Chatter Marks

Photographer Jovell Rennie's ingenuity and talent continues to define both his personal and professional ambitions. His drive is influenced by his parents and his upbringing. When he was young, his mom passed away suddenly, leaving him and his dad to navigate life without their cornerstone. Jovell was a quiet, independent kid and his dad had a hands-off parenting approach—he was very present, but...

Illustrator Ted Kim is known for his unique art style, which includes complex and imaginative scenarios. These scenes have a tendency to depict hope and optimism. He says that this happened naturally—motivated, in part, after he got in the habit of watching documentaries that explored traumatic social issues and events of catastrophic, global failure. His art became his safety net, his method of i...

Charis Gullickson is the Curator and Public Sector PHD Student in Art History at the Arctic University of Norway. Charis has a mantra, and that is: museums are not neutral. They’re institutions of culture and agents of change. This is a relatively new concept because, historically, museums have been repositories of antiquities, often displaying artifacts with problematic pasts. This is an issue be...

This is Part 4 of a 4-part series curated by the research collective, Erratics—a curatorial group that creates art that explores geologic phenomena and the effects of human impact on the environment. In this episode, Nina Elder, of Erratics, hosts a conversation about Ghosts, Reliquaries and Memory. It draws on humanity’s handling of climate change and how that reveals our often fraught relationsh...

This is Part 3 of a 4-part series curated by the research collective Erratics, a curatorial group that creates art that explores geologic phenomena and the effects of human impact on the environment. In this episode, Hannah Perrine Mode, of Erratics, hosts a conversation about futurism and hope. It draws from personal relationships to deep time and geologic forces from past and present, and explor...

This is Part 2 of a 4-part series curated by the research collective, Erratics, a curatorial group that creates art that explores geologic phenomena and the effects of human impact on the environment. In this episode, Tyler Rai, of Erratics, hosts a conversation about Mutations, Kin and Hybrid Bodies. It explores the ever-changing conditions of climate change, how our interdependence across specie...

Erratics is a curatorial group that creates art that explores geologic phenomena and the effects of human impact on the environment. The group consists of three members: artist and researcher Nina Elder, movement artist and researcher Tyler Rai and interdisciplinary artist and educator Hannah Perrine Mode.  In Part 1 of this 4-part series, we meet Tyler, Nina and Hannah and they explain the origin...

In this episode, Cody talks with four artists and musicians about their work on the Anchorage Museum’s new exhibition titled Listen Up: Northern Soundscapes . The exhibition explores and considers northern soundscapes to better understand humans’ relationship with, understanding of and impact on the natural world.  A soundscape is made up of all the sounds of a given environment. Artists and music...

Rejoy Armamento says that she’s always been interested in art, ever since she was a kid, but that it took her a while to reconnect with it in a serious way as an adult. As she got older, her attraction and affinity for it was stifled by feelings of ambivalence about whether being an artist was a realistic occupation. That was until she went to college in San Francisco, which she describes as a for...

When Meda DeWitt was in her early 20s, she began her journey as a traditional healer—she was pursuing a degree in nursing when she says that Spirit had other plans for her. She was having health events that couldn’t be explained by western medicine, so she sought and found answers in holistic medicine. She says that people have a tendency to think of traditional healing as antiquated or obsolete....

Ash Adams' work tends to focus on people and stories about humanity, and elevating the voices and experiences that have historically been underrepresented. In her work, this includes actively dismantling stereotypes by highlighting Indigenous voices and advocating for gender equity. She says that one role of photojournalism is to show what inequity feels like so that others may understand. And tha...

Jeroen Toirkens is a documentary photographer based out of The Hague in The Netherlands. He mainly works on long-term projects that can take years to complete. His most recent project, Borealis, took six years to complete. It’s a book that documents the Boreal Forest and the people who live in it. To accurately tell the story of the Boreal Forest—which is the largest land-based vegetation zone and...

Francesca DuBrock is the Chief Curator at the Anchorage Museum, and she recently finished putting the finishing touches on Extra Tough: Women of the North, an exhibit dedicated to exploring how women have shaped Alaska and the circumpolar north. The exhibit was a massive undertaking, it took over 9 months to complete and now occupies the entire third floor of the Museum, which is about 7,500 squar...

Thomas Chung says that he’s always been interested in art, even as a child, but that as he got older it became a means of self-preservation. His upbringing was marked by racism and homophobia, and art allowed him to express the emotions he didn’t consciously understand at the time. Those emotions, he would later realize, focused on cultural awareness and compassion, and would come to define much o...

Tiffany Shaw-Collinge is an artist, curator and architect based in Alberta, Canada. She says that place and climate contributes to her work in a way that can’t be understated. It’s as integral to her craft as much as it is to her identity. In Part 2 of this conversation, Tiffany talks about her preference for working in a collective—that the whole is always greater than the sum of its parts—and th...

Tiffany Shaw-Collinge is an artist, curator and architect based in Alberta, Canada. She says that place and climate contributes to her work in a way that can’t be understated. It’s as integral to her craft as much as it is to her identity. Her lineage is Métis, a fact that became more and more part of her professional life after she realized how little indigenous voices and identity are covered. T...

Aaron Leggett is the president of the Native Village of Eklutna. He is also the Senior Curator or Alaska History and Indigenous Culture at the Anchorage Museum. In both of those responsibilities, he’s been a champion and an educator of the Alaskan identity. He’s found that critical thinking is key to understanding how Alaska’s history can help us navigate the present and the future.  In this conve...

Acacia Johnson  is a photographer focused on human relationships to the environment. She spent most of her twenties traveling around Scandinavia and the polar regions, working on ships. Today, she has over 50 expeditions to the Arctic and Antarctica. In Part 2 of this conversation, Acacia talks about creating a record of stories, of people and place. About how, through photography, she has the opp...

Acacia Johnson is a photographer focused on human relationships to the environment. She spent most of her twenties traveling around Scandinavia and the polar regions, working on ships. Today, she has over 50 expeditions to the Arctic and Antarctica.  In part one of this conversation, she talks about subverting the stereotype of what it means to be an explorer. And that means reframing the image of...

Sebastian Garber is the Senior Designer at the Anchorage Museum and he is currently working on designing a typeface that includes Alaska Native languages. It will be a typeface stripped of geographic references and it will encompass all the necessary diacritic. Diacritics are accent marks that indicate pronunciation. And when finished, it will become the official font of the Anchorage Museum.