Ask Zac

I’m excited to finally share the story behind the Fender Limited Edition 1967 Lost Paisley Telecaster—Brad Paisley’s stunning new signature model—and my journey helping bring it to life. This project has been a true labor of love. From digging into vintage inspiration to fine-tuning the smallest details, The Lost Paisley Telecaster blends history, tone, and style in a way that truly honors Brad’s...

In 1969, Fender offered a little-known custom option: factory-personalized neck inlays. In this video, we dive into the rare story of a father and son who took Fender up on that offer—ordering two Telecasters inlaid with their names: "Bubba" and "Bob Clawson." These guitars were custom-made at the Fender factory and delivered to Clawson's Music in Corpus Christi, Texas, a...

Meet Nashville Guitar Great: Matthew Lee If you’ve strolled down Broadway in Nashville, chances are you have heard the unmistakable sound of Matthew Lee—an exceptional guitarist whose chops are as sharp as his tone. Matthew shares the story of how music first grabbed hold of him, what led him to Music City, and the major influences that shaped his sound. He also gives us a look at some of his favo...

My favorite acoustic guitar—a 1981 Martin HD-28—just received a full upgrade while also bringing it a little closer  to the timeless tone and vintage character of a true 1940s Martin. In this video, I walk you through the complete restoration and customization process, including: • Fresh frets for smoother playability, improved tone, and better intonation. .085X.050 Fretwire • Waverly open-back tu...

The #1 Question I Get: “What Pickups Should I Put in My Telecaster?” In this video, I break down the key questions you should ask yourself before buying pickups — whether you're upgrading or starting from scratch. This guide will help you make smarter choices and communicate more effectively with pickup winders. I also cover: The differences between flat pole ’50s-style and staggered pole ’60...

Since the DGT was released by PRS in 2007, I have been a fan. I didn't buy one then because I foolishly decided to get a more vintage-flavored reissue 1959 Les Paul, but have regretted that purchase ever since. With the new SE PRS DGT, I was able to scratch that humbucker with trem itch, but at an incredibly affordable price. The PRS DGT SE is a fantastic instrument that can really fill out y...

Mike Campbell is one of the most significant guitarists of our time as a result of his 40-year stint with Tom Petty & The Heartbreakers, and guesting with everyone from Don Henley, to George Harrison. He recently released his memoir, Heartbreaker, a lovingly honest telling of his life with the help of author Ari Surdoval. We take a look at the compelling story it tells, and the incredible lega...

Joe Fick, leader of Kelley's Heroes and alumnus of the Don Kelley Band, joins us today. He shares of his time with the Dempsey's, The Don Kelley Band, working movies Walk The Line, and Baz Luhrmann's Elvis, to currently leading Kelley's Heroes. We also discuss the history of the upright slap style, challenges of transitioning from electric to upright bass, and a variety of upri...

Leo Fender was heavily influenced by the work of Paul Bigsby in the late 1940s, yet in all of the interviews he did, he never acknowledged it. Today we look at both the influences, and the reasons why Leo did not give the credit that Paul Bigsby deserved for his innovations that filtered into every Fender guitar.  To help us, we have an amazing copy of the 1948 Bigsby "Merle Travis" guit...

I love Peavey amps from the early-to-mid 1980s, because I grew up with them in my favorite music shop, Clawson's Music in Corpus Christi, TX. In my last 80s Peavey episode, I looked at the Special 130, that is a killer amp, but is heavy, way too loud for most gigs, and at times a bit non-intuitive due to the mid-shift and multiple gain controls. My buddy, Mike LoPinto, who plays with Chris St...

With the recent visit  with a real-deal 1950 Broadcaster, I had the chance to experience the unique tonal options that Leo Fender's original blend control offered over your run-off-the-mill tone control. The only problem, was that awful #1 position, that put a suffocating blanket over the neck pickup. I started searching for a modified wiring scheme, and I found my episode from a couple of ye...

Scott Baxendale sent me a 50s Harmony H-162 that he had done his conversion work on to check out. So we take a look at it, laying out the conversion process, and also looking at my Baxendale mandocello, and my Dan Lambert converted/repaired Buck Owens American. We end with a look at my refinished Waterloo WL-14, that also has a dual pickup system, and under-saddle, and a magnetic sound hole unit....

Today we get introduced to Gabe Tonon, and he shows off his 50s Esquire with a long throw Bender, and his two 60s maple-cap Fender Telecasters with Glaser B-Benders. Gabe is a wonderful player you can see opening for Zach Top in 2025 with Jake Worthington.  Find Gabe here: https://www.instagram.com/gabe_tone_on/ Follow me on Instagram https://www.instagram.com/askzac/ To Support the Channel: Patre...

