pplpod

pplpod

History EN ↓ Επεισόδια: 16183

pplpod is a podcast about people, places and lots of other stuff. Each episode takes a deep dive into the lives, choices, and legacies of fascinating figures from history, culture, music, and beyond. From icons who shaped entire generations to hidden stories that deserve the spotlight, pplpod brings you closer to the people behind the headlines and the legends. Thoughtful, engaging, and story-driven, pplpod explores what makes these lives extraordinary—and what we can learn from them today.

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Δημιουργός

pplpod

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History

Ιστοσελίδα του podcast

pplpod.com

Τελευταίο επεισόδιο

7 Νοε 2026

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Podcast στην εφαρμογή Replaio Radio Έρχεται σύντομα

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Επεισόδια

The Great American Songbook: Why Tin Pan Alley Standards Never Die 14.09.2026

In 1970, with the Beatles freshly dissolved, Ringo Starr released Sentimental Journey, an album of show tunes from the 1920s, 30s, and 40s. John Lennon called it embarrassing and critics mauled it, yet it sold 500,000 copies and hit number 22 in the US and number seven in the UK. This episode uses that contradiction to explore the Great American Songbook: what the canon actually is, where it came...

Regina Carter: How a Detroit Prodigy Reinvented the Jazz Violin 14.09.2026

A four-year-old plays a piano recital flawlessly, then deliberately hits the wrong final note just to hear what it sounds like. Instead of scolding her, her teacher tells her parents to move her to the violin. That child was Regina Carter, and this episode follows her journey from Suzuki-method ear training at the Detroit Community Music School to a MacArthur Fellowship, exploring how she fused ri...

Preservation Hall: How Alan and Sandra Jaffe Saved New Orleans Jazz 14.09.2026

A Wharton graduate and an advertising professional take over a French Quarter music venue and impose three rules on day one: no advertising, no alcohol, and no microphones or amplifiers. By every conventional metric it should have failed within a month. Instead it became Preservation Hall, a global sanctuary for traditional New Orleans jazz that now draws roughly 180,000 visitors a year. This epis...

Charlie Haden: Polio, Free Jazz, and the Bass as a Voice 14.09.2026

Charlie Haden made his singing debut at age two on his family's country radio show in Shenandoah, Iowa. At 15, bulbar polio attacked his brain stem and destroyed his singing voice. This deep dive traces how he rebuilt that voice out of wood and wire, drawn to the double bass by the interwoven counterpoint of Bach, saving money as house bassist on the Ozark Jubilee, turning down a full scholarship...

Paul Chambers: The Bassist Who Made the Double Bass Sing 14.09.2026

Paul Chambers played on more than 100 albums, anchored Miles Davis's first great quintet, and recorded Kind of Blue and Giant Steps, all before dying at 33. This deep dive follows him from his birth in Pittsburgh on April 22, 1935, through a move to Detroit after his mother's death, early years on baritone horn and tuba, a switch to double bass around age 14, and classical study with Detroit Symph...

Ornette Coleman: From Plastic Sax to the Pulitzer Prize 14.09.2026

A Fort Worth teenager improvised over a Sousa march and got kicked out of his high school band. Decades later he became only the second jazz musician to win the Pulitzer Prize for music. This deep dive follows Ornette Coleman from R&B and bebop gigs in the South, through a 1949 beating in Baton Rouge that destroyed his tenor saxophone and forced him onto alto, to an elevator operator job in Lo...

George Wein and the Newport Jazz Festival: Riots to Blueprint 14.09.2026

In 1954, wealthy socialites Elaine and Louis Lorillard hired Boston club owner George Wein to stage a jazz festival at the Newport Casino, and 13,000 fans descended on a town of gilded age mansions. This deep dive follows the turbulent history that followed: Paul Gonsalves's 27-chorus solo into the wrong microphone in 1956, the 1960 riots that brought in the National Guard and inspired Langston Hu...

