Cinebabble

More slashity slashin' with 80s slashers! Prom Night and Slumber Party Massacre...

After a short detour to chat about South Korean horror comedy Hope, Clint and Ken return to 80s slashers with underseen fx gem The Prowler and Jamie Lee Curtis's next film after Halloween, Terror Train...

Slashers Week One! The Burning and Maniac Cop, cult classics neither Clint nor Ken have ever seen...

What a duo. Teenage Sex & Death at Camp Miasma and The Death of Robin Hood. Clint and Ken are quite the duo too. Well, they try.

The boys swing in with Ken's love of the MCU and Clint's... superhero hot takes. But will this finally be the one that grabs Clint by the nostalgia? Or will Ken cry himself to sleep, lonely as ever, desperate to find a friend who enjoys Marvel movies?

The Fog, The Dark Half and Intruder... the 80s and 90s gave us so... so many... so so many horror movies we still haven't seen, and yhw boys have a few gems this week!

The boys conclude their plunge into Widow's Bay with Episodes 6-10...

The boys take a much needed getaway to the eerie, often hilarious, sometimes downright scary island of Widow's Bay. In part 1 of this two-part pod, Clint and Ken discuss episodes 1-5 of Apple's latest and greatest, a show that's just possibly one of the best TV series in recent memory.

Did you expect anything else this week? For episode 155, Clint and Ken dissect Christopher Nolan's latest movie... film... erm, experience? It's a lot. Of everything. The real question, though: how far will Nolan go in his pursuit of maximalism and his quest to deliver the ultimate in practical cinema?

Tons of movies and one existential crisis too many. Join us for a session of Ken's therapy, followed by Trailer Trailer and three reviews: Ready or Not 2, We Will Kill You, and Severed Sun.

It's never too early in the year for horror movies... and good God is Avatar: Fire and Ash a horror show. Lots of ranting is had by all in this, the latest episode of your favorite addiction: Cinebabble!

It's indie horror from the YouTube generation. And it's... great? Two young new filmmakers, two terrifying treats, too many ways to die. Which is best? Which will stand the test of time?

The boys settle in for a long summer fling with all your questions and queries. Come for the Whatchoo Watchin, stay for the Q&A. Good times.

It's the end of the world as we know it...

Time travel post-apocalypses! At least once Ken gets off his phone. Sigh...

The boys' nihilism continues in Post-Apocalypse Films Week 2. In this episode, they babble away about government-collapse flicks, including, dear God, another Kevin Costner swing-and-miss, The Postman, and John Carpenter's Escape from LA. What a duo...

Week 1 of the boys' plunge into post-apocalyptic cinema focuses on Mad Maxian societal-collapse flicks including, God help us, Waterworld...

Two wild and inventive films this week; one that works, one that... doesn't. It's Park Chan-Wook vs Gore Verbinski in a battle for the ages.

Clint and Ken, fresh out of the theater and home in the cinebunker, discuss modern fright fest Hokum (starring Adam Scott and a fantastic European supporting cast) and touch on Anne Hathaway in Mother Mary.

Clint and Ken hit on three lesser known Nic Cage movies, as well as plenty of babbling about the fan-favorite actor's career and biggest swings and hits.

Clint and Ken lament Lee Kronin's The Mummy before hitting up three 1980s B-movie classics.

The boys chat about the full season of HBO's Knight of the Seven (no nine!) Kingdoms, a truly enjoyable little nugget of Game of Thrones goodness.

Clint and Ken chat animation before diving into Black Bag and Crime 101. And it all ends with a new friend in the CineBunker...

Grab the Kleenexes, it's three tearjerker Best Picture nominees: Hamnet, Train Dreams and Sentimental Value. Sniff. Sniffle. Sniffle...

Clint and Ken jump into the deep end of Lord & Miller's Project Hail Mary, which stars Ryan Gosling, a nice little international supporting cast, a host of neat-o practical fx (always a favorite on the pod), and a puppeteer who earns the hell out of his SAG card. Now in its second successful weekend at the box office, the buzz is high and the praise effusive. But how good is it? Does it top the bo...