Today we look at one of the rarest and coolest members of the Telecaster family, a December 1950 Fender Broadcaster. To  give some context, I cover what Fender was up to in late 1949 through the Summer of 1950 with the single and dual pickup Esquire, and how the addition of a truss rod caused the Broadcaster to be born. We also take a look at what makes the Broadcaster different feature wise from...

Today we look at this cool Glaser B-Bender equipped Strat that I put together using a Glaser made neck from the 80s, and a non-tremolo swamp ash body. We get to hear the Seymour Duncan Hot Strat Stack pickups, and get a bit of history along the way.  Much thanks to Jason Cornelius for the buddy deal on the Glaser neck, and to Brad Paisley for donating and painting the body. Get a Glaser bender on...

A comparison between flat wound, pure nickel, and ground wound strings on my Tele. I was inspired to do this by the back of a set of D'Addario strings, showing a chart of their string offerings, from mellow to bright. Today, we start at the mellow end of the spectrum with the flat wound, going mid-way through the chart to the all-steel half-round set.  Thanks to Andy Pitcher at D'Addario...

I love honest, beat-up, Telecasters. Today we tell the story of one of the most aged butterscotch Telecasters I have laid eyes on. Besides telling its story, we also compare it to a near mint 53 Telecaster. Thanks to Andy T, for letting me borrow his beautifully aged Tele.  Follow me on Instagram https://www.instagram.com/askzac/ To Support the Channel: Patreon  https://www.patreon.com/AskZac Tip...

Today I sat down with one of the finest solo-Jazz guitarists of our time, Tim Lerch. We discuss how a non-jazz player might get into solo guitar, his influences, his highly modified Fender Nocaster, and how he approaches tone and touch. Much thanks to Tim for taking the time for this interview while he was in Nashville teaching at a guitar seminar. Follow me on Instagram https://www.instagram.com/...

Earlier this year, I did an episode on the Buck Owens "American" guitars made by Harmony from 1969-1971. Mine was in pretty good condition, but missing its headstock overlay, and having survived a neck break. The day after I released that show, the head broke off again on its own. With learning there was a major structural issue, I turned to a Harmony restoration specialist, Dan Lambert,...

Gibson has never been known for their amps. Though we may revere certain models, they pale in collectability with those made by Fender of the same era. After years of slow amp sales, Norlin, the owner of Gibson from 1969-1986, decided to start a new amp division under its own name, Lab Series. To design the new line, they turned to another division they owned, Moog, and they were tasked with makin...

We all have a tone obsession, but when is it healthy, and when is it not? I asked Barry O'Neal of Xact Tone Solutions to have a discussion on the "tone suck" of certain pedals, and it quickly morphed into a philosophical discussion on the potential pitfalls in the pursuit of tone. Follow me on Instagram https://www.instagram.com/askzac/ To Support the Channel: Patreon  https://www.p...

Luther Dickinson is an acclaimed sideman, solo artist, and producer, noted for his work with the North Mississippi Allstars, Phil Lesh, and the Black Crowes. We begin with a discussion of his legendary producer/musician father, Jim, and how he nurtured his son's playing and his work ethic. We also dive into how Luther became a devotee of open tunings via his dad's obsession with Bo Diddl...

Built from 1953-55, the Wide-Panel Princeton was short-lived, yet in that brief time had 5B2, 5C2, and 5D2 iterations with earlier versions using octal preamp tube, and the latter using a 12AX7. Though both the tweed Princeton and the Champ were single-ended (single power tube) amps, the mighty Princeton throughout the 50s in most years had a bigger speaker, larger cabinet, and the addition of a t...

In the mid 1980s, Ricky Skaggs and Steve Wariner were frequently seen on television playing eye-catching Tele-looking instruments equipped with B-Benders, in vibrant colors, with beautiful flame maple necks. Though I had no idea what they were, I wanted one. I finally found the answer in the January 1987 issue of Guitar Player magazine, where it was revealed that these were custom instruments buil...

Today I share the story of playing the American Music Awards 50th Anniversary Special with Brad Paisley. He had a new single, "Truck Still Works," and wanted to fill things out with another guitar player. I lay out what I did to learn the guitar parts he wanted covered, the experience of playing on the show, and the gear that I used. Follow me on Instagram https://www.instagram.com/askza...