meant the film couldn't be shown in the United States for decades. Topics discussed include the film's pu...