Mongo Santamaría: Conga Master Who Bridged Cuba and Jazz 14.09.2026

In a smoky New York supper club in 1962, Chick Corea had just quit, a young fill-in named Herbie Hancock was at the piano, and trumpeter Donald Byrd asked the bandleader what the missing link was between Afro-Cuban music and African-American jazz. Then Hancock played a new tune, the bandleader ran to his congas, and Watermelon Man was born. This deep dive traces the life of that bandleader, Ramon...

Art Blakey's Moanin': Anatomy of a Hard Bop Masterpiece 14.09.2026

On October 30, 1958, Art Blakey returned to Blue Note Records and recorded a self-titled album meant to re-establish his brand. The public ignored the name and called it Moanin', after Bobby Timmons's gospel-drenched opening track. This deep dive breaks down why that 40-minute session became the archetype of hard bop, from the call-and-response piano line that mimics a congregation shouting amen t...

Minton's Playhouse: The Harlem Club Where Bebop Was Born 14.09.2026

In late 1930s New York, union walking delegates roamed Harlem fining musicians $100 to $500 for playing unsanctioned jam sessions. This deep dive is the biography of the one room where they looked the other way: Minton's Playhouse, opened in 1938 on the first floor of the Cecil Hotel by Henry Minton, the first Black delegate to Local 802, who handed out free food and personal loans and turned his...

Milt Jackson: How 'Bags' Made the Vibraphone Sing the Blues 14.09.2026

The vibraphone is a cold piece of machinery: aluminum bars, metal resonator tubes, an electric motor, and a foot pedal. Milt Jackson made it sound like a human voice. This deep dive follows Bags from his birth in Detroit on January 1, 1923, through guitar at seven, piano at eleven, drums, timpani, violin, and a professional gospel touring gig at sixteen, to the moment he heard Lionel Hampton with...

Miles Davis: The Restless Architect Who Kept Reinventing Jazz 14.09.2026

A wealthy teenager in East St. Louis had his knuckles rapped for playing with vibrato, and grew up to become the Prince of Darkness. This deep dive traces Miles Davis through every reinvention: dropping out of Juilliard after three semesters to chase Charlie Parker into Harlem jam sessions, building the nonet that produced Birth of the Cool, and a 1949 Paris trip with Juliette Greco, Sartre, and P...

Miles Davis and the Birth of the Cool: How a Flop Changed Jazz 14.09.2026

Between 1944 and 1948, Miles Davis played trumpet in Charlie Parker's quintet and realized he could not match the blistering speed or piercing high notes of Parker and Dizzy Gillespie. This deep dive examines how that artistic crisis led him out of bebop and into Gil Evans's basement apartment on 55th Street, where a group of musicians fatigued by velocity studied the Claude Thornhill Orchestra's...

Machito: The Bandleader Who Built Afro-Cuban Jazz and Cubop 14.09.2026

Nobody agrees on where or when Frank Grillo, known as Machito, was born. Sources say Havana or Tampa, and 1908, 1912, or 1915. This deep dive argues that the ambiguity fits a man who refused to choose sides. Raised in Havana's Jesus Maria district alongside his foster sister Graciela, he moved to New York in 1937, formed the Afro-Cubans in 1940, and in 1941 hired his brother-in-law Mario Bauza as...

Lionel Hampton: Vibraphone Pioneer Who Integrated the Bandstand 14.09.2026

In the summer of 1950, Lionel Hampton parading through the infield of Wrigley Field in Los Angeles playing Flying Home drove 14,000 people into a near riot. This deep dive explains how a kid born in Louisville in 1908, raised across Birmingham, Kenosha, and Chicago during the Great Migration, and barred from the Boy Scouts by segregation, found a side door through the Bud Billiken Club and the Chi...

Lee Konitz: Cool Jazz Alto Sax in the Shadow of Charlie Parker 14.09.2026

In the late 1940s every alto saxophonist in New York was trying to sound like Charlie Parker. Lee Konitz politely declined. This deep dive follows him from a childhood living behind his family's Chicago laundry, through clarinet and tenor before settling on alto, formal training with Lou Honig and Santy Runyon, and a pivotal 1946 meeting with pianist Lennie Tristano that shaped his long, flowing m...

Kenny Clarke: The Drummer Who Got Fired for Inventing Bebop 14.09.2026

Kenny Clarke, known as Klook, invented modern jazz drumming and was fired for it. This deep dive follows him from a Pittsburgh orphanage, where a teacher pushed him toward the snare drum and he composed hymns on a church pump organ, to New York in 1935, where he moved the timekeeping from the heavy bass drum up to the ride cymbal and freed his other limbs to drop bombs. The trombone section at the...

Jon Hendricks and the Invention of Vocalese Jazz Singing 14.09.2026

Vocalese is the art of writing lyrics to every note of a pre-existing instrumental jazz recording, then singing all the horn parts with human voices. This deep dive tells the 96-year story of the man who turned that impossible task into a genre: Jon Hendricks, born in Toledo, Ohio in 1921 into a family of 14 children, whose pastor father and hospitable mother made their home a stopover for touring...

John Scofield: The Guitarist Who Refused to Pick One Genre 14.09.2026

John Scofield left Berklee College of Music before finishing his degree because the phone rang with offers from jazz legends. This deep dive traces how a kid born in Dayton, Ohio and raised in Wilton, Connecticut went from recording with Chet Baker and Gerry Mulligan in 1974 to surviving the bandstands of Billy Cobham, Charles Mingus, and Gary Burton, then landing a three-and-a-half-year run in Mi...

Coltrane's Giant Steps: Inside the 1959 Sessions That Changed Jazz Harmony 14.09.2026

Two weeks after finishing his contribution to Kind of Blue, John Coltrane walked into a different studio and recorded a masterpiece that rewrote the physics of his instrument. This episode narrows in on 1959 and 1960, the window in which a respected sideman became a leader. Business manager Harold Lovett negotiated an Atlantic Records contract with a $7,000 annual guarantee, over $77,000 in today'...

John Coltrane: Sheets of Sound, A Love Supreme and the Path to Sainthood 14.09.2026

In a San Francisco church, a mid-century saxophonist gazes down from a Byzantine-style icon with a golden halo, venerated by a congregation that uses his music as liturgy. This episode explains how John Coltrane got there. Raised in North Carolina with two grandfathers who were AME Zion ministers, he lost his father, an aunt and both grandfathers within months in the late 1930s, a loss the hosts t...

J.J. Johnson: How a Bebop Pioneer Made the Trombone Fast 14.09.2026

In the 1940s bebop demanded blistering speed, and the consensus was that a slide trombone, essentially a long piece of brass plumbing, could not keep up. J.J. Johnson ignored the consensus. This episode traces how James Louis Johnson, born in Indianapolis in 1924, started on piano at nine, which gave him a harmonic, architectural view of chords before he ever touched a trombone at 14. Trumpeter Fa...

Herbie Hancock's Head Hunters: The 1973 Pivot From Avant-Garde to Funk 14.09.2026

An elite jazz pianist who played with Miles Davis and led one of the most cerebral bands of the early 1970s asks a friend to blow across a glass beer bottle, loops it, and creates one of the earthiest dance grooves of the decade. This episode zooms in on Herbie Hancock in the fall of 1973 and the making of Head Hunters. The hosts set the context: hard bop roots on his 1962 debut Takin' Off, bounda...

Tom Jobim: Grief, Nature and the Birth of Bossa Nova 14.09.2026

The architect of one of the smoothest genres in music hated the piano as a kid and wanted to play soccer instead. This episode follows Antonio Carlos Jobim, known as Tom, from the Tijuca district of Rio de Janeiro, where he was born in 1927, through the 1935 death of his diplomat father, the family's move to a then-quiet Ipanema, and the stepfather who persistently coaxed him onto the bench. Jobim...

George Benson: From Pittsburgh Child Prodigy to Breezin' and Pop Stardom 14.09.2026

At eight years old, George Benson was clutching a guitar in an unlicensed Hill District nightclub in Pittsburgh when police raided the venue. It was just his weekend. This episode uses Benson's life to decode the mechanics of artistic reinvention: how a strict instrumental jazz guitarist became a triple platinum pop vocalist without shredding his credibility. We start with the seven-year-old playi...

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